Ni Ping's calligraphy works make people feel the breath of joy at a glance, which is strong and profound. The most impressive thing about her calligraphy is the style of Shangyi, which undoubtedly shows that she has worked the calligraphy of the "Song Four Families", otherwise she would not be able to write such smooth and hearty handwriting. Every word of her has a sense of composure, and at the same time exudes a strong literati and bookish atmosphere. In the use of the pen, she is good at concealing the combination of exposure, the middle and the side are interoperable, varied, and her changes are very free, switching freely. Her arrangement of dot painting is very precise, and she has always maintained a close relationship, and there is a very harmonious connection between the upper and lower brushstrokes. There is also an obvious correspondence between the words, which is properly arranged, showing her unique experience.
Ni Ping's calligraphy works are mostly calligraphy, and her sense of rhythm is strong, especially her treatment of the phenomenon of flying white, which is superb and very coordinated. Her ink is also very particular, with obvious contrasts and strong contrasts, and has outstanding expressiveness. This contrast makes the layering of the work even more distinct. In terms of the size of the glyphs, she is good at creating a sense of staggeredness, which is eye-catching. In terms of layout, she is good at soothing and gives people a feeling of refreshment. Her personalized dot painting is more level, for example, her "yes" character, the pen is coherent, the pen is full of personality, and the pen is upturned, which looks very atmospheric.