In the glorious period of Tang Dynasty poetry, "Three Hundred Tang Poems" led the way with its dissemination and influence. Opening this classic, we ushered in Zhang Jiuling's "Two Sentimental Songs" - especially the first one, which ended with "Plants and trees have their own hearts, why not ask for beauty to fold", which is deeply rooted in the hearts of the people and has become the motto of many people. Today, let's ** another work that is also from the opening volume of "Three Hundred Tang Poems", but is often ignored by the world, Zhang Jiuling's work, "Seven of the Twelve Songs".
Jiangnan Dantang, the cold heart of the year has its own.
Zhang Jiuling, the last famous minister of the Kaiyuan Dynasty, may not be outstanding in his poetic achievements when the poets of the Tang Dynasty came out, but he enjoyed a high reputation among the literati. With Wang Wei, Meng Haoran and others, his political talent is also praised. However, in the later period of Tang Xuanzong's favor and treachery, Zhang Jiuling was expelled from Beijing and demoted to the governor of Jingzhou. According to historical records, he was immersed in Han Fei's "Lonely Anger" during his time in Jingzhou, and "Twelve Songs of Feelings" came into being in this context.
The orange is still green in winter, and its fate is difficult to change.
The poem begins with "There are oranges in the south of the Yangtze River, and the forest is still green in winter", and Zhang Jiuling borrowed the fate of the oranges to express his feelings about his life experience. He is in the south, and the orange is as if he was born in the south, which is reflected in the emphasis of the place. The orange does not wither in winter, just like the pine and cypress, and the vitality is vigorous, which is worthy of praise. However, the sentence "I can't resist the depth" writes all the helplessness of Dantangerine that is blocked by the landscape. Isn't this a portrayal of the poet's own experience?Dan Tang couldn't recommend Jiake, just as Zhang Jiuling couldn't display his talents, and he had no way to serve the country, and the resentment in his heart was overflowing.
Fortune is only encountered, and the cycle cannot be found.
Fortune is only encountered, and the cycle cannot be found" expresses the poet's complex feelings about fate. There is the helplessness of suffering from fate, there is sadness, and there is also the freedom to see through fate. The fate of life is like the movement of heaven and earth, repeatedly, and it is difficult to **. Here, Zhang Jiuling expressed his doubts about the unpredictable fate of life through self-questioning and self-answering.
In vain, the tree is peach and plum, and this tree has no shade.
The last sentence "In vain words is a peach and plum, how can this tree have no yin" ends the whole poem with a rhetorical tone. Although the peach and plum are good, can't the orange tree provide shade and be useless?The peach and plum here are not only compared with orange trees, but also have the meaning of the doorman. As mentioned above, Zhang Jiuling has introduced many talents, but when he had an accident, there was no one to help him, all of which made people sigh that the world was cold. The whole poem expresses the resentment of his own experience and the dissatisfaction with social indifference in the way of cross-examination.
The ancestor of the eternal Yongwu and Jingzhou Yingdu have a grudge.
This poem is easily reminiscent of Qu Yuan's "Ode to Orange", where Zhang Jiuling lived in Jingzhou, which was the capital of Chu State, and "Ode to Orange" was written when Qu Yuan was exiled and was about to leave Yingdu. The similarity of the two poets' experiences and the fact that they are both on the same land naturally evoke emotional resonance. Although Zhang Jiuling's poem may not be as sonorous and powerful as "Ode to Orange", judging from the whole poem, the language is like a vernacular, but the feelings are ups and downs, which is inexhaustible. Du Fu once commented that his poems "are more than enough poems, and the end of the poems is clear", and this poem "Seven of the Twelve Feelings" is no exception.
Fate is unpredictable, and the grass and trees have hearts.
In this poem, Zhang Jiuling uses the orange as a medium to express his thoughts on the impermanence of fate and his dissatisfaction with social indifference. He expressed his feelings about his personal destiny by depicting the contrast between the vitality of the mandarin and the impermanence of fate. The whole poem is emotionally complex, with both distress about fate and dissatisfaction with social indifference, and finally ends in a cross-examination, expressing the helplessness of personal suffering and indifference to society.
Epilogue. Zhang Jiuling's "Twelve Sentimental Poems, Seven of Them" may not be the most eye-catching work in "Three Hundred Tang Poems", but it is such a poem that expresses doubts about fate and indifference and dissatisfaction with society that makes it have profound ideological connotations and emotional expressions. Through the symbolic imagery of the tangerine, Zhang Jiuling combines personal encounters with the heat and coldness of the world, and shows his profound thoughts on life, destiny and society in a unique way of expression, making this poem a classic worthy of in-depth taste by future generations.
Zhang Jiuling's "Twelve Sentimental Poems, Seven of Them" is a poem full of profound meaning, through the depiction of the fate of the orange, it expresses the poet's thoughts on personal fate and social indifference, which is deeply admirable.
First of all, the poem depicts the dantang in the south of the Yangtze River, which is vigorous and does not wither in winter, giving people the impression of perseverance and tenacity. This vitality contrasts strongly with the poet's own circumstances, making the expression in the poem more profound. Through the sentence "I can't help it", the poet skillfully connects the fate of Dantang's inability to recommend Jiake with his own inability to display his talents and the lack of way to serve the country, expressing his helplessness about his personal fate. This technique of incorporating one's own emotions into the description of natural scenes makes the psalm more vivid and powerful.
Secondly, the reflection on fate in the poem is vividly expressed. "Fortune is only what happens, and the cycle cannot be found", this sentence highlights the doubt about the elusiveness of fate. The poet asks and answers himself, and presents a deep insight into the fate of life through his own questioning and self-answering. The cycle of life and the impermanence of fate give people food for thought. This way of expression not only gives the poem a certain philosophical depth, but also provokes the reader to reflect on his own destiny.
In addition, the psalm ends with a rhetorical cross-examination, through the sentence "The tree is peachy and plum, and this tree has no yin", the poet expresses his dissatisfaction with social indifference. In addition to the comparison with the orange tree, the peach and plum here also have the meaning of the doorman. As mentioned above, Zhang Jiuling has introduced many talents, but when he is in trouble, there is no one to help him, which adds a layer of deep sadness to the whole poem. Through the revelation of social indifference, the poet links personal encounters with social injustice, which makes his thoughts more profound and his feelings sincere.
In general, Zhang Jiuling's "Twelve Sentimental Songs, Seven of Them" profoundly expresses his thoughts on personal fate and social indifference through the expression of the fate of Dantang. His skillful use of the description of natural scenery makes the poem not only have a profound ideological connotation, but also a powerful emotional expression. This combination of personal encounters and natural landscapes presents the reader with a deep and moving picture, making the poem a classic to be treasured.
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