In the history of Chinese art, the 60s of the 20th century was a turbulent and creative period. In this passionate era, many outstanding artists have expressed their unique views on the times through their brushes. The following are some precious New Year paintings and Chinese paintings, which carry the memories of that era and witness the great changes in Chinese society.
Long Live the Great Unity of All Nationalities in the Country: Shanghai People's Fine Arts Publishing House, created by Yang Junsheng (1966).
This New Year's painting captures the beautiful scene of great unity, where all ethnic groups come together to show the unity and integration of the society at that time. Through bright colors and vivid images, the artist conveys the desire for unity and harmony.
Harvest of the Year: Hunan People's Publishing House, by Zhang Songmao (1963).
Through this New Year painting, Zhang Songmao vividly depicts the scene of the harvest. The golden rice harvest is on the field, expressing the yearning for a better life. The farmers in the picture are smiling, showing the joy and affluence brought by the farmland.
Women's Army: Created by Wu Yumei (1964).
Wu Yumei, with her unique artistic style, created "The Detachment of Women". In the picture, the women's army is heroic and sassy, expressing the tenacity and courage of women. This Chinese painting highlights the important position of women in society at that time.
Roadside: by Wei Zixi (1961).
With his unique perspective, Wei Zixi depicts a poetic "Roadside". The scene in the painting seems to tell the story of the years. Through deep tones and delicate brushstrokes, this Chinese painting conveys thoughts and perceptions of life.
Kitayama Road: Created by Tang Yifang (1962).
Tang Yifang, with his style of landscape painting, created "Beishan Daozhong". In this Chinese painting, the mountains and rivers are integrated, showing the grandeur and magnificence of nature. Viewers feel as if they can feel the fresh mountain breeze and the tranquility of the mountains.
Actively Carry Out Table Tennis Activities for Girls and Teenagers": Shanghai People's Fine Arts Publishing House, created by Qian Sheng (1964).
This poster calls for the active development of female youth table tennis activities through vivid images. Qian Sheng's light-hearted and lively brushstrokes show the demeanor of women in sports. This is not only a work of art, but also an encouragement and celebration of women's participation in sports.
Welcoming the Harvest: Shanghai People's Fine Arts Publishing House, created by Pan Yuchen, Jiang Nanchun, Wu Xingqing (1964).
This group of New Year's pictures shows the busy scene of the harvest in the countryside through vivid pictures. Farmers work together to celebrate a bountiful harvest. Pan Yuchen, Jiang Nanchun, and Wu Xingqing jointly created the picture, making the picture more colorful.
Visiting the Exhibition of Class Education: Shanghai People's Fine Arts Publishing House, by Liang Hongtao (1964).
Through this New Year painting, Liang Hongtao shows the grand occasion of class education in the socialist period. People enthusiastically participated and listened attentively, demonstrating the vitality and achievements of socialist education.
Reading the Newspaper and Choosing a Busy Species": Zheng Mukang (1964).
Through this Chinese painting, Zheng Mukang vividly portrayed the scene of reading the newspaper. People come together and read intently, conveying a thirst for knowledge. This is not only a recognition of culture and education, but also an affirmation of the important role of intellectuals in society.
Aircraft Pesticide Spraying: Shanghai Fine Arts Publishing House, Wang Weixu (1964).
Through this New Year painting, Wang Weixu shows the modernization process of agricultural production. Airplanes fly over fields, spraying pesticides and protecting farmland. This work conveys the pace of the development of the times and the fruits of technological progress.
One person has something to do, ten thousand people help each other, one difficulty, support from all sides": Guangdong People's Publishing House, created by Tan Yuzhao (1960).
This color-matched woodcut shows the power of the people's unity with a profound meaning. In the face of difficulties, people have worked hand in hand, demonstrating the spirit of socialist collectivism. Through a concise yet powerful composition, Tam Yuzhao expresses the theme that unity is strength.
These precious New Year paintings and Chinese paintings are not only works of art, but also a microcosm of Chinese social history. They vividly show the social style and people's living conditions at that time through pictures, and have become treasures in the history of Chinese art. These works bear witness to the changes of the times, and also inspire us to look back on the past and think about the future.
This series of reviews of Chinese art in the 60s of the 20th century is undoubtedly a journey through time, taking us through time and space to feel that turbulent and creative era. These precious New Year paintings and Chinese paintings profoundly reflect the changes in society at that time, as well as the artists' unique interpretation of the times.
First of all, the social themes presented in these works are impressive. New Year's paintings such as "Long Live the Great Unity of All Nationalities in the Country" and "Welcoming the Harvest" vividly present the scenes of social unity and prosperity at that time. This expression of positive energy in society not only reflects the influence of socialist values, but also conveys the yearning for a better future. Through artistic techniques, artists have become leaders in society, guiding people to face life positively and pursue common ideals.
Secondly, this group of works shows diversity and individuality in terms of expression. For example, Wu Yumei's "Detachment of Women" focuses on the heroic and resilient image of women, highlighting the status and power of women in society at that time. In contrast, Wei Zixi's "Roadside" uses abstract and poetic brushstrokes to outline a quiet picture, which makes people immerse themselves in the story of the years. This multifaceted expression reflects the artists' desire for personalized artistic exploration, and also provides the audience with a richer aesthetic experience.
In addition, this group of works also reflects the spirit of social change at that time. "Visiting the Class Education Exhibition" shows the upsurge of class education during the socialist period, and reflects people's confidence and identification with the social system. "Aircraft Pesticide Spraying" revealed the rapid development of agricultural modernization at that time, marking a major breakthrough in China's agriculture technology. These paintings are not only a record of social change, but also a positive response to the development of the times.
Finally, the sense of history contained in this group of works provides us with a window into the past. Each painting is a microcosm of an era, recording the social outlook and people's living conditions in that special period. Through these works, we can get a glimpse of the vitality of society at that time and people's vision for the future. For us today, it is not only a memory of history, but also a respect for and inheritance of the cultural heritage of the past.
Overall, this set of reviews on Chinese art in the 60s of the 20th century presents us with a rich and colorful artistic feast. These New Year paintings and Chinese paintings, with their unique artistic language, tell the story of that era, and at the same time provoke us to think deeply about the relationship between art and society.
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