In the vast starry sky of art, the legacy of Huang Binne's legacy was so bleak and dull that it was almost rejected by the Zhejiang Museum. These works are like treasures forgotten in the depths of time, silently piled up in the corners of the warehouse, no one asks about them, and no one appreciates them. However, this is the tragedy of art, and it is also the reality that every artist must face – until the works are not recognized by the public, they are nothing more than wasted garbage, and even the pen and ink of genius cannot escape such fate.
Huang Binhong, a profound artist, has a deep understanding of this fate. He knew that only by donating his works to ** could he ensure that they would be seen by future generations. This is a deep love, a love for art, a love for human civilization, and an expectation and blessing for future generations.
It is no accident that most of his works are unknown, but rather because of his serious attitude towards art. In Huang Binhong's view, these works cannot be called "works," they are just experiments in pen and ink, and they are exercises to explore art. This is a high degree of responsibility for one's own work, a devout pursuit of art. In today's impetuous society, this attitude seems to be a bit too demanding, but it is precisely this demand that allows us to see an artist's awe of art.
The works of the Song and Yuan dynasties can become a thousand classical classics precisely because they can stand the test of history;Whether it's the business location, the pen ink program, or the poetic realm, it's impeccable. This is a height, but also a realm, and this is the goal that every artist is pursuing.