Are Peng Zengwen s works worth collecting?

Mondo Collection Updated on 2024-01-29

Peng Zengwen, born in 1951, is a senior artist, vice president of Hebei Academy of Chinese Painting, secretary-general of Hebei Chinese Painting Research Association, visiting professor of the gallery of the Chinese History Museum, and vice chairman of the Shijiazhuang Artists Association. Influenced by his father since childhood, he loved art and laid a solid foundation under his father's teachings. In 1989, he graduated from the Academy of Arts and Crafts. Later, it was personally taught by Liu Dawei, Liu Guohui, Du Ziling, etc.

In the experience of half a life, Peng Zengwen has accumulated vivid characters, spectacular landscapes, strange flowers, and smart beasts in his heartThe pen condenses flowing lines, brilliant colors, extraordinary shapes, and rich charm. The landscape giant "White Emperor City", the picture is not only majestic and precipitous, but also verdant and beautiful, intoxicating. The winding trend outlined by the mountain, the wrinkles and dots of the rocks, the deep forests, the looming rocks, the misty clouds, and the turbulent river. It combines the heaviness of tradition with the freshness of modernity.

In order to absorb the essence of tradition, Peng Zengwen devoted himself to studying and copying a large number of masterpieces of the past dynasties. In order to go deep into life, he insisted on going to the grassroots level every year to collect style, and completed countless sketches and sketches. Through his experience, he has accumulated vivid characters, spectacular landscapes, exotic flowers, and agile animals in his heart, and his brushstrokes have condensed flowing lines, brilliant colors, extraordinary shapes, and abundant charm.

Peng Zengwen's landscape paintings are both majestic and precipitous, but also have a sense of verdant beauty. The outlined mountain trend, the craggy rocks that rub and dye the spots, as well as the deep forests, the looming mountain flowers, the misty mist, the turbulent river, etc., all blend the traditional heaviness and the modernity in one. The pictures of these works are laid out in a relaxed manner, the colors are blurred and the virtual and the real are sophisticated, the lines are swaying in harmony with rigidity and softness, and the forms and spirits echo and are full of interest.

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