"I Want to Prove Love" starring Kenichi Takito as an expert in love engineering and Shinta Horii as an undesirable man.
Kenichi Takito's role in the play is like a love magician, who is good at using the mysterious "magic formula" - love engineering to capture the heart of the person he likes. And Masaki Watanabe, played by Shinta Horii, is like a novice who doesn't know anything about love, and he asks Keiichi Nagasawa for advice in the play to learn how to use the skills of love engineering Xi, hoping to become a heartthrob love expert.
The cast includes Rio Uchida, Aimi Satsugawa, Kazuko Mi, Marin, Mari Iriri, Yuki Mamiya, Mayu Koyama, Masaki Nagajima Seirao, Ai Tsubakihara, Rina Fujisaki and other beauties, the original author Fujisawa Shuki said that they are all the most beautiful women he has ever seen in his life, and said that Love Engineering may not play a role in front of them
Rio Uchida will appear as an S-class popular model, while Aimi Satsugawa will appear as a ruthless bartender, adding color to Watanabe's growth process as a hard-working Xi love worker. Watanabe's ultimate goal is for all of these women to have a relationship with him. But with love engineering, is he really successful?
Rio Uchida plays Risa Miyata in the play, and this role is a "woman" who is also a model and a photo idol, and it can be said that she plays in her true colors. As a result, the role resonated strongly with her, but the "S-class" part put a lot of pressure on her. She said that she really learned a lot after reading the script. She began to think, it turns out that girls like this?So, she read the script as a textbook.
Aimi Satsugawa's character in the play, Naoko Fujimori, is a charismatic bartender. She portrays the character in a subtle and charming way, showing a cold and cautious attitude towards love. In the play, Naoko Fujimori seems to be a sober observer, always watching the entanglement of the two protagonists from the perspective of a bystander. This empathy with the character is deeply relatable to Aimi Satsugawa, because she herself listened to the love stories of others in the same way when she was younger, experiencing the rhythm of life in a detached and affectionate way.