"Fog".
1. Gray fog, at night, walking.
Its stout steps of a big white bear.
Biyun was wet and dirty, walking, walking, and squatting down.
It has no weight.
Huge white buttocks.
Slowly, slowly.
Ascend - and go lower again.
Two. It forgets the tranquility behind it.
Mountains, trees, intersecting roads.
It is the only one that can pull up an infinite canopy, blinding people's sober eyes and making everything gradually weak and blurred.
From its bad snort, the city suddenly turned into a gray and dull, like a slum with no thickness.
In the dim streets.
The watery dusk is paralyzed in the myopic eyes of pedestrians, and there is no space in the vast mist, and there are a few hazy silhouettes.
The piles of goods that had been stuck on the docks all day long, and only filthy rats were there.
Despicable little gray creature ......
The call of the ferry diaphragm:
The night was early, and hypnotism was performed.
Jianghan Guan Dazhong was about to fall asleep, but the street lamp was thinking about some distant things, and the street children with too much physical freedom were detained.
In the cell without thick white walls, the roof and roof gradually disappeared, and the fog became even bigger, only it, and knew each other.
Three. It makes the prisoner in.
Journalists, thinkers, and students in the dark room, sighing with their heads open, holding ...... of unpublished news in their hands
It peered into a window of light, the sleepless yawn of a pure maiden.
Spit out the lamp-like cocoon, open your eyes to see the world of nightmares.
But it guarded it carefully, like a group of white secret agents sent in, and surrounded the most isolated tall houses, the conspirators, strategists, arms dealers.
Using peace as a white smoke screen, how to draw a map with human bones.
Each square of its own land.
How much new style dominates.
But they were armed with the flesh of the symbol of death, and they smirked and pretended to be ......confused
Four. The fog is expanding, covering up.
The lewd rain that dragged on for an indefinite period of time fell, and the people no longer had to be tempted;
Gray peace beneath the darkness.
A mud of war.
Written in Chongqing in 1947.
Tang Qi (1920--) was formerly known as Tang Kefan, and his pen names were Tang Qi and Tang Na. He is a native of Suzhou City, Jiangsu Province. In 1942, he graduated from the Department of History of the School of Liberal Arts of Northwest Associated University, and in the following years, he lived in Qinghai, Gansu Province, and wrote many poems about grassland scenery and pastoral life. During the Anti-Japanese War, he participated in the National Association of Literary and Art Circles to Resist the Enemy in Chongqing, engaged in creation in groups such as the China Drama Art Society, and participated in the democratic movement. In Shanghai in 1948, he served as a member of the editorial board of "New Chinese Poetry". After the liberation, he worked in the Chinese Writers Association in Beijing, and served as the leader of the ** prose group of the People's Literature magazine and the editor of the "Poetry Magazine". Soon after, he was transferred to Gansu to work, and now he is the head of the Chinese Department of Lanzhou Northwest University for Nationalities. He also serves as the vice president of the Gansu Branch of the Chinese Contemporary Literature Research Association and a member of the editorial board of the journal "Poetry Exploration". His published poetry collections include The First Volume of Poems (1948, Shanghai Forest Publishing House).
The poem "Fog" is divided into four sections, the first of which describes the form of fog;The second paragraph writes about the city scene in the fog;The third paragraph describes the different feelings of the two types of people in the fog, where people are locked in the fog and bitter, while the rulers plan war in the fog, and the fourth paragraph points to a gray peace"The mud of war"theme.
This poem was written in Chongqing in 1947 under the atmosphere of war. Chongqing is a foggy city, fog, commonplace, but the author sees an abnormal picture of social life under this ordinary thing. There all the dynamism of the city is imprisoned, time is hypnotized, and all pace is stuck. Although the time is daytime, it is like the white night in Northern Europe, and all industries are depressed. But at the same time, the war criminals are unusually active, and for them, the fog is like that"Caucasian clandestine officer"of protection, can be arbitrary"Draw a map with human bones", and continues to dominate"Flesh and blood assembled with a death symbol"。This"Caucasian clandestine officer"It is also very allegorical, the rulers at that time were so crazy and so fearless, backed by a large amount of military aid from the United States. With a tow in""Fog"."Behind"Indefinite lewd rain"to compare the difficult life of the people in the war, and compare the war to it"Muddy"Dangerous roads, this is very vivid and vivid.
In the 40s, there were quite a few poems about fog, and most of them were written in response to the suffocating situation. This poem also writes about fog, and it does have its own creation. First of all, it transforms the fog into a fat, clumsy, hobbling white bear, which is very peculiar and realistic. With this image as the center, many corresponding individual images, such as the bad snort, the hypnotic time, the white prison cell, the muddy road, etc., are combined to assemble a tiresome, tiresome and dirty picture. It is very enlightening to guide people to recognize the society that is about to collapse as a whole. This is the author's subjective feeling of society, applying synaesthesia, turning it into a visual image fog, so that the reader can produce the same feeling from this image, this is the charm of poetry. It leaves more room for the reader to relate than a completely realistic work. But there must be a limit in creation, and that is that the imagery and content must be understandable, and if it becomes obscure, it will not be meaningful.
In addition, in addition to the use of symbols, there are also many realistic places, such as the description of the dock in the first paragraph and the situation of several people in the third paragraph, which can be said to be realistic. The symbolism is the branches and leaves, and the actual writing is the roots, so that it does not feel ethereal, illusory, and does not make people feel lacking in imagination. Realism, make people feel close, credible, symbolic, make people play associations, combine with each other, contrast with each other, complement each other, and produce better artistic effects. Yuan Kejia is assessing"Nine leaves"The artistic features of the poet's work are as he says"They strive for the knot of intellect and sensibility.
Together, pay attention to the use of symbolism and association, let fantasy and reality penetrate each other, put thoughts and feelings on lively imagination and novel imagery, and achieve the overall effect through contrast and contrast, so as to enhance the thickness and density, toughness and elasticity of the poem. "This statement is very appropriate for this poem.