At half past ten in the morning on December 12, 2023, the news on Sina Weibo was still "people are still alive", and his friend and director Chen Xunqi was still saying that Beijing Hospital was still doing its best to rescue her, and I believe she would be fine.
As a result, close to ten o'clock in the evening, the bad news spread.
It turned out that she passed away yesterday (December 11).
May there be no sickness in heaven, and may we meet again in the next life.
Dear Haimei, I hope you will continue to be happy when you arrive in another world.
The family is proud of you, and the mother leads the whole family.
Yes, the hot search topic from last night to tonight turned out to be just a reluctant "refusal".
refused to believe that Hong Kong actor Zhou Haimei died unexpectedly due to illness, and she suddenly fell into a coma at her home in Shunyi and was sent to first aid, which is said to be caused by a stubborn disease of platelet decline.
Before the onset of the disease, the social account was still updated, and a photographer posted a photo of her with the team, smiling like a flower and looking quite good.
I can't believe that the blizzard is coming, and the cold is carrying a generation of beautiful women away.
It's still this metaphor, I grew up watching Hong Kong films and Hong Kong dramas, and a piece of the puzzle in my inner world has dimmed and fallen again.
When I think of the name "Zhou Haimei", the word "bad woman" immediately jumps into my mind.
The bad here is that Zhou Haimei and light and shadow work together to create, a beautiful dream, and an adventure in the hustle and bustle of the world.
is rebellious and disobedient, and it is a woman's enthusiasm that bursts out in and out of the play.
really doesn't have the energy, according to the rules delineated by "News Queen", to count Zhou Haimei's life and past.
Perhaps for the post-80s generation who like her, the light film segments that are too late to be tightly sorted out are the most direct commemoration and reluctance.
Text|ChandlerSIR Movie Exclusive Essay Not allowed without permission**The bride has a red dress with her hands torn apart
The bride has a red dress with her hands torn apart
This is the most influential scene in Mr. Jin Yong's famous book "Heaven and Dragon Slayer", and it is the ultimate exam question that all actresses who play Zhou Zhiruo must face.
I want to perform the outburst of this Emei woman ** after many years of forbearance, murderous, and I want to perform the inferiority complex and fear in the heart of a hard-working woman.
It is also necessary to perform a beauty who does not understand personnel but longs for love, instinctive sensitivity and jealousy, the methods of women in the rivers and lakes, the red hijab is lifted, and the nine yin and white bone claws are lit up, shocking the audience.
To this day, I still think that it was Zhou Haimei who welded the high line of this scene to death, coquettish and domineering, vicious and sad, and said weakly that the follow-up version can be lazy, and those who learn from Zhou Haimei win a little, and those who ponder by themselves pull their hips.
When Mr. Lian Jin Yong saw Zhou Haimei herself, he immediately smiled and said, this is Zhou Zhiruo in his heart, he knew that it was played by Miss Zhou Haimei, ** The ending is changed, let Zhang Wuji, a stinky boy, be good with her, and there will be nothing to do with Zhao Min.
Why do you say that Zhou Haimei acted well?
Maybe that's providence.
Zhou Haimei is from the Manchu Guerjia clan, with a large skeleton and a heroic spirit, but because of high myopia, her eyes are often squinted, slightly swollen, cherry-mouthed rabbit teeth, and her facial features have some of the coquettishness of the girl next door.
Such a mix and match is a very elastic beauty embryo in the Hong Kong entertainment atmosphere at that time: insert a sentence, I once read a comment that if Zhou Haimei debuted today with such eyes and teeth, I am afraid it will be difficult to come out, her beauty is obviously not the filter standard on the assembly line.
Therefore, Zhou Haimei's temperament is very consistent with Zhou Zhiruo's background and state, and the audience is like Zhang Wuji, who can feel the flowing beauty signal when they look left and right.
Is it naïve, or is it hidden?
Zhou Haimei's emotional experience has a similarity with Zhou Zhiruo, she and Lu Liangwei fell in love because of the play, and impulsively ran to the United States to get married.
Anyway, when it comes to Zhou Haimei, Zhou Zhiruo is the first sustenance and concern.
This woman is not simple
As we all know, Hong Kong films are rich in ** goddesses.
In the list, Zhou Haimei also has her own mountain, which is related to the diverse Hong Kong ecological background at that time.
All of them are **, but each has its own path and specializes in the audience.
In my private collection of Hong Kong films, Zhou Haimei has two works worth talking about.
In the gangster film "The More Fallen, the More Heroic", she portrays the eldest woman in the film, and designs the brothers to fight for survival.
Then there is "Chasing the Murderer for Twenty Years", cooperating with actor Xie Junhao, she plays the role of a senior inspector, her mother was killed by *** twenty years ago, she fell in love in the pursuit, and struggled on the verge of collapsing her faith.
I have to say that these movies do have some objectification of women when I watch them today.
But on the other hand, in this kind of role, it still tests the talent and understanding of the actor.
As mentioned above, Zhou Zhiruo, Zhou Haimei needs to instantly mobilize all the energy from the body to the psychology to stand up for the character of "** mature woman" in the intensive shooting, and distance herself from many peers on the same track back then, which is not so simple.
Zhou Haimei has a ruthless spirit, she has a bold style in these two **, her aura is close to the male protagonist, and almost all the key scenes are the main attack.
And the director seems to be happy to see it, giving enough shots to shoot Zhou Haimei's eyes that are driven by desire in the role, and even the wet ends of her hair have become the standard for Zhou Haimei's output, and the old lady won this battle.
Back then, I couldn't imagine that the so-called things are not materialized, but I felt that this woman was not simple.
Kiss goodbye
The last classic freeze frame, of course, is the MV of Jacky Cheung's "Kiss Goodbye" (1993) of the Four Heavenly Kings.
This golden song has been broadcast repeatedly on major TV stations and karaoke halls in the mainland, and the woman in the MV is Zhou Haimei.
At the mouth of the smoke-filled alley, Zhou Haimei was wearing a golden wrap skirt, without saying a word, swaying forward, suddenly approaching and sometimes leaving.
Putting the male protagonist in the MV in a dilemma, this woman is a bit bad and seems to be fulfilling the three no's principle of "no promise, no response, and no opposition".
But it is this feeling that such a simple and direct confession as "Kiss Goodbye" can stand the test of time, and the melodic lyrics exist in the form of earworms in the hearts of a generation.
And there is always a "mysterious bad woman" in the picture who can't be asked for has become a hook with the flashy golden light of the old times, hooking thoughts, and also hooking the youth of the dog's day.
Mention Zhou Haimei, maybe some people think of the infatuated *** image in "Rogue Tycoon" and "Intolerable Love".
Some people suddenly realized that she was originally in Stephen Chow's "Skipping School: The Year of the Rooster" (a spoof of the Hollywood classic ** film "Instinct"), playing a jealous and murderous female secretary.
Audiences younger than me remember her most in the supporting roles in the domestic entertainment ancient puppet dramas "Fragrant Honey Sinks Like Frost" and "Xuanyuan Sword: Han Zhiyun".
Zhou Haimei's fame, like many Hong Kong stars in her memory, has caught up with the highly developed era of Hong Kong's entertainment industry.
Therefore, the desire to survive is the strongest theme of the group portrait of Hong Kong actors, and because of this theme, both men and women must go out of their own style.
Even if it is a track, it is not enough to rely on body language, but also need the favor of opportunities, the tacit understanding of partners behind the scenes, and so on.
But the most subtle and the most promising thing is actually the extent to which a star's personality has been brought into play, Zhou Haimei packed her innocence and stubbornness in her bones, so she has made a lot of gains in the role of "bad woman".
When the overall environment gradually declined due to shoddy construction and economic transformation, Zhou Haimei resolutely went north and chose to live alone in Beijing, and bought a "spiritual refuge" with half her life savings, planting vegetables to nourish herself.
The illness came like a mountain, and she still couldn't resist the sudden ruthlessness of the gears of fate, which was really embarrassing.
The sharp turn of the past two days reminds me of the lyrics of "Kiss Goodbye":
I have seen a tragedy unfolding, and there is no joy in the end, and I am still hiding in your dreams.
Let's go, Zhou Haimei!
This article** is from the Internet.
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