A forest of sheep and steel Kento Yamazaki is a tuner, and his eyes show seriousness in his work

Mondo Entertainment Updated on 2024-01-29

This film "Forest of Sheep and Steel", adapted by Nato Miyashita's popularity ** and co-starring Ken Yamazaki and Tomokazu Miura, is like a beautiful picture scroll, showing the charm of the original book. Kento Yamazaki in the picture, his serious appearance, is like a quiet sculpture, exuding a charming temperament. Every subtle expression and every movement of his face seems to tell a story, and people can't help but fall in love with it. This is the charm of Kento Yamazaki and the charm of "The Forest of Sheep and Steel".

In "The Forest of Sheep and Steel", Naoki Tomura, a high school student, like a lost lamb, accidentally meets the tuner Itajima, whose piano sound is like nectar, which deeply touches Naoki and ignites a desire to become a piano tuner. He decided to embark on a journey to find his own growth and stepped into the Jiangyu Musical Instrument Company in Itashima.

Here, Naoki is like a small stone thrown into the sea of pianos, and the vibration, resonance, and reverberation of the strings have become a symbol of every soul he meets. Each note is like a new world, leading him into the lives of different people, feeling their joys and sorrows.

This is a story about the self-growth of a tuner, like a sheep looking for its own voice in the forest, and gradually finding its place and value through interaction with the piano and with others. This story is full of emotion, emotion, and the power of growth, which is deeply resonant.

Kento Yamazaki's sincere eyes and expressions make people feel his passion for the piano. He is incarnated as a respectable Japanese craftsman in the play, which makes people look forward to it.

In order to pursue authentic interpretation, they also invited the president of the Japan Piano Tuner Association to come to guide them personally, and then after Yamazaki's repeated practice Xi. The serious attitude coincides with the protagonist in the play

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