Song Dynasty prostitute, art or body?The screenwriter's remarks sparked heated discussions.
Menghualu's drama is adapted from Guan Hanqing's "Save the Wind and Dust", highlighting the problem of prostitutes and causing controversy among the audience. Zhao Paner, Song Yinzhang and Oiran Zhang Hao in the protagonist group became the focus, however, the sentence "Only people in Israel are called cheap" and some remarks of the screenwriter aroused the dissatisfaction of many audiences.
The focus of the debate turned to the question of whether the prostitutes (official prostitutes) of the Song Dynasty were really selling their art and not their bodies, and whether "tricks" and "prostitutes" were synonymous. Some netizens questioned: "Modern people may not be able to refuse the boss's overtime request, and they even believe that there was such a thing as selling art but not selling oneself in ancient times." This suspicion is not unreasonable, considering the low status of women in ancient times, especially prostitutes in lowly status, who could not even fully control their own comings and goings.
In ancient times, women played multiple roles, such as wife, concubine, maidservant, concubine, and prostitute. The main wife has the highest status, while the concubine can have more than one, which can be purchased with money. The maid is a maid and a slave, and she cannot refuse the master's request;Hime is a talented woman, that is, "play", which can be divided into dancing girls, singing girls, and music girls. Unlike wives and concubines, prostitutes have the lowest status, and it is almost impossible to keep themselves in the Qinglou.
Although the Song dynasty enacted strict laws governing prostitution, it did not improve the status of prostitutes or reduce their numbers. Some historical materials reflect that the prostitute was prevalent in the Song Dynasty, and there was even a phenomenon of spring outings with prostitutes. **Although prostitutes were banned, there was a system of official prostitutes, and these prostitutes served in the government, with a focus on their musical and dance skills. However, the notion that official prostitutes do not sell their bodies has sparked controversy, as evidenced by relevant laws and historical records.
Although there is a special situation of the Qingqi people, that is, selling their art and not selling their bodies, in the party, it is difficult to expect every Qingqi person to stick to it. The bustard's mother always supervised them, but only because the "first" value of the Qingqi people was high, they did not sell them easily. However, women in ancient times had a low status, especially prostitutes, who had a hard time maintaining their dignity and independence.
Zhao Paner, the heroine of Guan Hanqing's "Save the Wind and Dust", is not a Qing person, but her fierceness, bravery, intelligence and kindness show the valuable self-reliance of prostitutes. As a member of the Yuan Dynasty, Guan Hanqing was able to show such a spirit at that time, which is thought-provoking. Nowadays, people are entangled in whether the protagonist is lost because of her happy background, does this reflect the relative lag of modern people's thinking?
Although Menghualu is only a partial adaptation of "Save the Wind and Dust", when describing the problem of prostitutes in the Song Dynasty, the protagonist is set as a Qing Qiren in the play, which seems to emphasize the theme of selling art rather than selling one's body. Although historical evidence is not the primary factor in ancient puppet dramas, a reasonable plot should be created without beautifying history. After all, both in ancient times and today, the group of prostitutes is a poor group of people who share the same disease.
Through this episode, we may be able to better understand the struggle between the art and dignity of prostitutes in the Song Dynasty. Different from the excessive pursuit of historical authenticity, the performance in the play is more like a poetic interpretation of history. However, the audience is still debating whether we can transcend historical realities and understand and value the unique qualities that ancient prostitutes possess about the status and fate of their prostitutes
Menghualu The struggle between the art and dignity of prostitutes in the Song Dynasty
In this in-depth analysis of "Menghualu", the author launched a thought-provoking ** around the image of a prostitute in the Song Dynasty. From the themes highlighted in the plot to the historical and cultural evidence, people have a strong interest in the living conditions of this ancient group.
First of all, the article cleverly mentions some of the screenwriter's remarks when talking about the theme, pointing out the focus of the audience's controversy. This introduction provides the reader with a clear context for a better understanding of the origin of the controversy. Furthermore, the article deeply analyzes the status of prostitutes in the Song Dynasty, and clearly shows their position in feudal society through the classification of women's roles in ancient society. This section strongly supports the central point of the article: prostitutes are inferior in status, unlike wives and concubines, and they are almost inexorable.
Secondly, the article provides a profound analysis of the law governing prostitution in the Song Dynasty and its practical effects. Despite the legal provisions, the status of prostitutes has not improved as a result. By citing historical documents, the author vividly shows the prevalence of prostitutes at that time, and even the situation of taking prostitutes on spring outings. This provides readers with a vivid and authentic historical picture, giving us a clearer understanding of the social landscape at that time.
In the article, the discussion of the official prostitution system is also profound and detailed. Although official prostitutes are emphasized to be prostitutes, the article cleverly reveals through legal regulations and historical records that official prostitutes are not completely prostitutes. The argument of this point makes the article more powerful in supporting the viewpoint. At the same time, the article also pointed out that although they have the saying that they do not sell their bodies, due to the low status of women in ancient times, it is difficult for them to keep their independence.
It is commendable that at the end of the article, the heroine in Guan Hanqing's "Save the Wind and Dust" is brilliantly analyzed. The portrayal of Zhao Paner's character of fierceness, bravery, intelligence and kindness not only adds some literary and artistic flavor to the theoretical analysis of the article, but also makes readers closer to this ancient figure. Through Guan Hanqing's creations in the Yuan Dynasty, the article cleverly raises the question: why did people have such a tolerant and understanding attitude towards prostitutes at that time, but in modern times, they are struggling with whether they have lost their lives?
Finally, the article's evaluation of the series also seems objective and rational. mentioned that the drama is an ancient puppet drama, and does not force historical authenticity, but does not ignore the risk of beautifying history. This point of view is instructive for today's audiences who are keen on ancient dramas. While entertaining, we should also look at history rationally and not over-glorify or belittle the status of prostitutes because of the setting of the series.
Overall, this review chapter is well-structured and logical. Through an in-depth analysis of history, plot, and characters, it provides readers with a more comprehensive perspective. At the same time, the article's analysis of the controversial points and the evaluation of Guan Hanqing's work make the whole review have profound and unique insights.
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