When the bell strikes the first second of the new year, we look forward to a feast for the eyes and ears. However, this year's New Year's Eve party is like a "carnival tragedy" in the fashion industry, with both gorgeous clothes and full of moments that make people frown. From the embarrassment of lip-syncing, the deliberate crying, to the vulgarity of hitting Cai Ming in the face, this party has undoubtedly become the center of the topic. What's even more staggering is that those performances that emit white smoke from their mouths on stage seem to satirize the absurd reality behind this glamour. Let's unveil this gorgeous veil in the brilliant fireworks and brilliance, ** the true face of it.
"Distorted Melody: The Dissonance of Falsetto".
Lip-synching has been the norm at New Year's Eve parties, but this year's performance can be said to have broken through the audience's glasses. The singers' pitch is shaky, their mouth shapes are seriously inconsistent with the melody, and they even forget the lyrics, which is not only disrespectful to their own profession, but also a disregard for the audience's expectations. What's the point of such a performance when it becomes a mere background and not a soul?We not only see the unprofessionalism of the performers, but also the contempt for art in the entire industry.
"The Drama Behind the Tears: The Stage Effect of Crying".
Crying on stage was originally an emotional catharsis, but at this year's gala, this form of expression became too exaggerated and artificial. The singers' tears on stage seem to be more to win the audience's sympathy and attention, rather than the real emotional outpouring. This kind of deliberate performance not only makes people question their sincerity, but also makes the audience feel embarrassed and tired. Under such a performance, real emotions are buried, and the stage becomes a showcase for hypocrisy.
"Imitation and Irony: The Embarrassment of Hitting Cai Ming in the Face".
Slapping Cai Ming in the face could have been a humorous spice, but at this year's gala, the act became vulgar and uninteresting. The imitations of the singers are neither new nor respectful, but appear to deliberately cater to low-grade tastes. This kind of boring performance not only failed to add color to the party, but made the audience feel disgusted. In this context, we can't help but wonder whether the extreme of entertainment has gradually departed from the original purpose of art.
Conclusion: This year's New Year's Eve party is undoubtedly a flashy performance. The distortion of lip-singing, the hypocrisy of crying and the vulgarity of Cai Ming, all of which reflect a reality in the current entertainment industry: while pursuing visual and auditory impact, they ignore the truth and purity of art itself. What we are looking forward to is not only a visual feast, but also a touch of the heart. When these are ignored, no matter how brilliant the fireworks, they can only appear empty and powerless.