Martial arts is a world in everyone's heart, the sea is smiling, the smoke and rain are far away, the world is up and down several times, and the struggle is endless. Martial arts rivers and lakes are like life, there are pride, conspiracy, national righteousness, and one's own small interests, which are too exciting and attract people to fall into them. However, is there a specific standard for martial arts?
There is a martial arts league leader, Jin Yong, who writes heroic history and complex martial arts world with a wonderful pen;There is a director genius, Tsui Hark, who writes and directs classic martial arts masterpieces with his talent and interprets the heroic legend of the rivers and lakes. However, the two friends "turned their faces" because of their different understandings of the complex martial arts character Dongfang Undefeated, Jin Yong once said that Tsui Hark did not understand martial arts, and his ** was unwilling to sell it to him to make a movie.
Why did the undefeated casting of the East cause the "martial arts dispute"?Some people think that CCTV's "Smiling Proud Jianghu" is the most in line with the original work, and the undefeated East is the most in line with Jin Yong's image;Some people regard Tsui Hark's version of Lin Qingxia, which is indistinguishable between male and female, as the most classic. Which is the real "martial arts"?
First of all, the undefeated particularity of the East makes it occupy an important position in Jin Yong's martial arts world. Most of Jin Yong's classic martial arts** can find traces of historical truth, but "Smiling Proud Jianghu" has no specific historical background, telling the story of sectarian disputes and the confrontation between good and evil, which can happen at any time. "Where there are people, there are rivers and lakes", and the brawl in the martial arts world is the contest between people in the real world.
Dongfang Undefeated is not the protagonist in the story, but in the original book is a character with a strong sense of presence and symbolic significance. In **, Dongfang Undefeated was portrayed as a "ruthless", "scheming", and "the first in the world in martial arts" The image of a conspirator. However, the real Eastern Undefeated was killed when he was besieged because of his inflated desire for power. Such an ending reveals the truth of life, there are too few people who can stand at the peak, and it is likely to be replaced in an instant.
Lin Qingxia's version of "Undefeated in the East" showed excellent acting skills in Tsui Hark's martial arts movies. Although Jin Yong was dissatisfied with this version, saying that Tsui Hark did not understand martial arts and "blindly changed" "Smiling Proud Jianghu", the Lin version of "Undefeated in the East" is still considered to be the pinnacle of aesthetics, showing Tsui Hark's deep understanding of love. Although this sense of beauty is not the focus of Jin Yong's concern, the high level of film and television aesthetics is still amazing.
There is no set standard for martial arts, it depends on the individual's understanding of martial arts. Jin Yong is a scholar who pays attention to the consistency of the reality reflected in martial arts with other characters. He emphasized that martial arts is not only "beautiful", but also the embodiment of the truth of human nature and the variety of rivers and lakes.
The CCTV version of "Smiling Proud Jianghu" and Dongfang Undefeated are more in line with the "real martial arts" in Jin Yong's heart. This difference in understanding of martial arts is rooted in one's view of life. The Taoist saying "Straight wood is cut first, Ganjing is exhausted first" expresses the importance of convergence, while Mohists believe that people will always die in what they are good at. People's interpretation of martial arts also has a personal color, leading to the emergence of various martial arts styles.
Jin Yong and Gu Long have very different styles, but they both have a group of loyal readers. The things I like reflect the real individual, and this is the beauty of the virtual reality of the martial arts world. Those who know people, understand the rivers and lakes, and those who understand the rivers and lakes appreciate martial arts. The battle for martial arts may never end, because everyone has their own martial arts world in their hearts.
This article delves into the different understandings of Jin Yong and Tsui Hark in martial arts, especially for the creation of the complex character of Dongfang Undefeated, as well as the differences between the two creators on martial arts aesthetics. The article analyzes in detail the contradictions and controversies between the two in the creation of martial arts in an objective tone, presenting a collision of art and concept.
First of all, when introducing the charm of martial arts, the article skillfully uses vivid descriptions, comparing martial arts rivers and lakes to a world of life, full of pride, conspiracy, national righteousness and one's own small interests. This engaging depiction gives the reader a more intuitive sense of the appeal of martial arts.
Secondly, the differences between Jin Yong and Tsui Hark about the undefeated East were analyzed in depth. The article pointed out that Dongfang Undefeated is a special and symbolic character in Jin Yong's original work, and Tsui Hark shows a deep understanding of love through Lin Qingxia's version of interpretation. By comparing the two creators' interpretations of this role, the article reveals the diversity of characters in martial arts works, as well as the different aesthetic orientations in different artistic fields.
The article also restores and interprets Jin Yong's criticism of Tsui Hark. The reason why Jin Yong was dissatisfied with Tsui Hark's choice of Lin Qingxia to play the undefeated East was mainly because he thought that Tsui Hark had "blindly changed" the original work. This controversy actually reflects the two creators' personal attachment to the concept of martial arts, as well as their different views on the loyalty of their works. The article cleverly restores the back of this "face-turning" through Jin Yong's words, showing a fierce ideological collision between the two creators.
Finally, by quoting Mozi's famous sayings, the article profoundly extends people's interpretation of martial arts. The diversity of martial arts allows everyone to find their favorite style in it, and this also reflects the diversity and complexity of life. This provides a clever finishing touch to the end of the article, allowing the reader to think further about the deeper meaning of martial arts.
Overall, this commentary** comprehensively shows the similarities and differences between Jin Yong and Tsui Hark in the creation of martial arts, as well as the controversy over the role of Dongfang Undefeated through nuanced analysis. The language of the article is vivid and logical, providing readers with a wonderful journey of deep thinking about the art of martial arts.
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