The ancient temple in the deep mountains is one of the common themes in landscape painting, which shows the combination of natural landscape and humanistic architecture, and has a unique charm and artistic conception. The following is an introduction to how to draw paintings of ancient temples in the deep mountains for reference.
1.Visual Perception and Composition: Before starting to paint the ancient temple in the deep mountains, you must first observe and feel the actual landscape scenery. Ancient temples deep in the mountains are usually located at the foot of the mountain or on the top of the mountain, and the surrounding environment is mostly green mountains and green waters, and the clouds and mist are shrouded. To capture this visual feeling, you can choose an appropriate composition that places the mountains and ancient temples in the frame, while taking care to create a sense of perspective from near and far.
2.Basic brushwork: The basic brushwork of brushing landscapes includes the use of dots, lines, surfaces and ink stains. When painting the ancient temple in the deep mountains, you can use dot painting and lines to depict the texture and form of the mountain stones, and use the gradient of ink stains to express the layering and distance of the landscape.
3.Use of ink color: Ink color plays a vital role in landscape painting. Ancient temples deep in the mountains are often shrouded in mist, and ink can be used to express this hazy effect. A mixture of light ink, thick ink and ink can be used to depict the texture and layering of the rocks, and the change of ink color can be used to express the distance and three-dimensionality of the landscape.
4.Detail depiction: When painting the ancient Tibetan temple in the deep mountains, it is necessary to pay attention to the details and characteristics of the ancient temple. For example, the eaves, doors and windows, mountain gates, etc. of the ancient temple need to be depicted with meticulous lines and ink colors to highlight the architectural characteristics and historical atmosphere of the ancient temple.
5.Paper selection: For brush painting landscapes, choosing the right paper is also very important. Generally speaking, rice paper is one of the most commonly used papers, it has good ink absorption and texture, and is able to better express the gradation and gradient of ink color.
6.Learning Xi and practice: To paint a good picture of the ancient Tibetan temple in the deep mountains, you need to continue to learn Xi and practice. You can refer to some classic landscape paintings and learn Xi composition, brushwork and use of ink color. At the same time, you should also have the courage to try to create your own works, give full play to your imagination and creativity, and improve your skills through continuous Xi practice.
There are many details about the painting process and techniques of painting the ancient Tibetan temple in the deep mountains, and the following are further explanations:
1.Use of color: In addition to ink, appropriate colors can also be used in landscape painting to add vividness to the picture. Watercolors, colored inks, or colored paper can be used to depict parts of ancient temples, such as roofs, doors, and windows. When using color, it is necessary to pay attention to the harmony and balance with the ink color to maintain the harmony of the whole.
2.Line expression: In addition to the basic line depiction, different line expression techniques can also be used, such as light and heavy changes, outlines and lines, etc., to express the texture of the mountain rock and the details of the ancient temple.
3.Ink rendering: When painting ancient temples in the deep mountains, you can try to use the technique of ink rendering to create the softness and layering of the landscape through the use of water. You can use tools such as a wet pen, wet brush, or wet cloth to achieve an ink rendering effect.
4.The atmosphere of the deep mountains and ancient temples: In addition to the image depiction, you can also express the atmosphere and emotions of the deep mountains and ancient temples through the use of delicate ink colors and brushwork. Techniques such as thick ink, wet ink and dry brushwork can be used to express the tranquility, mystery or solemnity of the landscape.
In short, the painting of the ancient Tibetan temple in the deep mountains needs to accurately capture the visual feeling, and use appropriate brushwork and ink color to express the layering and distance of the landscape. At the same time, they should also pay attention to the details of the depiction and the choice of paper, and constantly improve their skills and performance ability through learning Xi and practice.