The road ahead is long, poetry is the companion, the years are in a hurry, and I wish you peace! Hello, I'm Feihua-kun.
The most beautiful is the Song Ci, today, Feihuajun picked up ten Song Ci, and felt the deep affection in the poems together.
This sentence comes from the Song Dynasty female lyricist Le Wan's "Bu Operator Answer", which expresses the poet's painful feelings when he separates his lover, and also reflects the unswerving spirit of life and death between the lyricist and his lover.
This sentence is straightforward and clear, portraying a female image with sincere feelings and decisive thoughts, showing a spirit of life and death. The lyrics express the contradiction and helplessness of the lyricist about not being able to meet his lover, but he can't let go of this love. In despair, the lyricist made a wish, hoping to be married again in the next life, showing her persistence and firmness in love.
This sentence "for whom to get drunk and for whom to wake up, to this day I still hate to part" comes from the Song Dynasty lyricist Lu Benzhong's "Tasha Xing, Snow Like Plum Blossoms". This sentence expresses the poet's deep regret and endless longing for parting.
For whom to get drunk and for whom to wake up" reveals the contradictions and struggles in the heart of the lyricist. He was drunk by parting and woke up by longing, showing his deep pain and helplessness about parting. This kind of emotional expression is both direct and profound, making people feel the sincerity and affection of the lyricist's heart.
To this day, I still hate parting", which further deepens the poet's regret and hatred for parting. He hated that he had easily separated from his lover at the beginning, and this remorse was not only a reproach to himself, but also a helplessness to fate. This kind of emotional expression is both profound and touching, making people feel the inner struggle and pain of the lyricist.
Ouyang Xiu's "Qingyu Case: How Many Spring Things Come in a Year" is a lyric work with the content of hurting spring, cherishing people, and thinking about returning. Among them, the sentence "lovesickness is difficult to express, the dream soul is unfounded, and only the return is" profoundly expresses the poet's longing for his hometown and relatives.
The sentence "lovesickness is difficult to express", through the word "difficult", directly expresses the lyricist's indescribable feelings of longing for distant relatives, and this emotion is deep and sincere. At the same time, the word "difficult" also hints at the poet's inner struggle and helplessness, because he cannot directly return to his hometown and reunite with his relatives.
The sentence "Dream Soul Has No Basis" further expresses the poet's longing for his hometown and relatives. The dream soul has no evidence, which means that even in the dream, it is impossible to meet with relatives, and this unrealizable longing is even more profound. At the same time, "no evidence" also hints at the confusion and helplessness in the lyricist's heart, because he does not know when he will be able to return to his hometown.
Only the return is", which is the poet's firm belief in returning home. Even though the lovesickness is difficult to express and the dream is unfounded, the lyricist firmly believes that only by returning to his hometown can he truly realize his wish to reunite with his loved ones. This belief is firm and sincere.
The phrase "remember the green Luo skirt, pity the grass everywhere" comes from the Song Dynasty lyricist He Zhu's "Green Luo Skirt, Dongfeng Liu Mo Chang". This sentence expresses the poet's deep longing for his lover, as well as his love and cherishment of natural scenery.
Remember the expression of "green Luo skirt" reminds people of the image of a lover wearing a green Luo skirt, which is deeply imprinted in the poet's heart and becomes the source of his thoughts. This kind of emotional expression is both direct and profound, making people feel the deep attachment and longing of the lyricist to his lover.
The expression "pity the grass everywhere" further expresses the poet's love and cherishment of natural scenery. Fangcao is a symbol of spring and a symbol of life, and the lyricist loves Fangcao, which also expresses his cherishing of life and awe of nature. This kind of emotional expression is both profound and touching, making people feel the sincerity and affection of the lyricist's heart.
The phrase "melancholy is not reached, and the secluded steps are born overnight" comes from the Song Dynasty lyricist Wu Wenying's "The Wind Enters the Song". With a bleak environment and vivid images, this sentence expresses the poet's deep melancholy and longing for the departure of his lover.
The expression of "two mandarin ducks is not enough", which is both direct and vivid. The double mandarin duck here refers to a pair of mandarin ducks, which is a symbol of love. The lyricist used the double duck to metaphorize the departure of the lover, expressing his deep melancholy and longing for the departure of the lover. This kind of emotional expression is both direct and profound, making people feel the sincerity and affection of the lyricist's heart.
The expression "One Night Moss" further exaggerates the bleak environment. The secluded step refers to the silent path, and moss refers to the growth of moss. The use of "one night moss" here to describe the speed of moss growth also hints at the depth of the lyricist's longing for the departure of his lover. This kind of emotional expression is both profound and touching, making people feel the inner struggle and pain of the lyricist.
Linjiang Immortals: Remembering the West Pond Drinking in the Past is a poem by Chao Chongzhi in the Northern Song Dynasty, the whole word is based on recalling the scene of drinking in the West Pond in the past as a clue, and through the comparison between the past and the present, it expresses the author's nostalgia for the old friendship and the emotion of life changes.
The first sentence "Don't come and don't send a line of books" directly points out the theme and expresses the author's longing for his friends. The "one-line book" here does not refer to a letter, but to a word, which vividly expresses the depth of the author's longing for his friend. This feeling of nostalgia is not only a memory of the good times of the past, but also an expectation of a reunion in the future.
The next "ordinary meeting, still not as good as the beginning", further deepened this longing. "Ordinary encounters" here refer to the common aspects of the past, while "not as good as the beginning" refers to the fact that the current situation has changed and can no longer be as carefree and free to speak as before. This change is not only an impact on the individual's life, but also an impact on the social environment.
This "Fortune Operator" is the work of Li Zhiyi, a lyricist in the Song Dynasty, and was selected into the "Three Hundred Song Songs". It is deeply rooted in the flavor of folk songs, clear as words, overlapping and looping, and at the same time has the characteristics of literati words with new and ingenious ideas, deep and subtle.
I live at the head of the Yangtze River, and you live at the end of the Yangtze River", using the river as a clue, point out that the protagonist and his loved one are separated by a water, but they can't see each other because of the difference in regions. This kind of spatial distance also hints at the longevity of their lovesickness.
Thinking about you every day and not seeing you, drinking the water of the Yangtze River together", which directly shows the protagonist's deep longing for Jun and his persistent pursuit of love. This love flows like water for a long time, and this hatred lasts forever.
I only hope that your heart is like my heart, and I will live up to my love", expressing the protagonist's ardent expectations and firm commitment to love, no matter when and where, I hope that the other party can cherish this emotion as much as I do.
This poem uses the scenery of the Yangtze River to skillfully express the deep attachment and endless expectation of love, the language is simple and the emotion is deep, which fully reflects the charm and humanistic spirit of Song Ci.
This poem "There is a silver ray left tonight, and I am afraid that the meeting is in a dream." "From the Song Dynasty Yan Jidao's "Partridge Sky Colorful Sleeves Hold the Jade Bell Diligently". The meaning of this poem is to describe a deep fear and doubt: looking at the loved one under the bright silver lamp, the fear that all this is actually just a dream, and if it is really a dream, then once you wake up, you may be separated from each other forever.
In this poem, Yan Jidao depicts his deep attachment and endless longing for the lover he met in his dreams with extremely delicate emotions. He uses silver lanterns as a backdrop for his night talks, reflecting the subtle and complex emotional relationship between the two through candlelit conversations. At the same time, this poem also borrows from Du Fu's poem "Qiang Village", "The night is more candleless, relatively like a dream", expressing a similar theme to Du Fu - memories of the past and expectations for the future, but the expression is more light and tactful.
From the perspective of appreciation, the emotional expression of this poem is very rich, with both deep nostalgia and endless fear. It reveals the human desire for love, the fear of loss, and the helplessness of reality. This complex emotion is intertwined to create a strong contrasting effect, which makes the poem of high artistic value.
This poem "Even if the dream soul exists, it becomes nothing, and that can and dream nothing." "From the Northern Song Dynasty lyricist Yan Jidao's "Ruan Lang Gui: The Old Fragrance Remnants Like the Beginning". This poem expresses the feelings of the dwellers and thinkers: Shang Yun writes about people, love is not as good as things, expressing men's affection and women's infatuation; Xia Yan relayed from the worries in front of him to the sorrows of the night, telling the sadness of his situation and the pain of lovesickness.
The meaning of this poem is to express the protagonist's deep longing and endless pain for the person with whom he has lost contact. Although he knew that the encounter in his dream would eventually come to naught, if he couldn't even make a dream, the feeling of pain and helplessness would undoubtedly be deeper. Through such depictions, the lyricist Yan Jidao expresses his deep nostalgia and endless longing for the lost people with extremely delicate emotions.
Ouyang Xiu's "Yulou Spring: I Don't Know the Distance of You After Farewell" is a poem that describes the feelings of missing women after parting. Among them, the sentence "Don't know how far or near you are" expresses the deep concern of the woman for the person who is far away, she doesn't know where he is, and whether she is also thinking about herself. And "How Desolate and Stuffy" depicts the desolation and anguish in the heart of the woman, who thinks about him all the time, but does not know how to find him, and this helplessness and pain deeply haunt her.
The whole poem is allegorical with scenes, the scenes are blended, the context is euphemistic and tortuous, deep and delicate and gentle and gentle. Through delicate brushstrokes and concise language, Ouyang Xiu successfully portrayed the loneliness and depression of the woman after parting and the deep nostalgia for the travelers. At the same time, he also expressed his resentment towards the ruthless person, and vividly portrayed the desolation and sorrow of a woman who lived alone in the boudoir after her lover's parting.
The above is what I shared today, I hope you enjoy it. The years are quiet, may you go through the vicissitudes of life, a thousand sails have passed, and there is still that young man living in your heart, young and old, and the poetry is still the same! Autumn and Winter Check-in Challenge