On December 3, a Weibo entitled "**Lip-synching Identification" topped the hot search list, attracting widespread attention from social networks. This incident originated from a blogger's production of **, which identified the authenticity of the 12 songs performed at the Shanghai concert.
The reaction on social ** can be described as mixed, and some netizens questioned the qualifications of the blogger, believing that his identification is not authoritative. At the same time, the Beijing Municipal Cultural Market Comprehensive Law Enforcement Corps responded to this, saying that it would record the situation and make a judgment based on the situation. The staff of the Shanghai Cultural Tourism Market Quality Inspection and Service Center said that lip-syncing is an illegal act and needs time to be investigated and verified.
The whole incident sparked a split in society. Some people think that whether it's true or not, lip-synching is wrong;However, there are also questions about the bloggers' motives. This controversy has brought to the surface a series of problems in the concert market.
First of all, **concert tickets** remain high, and the rights and interests of the audience need to be protected urgently. There are still chaos in the concert market, such as "pillar tickets", "wall root tickets" and "tree tickets", which directly damage the legitimate rights and interests of consumers and reduce the overall perception.
At the same time, once the lip-synching in the concert is recognized, it will have a negative impact on the audience's consumption experience. The audience's expectation for a performance is a performance that is real, shocking, and resonates with the artist, and any form of lip-synching will detract from this audience experience.
The healthy development of the concert market is inseparable from the effective management of "lip-synching". Regardless of whether the "** lip-synching appraisal" is true or not, the management of "lip-synching" is a manifestation of the basic respect for the audience, and it is also a necessary condition for the concert market to continue to heat up. Only by standardizing management and strengthening supervision can the concert market better serve the audience and promote the greater development of the performance economy.
Therefore, the management of the concert market should be clearer, and the supervision of performers should be strengthened to ensure the authenticity of performances and the rights and interests of audiences. At the same time, the best mechanism of the concert market also needs to be more transparent and fair to reduce the adverse impact of improper means. Only in this way can the concert market truly develop healthily and sustainably, and provide a better performance experience for the audience. In addition to the call for the management of the concert market, for the entire performing arts industry, it is more necessary to strengthen self-discipline and standardization. Regulations such as the Measures for the Self-Discipline Management of Performers in the Performance Industry and the Regulations on the Administration of For-profit Performances have long stipulated the code of conduct for performers in performances, but the actual implementation still needs more strict supervision.
At the same time, the problems in the concert market are not limited to lip-syncing and ticket prices. In recent years, the promotion and marketing of some improper means have also had a great impact on the concert market. False publicity, exaggerated publicity and other means not only deceived the audience, but also hurt the image of the entire performing arts industry. Therefore, the relevant authorities need to establish a more complete regulatory system and carry out stricter supervision of the promotion of the concert market, so as to purify the market environment and provide the audience with authentic and credible performance information.
The healthy development of the concert market also needs to pay attention to the professionalism of artists. The use of lip-synching at concerts is not only illegal, but also a harm to the artist's own professional ethics. Artists should treat their performances with a more professional and responsible attitude to ensure that the audience gets real and shocking enjoyment. The success of the concert is not only the box office figures, but also the image and reputation of the artist in the hearts of the audience.
Finally, it should be emphasized that the management and regulation of the concert market is not only the responsibility of the first and relevant competent authorities, but also requires the joint efforts of all parties in the industrial chain. Organizers, performing arts companies, artists and audiences, each link needs to fulfill its own responsibilities to form a virtuous circle of jointly promoting the development of the industry.
In general, the lip-syncing incident, although it has plunged the concert market into a temporary controversy, has also provided us with an opportunity to look at the entire performing arts industry. By strengthening the enforcement of laws and regulations, increasing the supervision of the concert market, improving the professionalism of artists, and protecting the rights and interests of audiences, we hope to establish a healthier, more transparent and thriving performing arts industry ecosystem, and provide audiences with a better and more authentic performance experience.
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