The secret behind Sanxingdui s most mysterious cultural relics bronze figure plaque .

Mondo Culture Updated on 2024-01-19

The mystery of Sanxingdui cultural relics, the bronze figure plaque is revealed.

As the Sanxingdui site has once again become a hot topic on the Internet, Sanxingdui cultural relics have once again appeared on the hot search list. Located in Guanghan City, Sichuan Province, the Sanxingdui site has nearly 2,000 rich unearthed cultural relics, the most eye-catching of which is the "bronze human figure plaque" - known as one of the most mysterious cultural relics in Sanxingdui. Among the widely unearthed cultural relics in Sanxingdui, bronzes have become representatives, while the "bronze human-shaped plaque" has attracted people's attention because of its unique shape and difficult mysteries.

The glorious history of the Sanxingdui site.

Sanxingdui site is located on the south bank of the Yazi River in the northwest of Guanghan City, Sichuan Province, covering an area of about 12 square kilometers, with a history of 3,000-5,000 years. As one of the largest, longest and most culturally rich ancient cities, ancient kingdoms and ancient Shu cultural sites in southwest China, Sanxingdui has always attracted the attention of archaeologists and historians with its rich and colorful civilization achievements.

The exquisite craftsmanship of the bronzes.

There are nearly 2,000 cultural relics unearthed in Sanxingdui, including pottery, bone, jade, gold, etc. Among them, the bronze has become one of the most representative cultural relics with its full and vivid shape and complex carving process. Works such as bronze Daliren, bronze sacred trees, and bronze masks are all striking for their unique beauty. It is worth noting that the way in which all the bronze artifacts were placed is undisputed, but one artifact is a special case, namely the "bronze figure plaque".

The peculiarities of the bronze figure-shaped plaque.

The bronze human-shaped plaque is difficult to distinguish between the upper and lower parts, which has become a headache for archaeological experts. The upper part resembles a human figure in a robe, and the lower part has legs, but it is impossible to determine the direction in which it is placed. A study carried out by experts found that the back of the plaque is 17 centimeters wide at the top and 17 centimeters at the bottom6 cm, height 34 cm, height 464 cm. The shape resembles a human body without a head or hands, making it difficult to figure out what it is used for.

The discovery of the "headless villain".

During the initial excavations, archaeologists stumbled upon a "headless villain" that appeared to be a mutilated piece. Due to the dirt covered in dirt and the tight excavation schedule, the experts were unable to clean it up and study it in time, and put it in the cultural relics storage box and sent it to the museum's research room. This "headless villain" became the "bronze figure ornament", which led to deeper research.

The mystical ornament of the bronze figure plaque.

In the laboratory, archaeologists conducted a detailed study of the "bronze figure-shaped plaque". According to reports, the back of the "bronze human-shaped plaque" is decorated with two groups of inverted deformed stork patterns, the style is strange and mysterious, and the totem worship of the ancient Shu people seems to have a close relationship. The most mysterious, however, is the way it is placed.

The dilemma of placement.

Archaeologists have not been able to determine the correct placement of the "bronze figure-shaped plaque". According to the normal physiological structure of the human body, it is reasonable to place the "body" on the top and the "legs" on the down. But in this way, the bird pattern on the plaque becomes the head downward, which does not match the artistic logic of the carved pattern. On the contrary, if it is placed in the way that the "legs" are facing up and the "body" is facing down, it does not conform to the physiological structure characteristics of normal human beings.

Bronze human figure plaque" reveals the totem worship of the ancient Shu people.

The discovery of the bronze man-shaped plaque once again shrouded the Sanxingdui civilization with a veil of mystery. At the same time, it also reveals the worship of the ancient Shu people to the bird totem. It is hoped that archaeological experts will eventually solve more mysteries about Sanxingdui through deeper efforts.

Epilogue. Behind Sanxingdui's most mysterious cultural relic, the "bronze figure plaque", is a mystery that is difficult to solve. The discovery of this cultural relic not only gives us a deeper understanding of the totem worship of ancient Shu culture, but also makes us full of curiosity and expectation about the history of Sanxingdui. Perhaps, in future research, more mysteries will be revealed, and the mystery of Sanxingdui will be clearer.

Unraveling the mystery of Sanxingdui: the thinking triggered by the bronze human-shaped plaque.

Sanxingdui's mysterious cultural relics, the "bronze human figure plaque", has undoubtedly become the focus of archaeologists and historians. This article details the discovery of the "bronze figure plaque" in the Sanxingdui site and the mysteries behind it. While gaining an in-depth understanding of this mysterious artifact, I became interested in the ancient culture of Sanxingdui and the lives of the ancients.

First of all, the glorious history of the Sanxingdui site is amazing. As one of the largest, longest, and most culturally rich ancient cities, ancient kingdoms, and ancient Shu cultural sites in southwest China, the discovery of Sanxingdui provides us with an opportunity to peek into ancient civilizations. The Sanxingdui site introduced in the article is 3,000-5,000 years old, which makes me wonder what the life of the ancients was like in that era, and what are the characteristics of their culture and technical level.

Secondly, the exquisite craftsmanship of bronze ware has become a highlight in the Sanxingdui cultural relics. The exquisiteness of the bronze Daliren, the bronze sacred tree, the bronze mask, and other works shows the superb skills of ancient craftsmen. It also made me interested in the artistic expressions of ancient civilizations, how they used limited tools and materials to create such amazing works of art

Then, the peculiarities of the bronze figure medallions made me think about ancient religions and mystical beliefs. The text mentions that the ornament behind this cultural relic is closely related to the totem worship of the ancient Shu people. This reminds me of the ancient people's reverence for the forces of nature and their worship of the mysterious unknown. Perhaps, through this artifact, we can gain a deeper understanding of the belief systems of ancient humans and how they used art to express their awe and admiration for mystical powers.

At the same time, I was also impressed by the difficulty of placing the bronze figure-shaped plaque. This may seem like a simple question, but in fact it involves a challenge to the understanding of the structure of the ancient human body. The efforts and research of experts show the complexity and difficulty of archaeology. This led me to think about how archaeologists could reconstruct the life and social structure of ancient civilizations through limited information.

Finally, at the end of the article, it is mentioned that it is hoped that archaeologists will unravel more mysteries about Sanxingdui through deeper efforts. This makes me look forward to future archaeological research, looking forward to more mysteries being revealed, and the history of Sanxingdui gradually becoming clear.

Overall, this article provoked me to think deeply about ancient civilizations, artistic expression, religious beliefs, and archaeological research by giving a detailed introduction to Sanxingdui and its mysterious artifact, the "Bronze Human-Shaped Plaque". Ancient culture always leaves us with many mysteries, and the process of unraveling these mysteries is not only a restoration of history, but also a profound reflection on the development of human civilization.

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