On the evening of April 28, the fourth season of "The Voice of God" premiered, and among the 13 guest singers, Boyuan failed on stage for the first time due to the failure of mutual selection. However, the focus was on the clip of "little ghost" Wang Linkai and music critic Liang Yuan, which caused a high degree of heated discussion.
On the stage, the little ghost and his partner Yu Wenwen performed the rock "Take Me to the Nightlife", which won warm applause from the audience. However, music critic Liang Yuan criticized the performance as "seriously technically flawed", which sparked the anger of the imp. He said that he came to this stage to "play" and did not care about imperfections.
The remarks caused an uproar on the Internet. For a time, the audience was divided into fans who supported the little ghost and netizens who agreed with Liang Yuan's views. Liang Yuan responded that professionalism should be discussed on the stage, not qualifications, and the questioning of the imp should be regarded as a lever raising.
Is the little ghost too flamboyant, or is Liang Yuan deliberately provocative?It is worth pondering whether the stage should pursue perfection, or find true expression in "play".This controversy may be a torture of the essence of the stage.
Little Devil has emerged since participating in "Idol Xi" in 2018, and has been active in the ** field as a songwriter rapper since forming a group. Unlike other idols, he chose to show himself on the scene of **variety shows and **festivals, rather than moving to the screen.
However, this controversy calls into question the Imp's respect for the stage. Whether his attitude of "come to play" meets the expectations of the professional stage has aroused widespread attention from netizens. Some people believe that it is very rare to be able to appear on the stage of satellite TV, and it should be fully respected and cherished.
However, some people believe that the personality and attitude of the little ghost are not contradictory, and his ** expression is precisely to break through the shackles of tradition. On the stage, whether it should be professional or authentic is also a question for thought.
In Liang Yuan's response, he emphasized the diversity of the industry. He argues that the role of the imp represents a stage performance, and that his own identity should not be there. Whether this understanding of different work can become the consensus of the first stage has caused a deeper discussion.
The little ghost's remarks may be a little too public, but whether his attitude towards the stage can be understood and accepted is still a relatively vague topic. In this controversy, we may be able to see that the stage is constantly evolving, looking for a new balance.
In today's entertainment industry, words and deeds are often scrutinized, and the remarks of the imp have caused conflicts about personality and career. On the one hand, he represents the true attitude of the new generation of artists and pursues the most authenticity;On the other hand, whether this attitude adapts to the norms of the industry has also become a collision of ideas.
Perhaps, this controversy can make everyone think: What kind of realm should be pursued on the ** stage?Is it the pursuit of perfect professionalism, or the pursuit of authentic emotional expression?Is the "playful" attitude of the little ghost just an episode of the stage, or does it represent a new trend?
Overall, this controversy has shown us a more complex layer behind the stage. Perhaps, the personality of the little ghost and Liang Yuan's professionalism can coexist on this diverse stage. In the future, there may be more similar "playful" attitudes to the surface, let's wait and see.
Little Ghost Wang Linkai: **The "playful" attitude on the stage caused controversy", the controversy between the little ghost and Liang Yuan was vividly displayed, which triggered extensive social discussions. This controversy involves many aspects such as the professionalism of the stage, the expression of personality and the attitude of the artist towards the stage, which is worthy of our in-depth consideration.
First of all, the little ghost dared to express his "playing" attitude on the stage, which brought an unusual ** experience to the audience. His works have always been full of unique personalities, and his eclectic performance style is impressive. However, this attitude of his has also caused some controversy. In the industry, professionalism is considered crucial, and whether the imp takes this too lightly has become the focus of controversy.
Liang Yuan's criticism emphasizes the professional standards on the stage. He believes that there are serious technical flaws in the performance of the little ghost, and this emphasis on professionalism is not uncommon in ** evaluation. However, this also leads to another thought, that is, whether it is enough to only pursue professionalism on the stage, or whether it needs to inject more personality and authenticity into it.
In this controversy, Liang Yuan emphasized the diversity of the ** industry in response, pointing out that Xiao Ghost and he are engaged in different jobs. This reminder makes people think about whether different types of expressions can be tolerated on the stage, rather than blindly emphasizing traditional professional standards. It's also about the definition of ** and whether ** should show its diversity in different styles.
In the controversy, Liang Yuan and Xiao Ghost had completely different attitudes, but Liang Yuan's response reflected a more calm and rational attitude. He emphasized that professionalism should be discussed on stage, not about qualifications, and expressed his expectations for artists. This professional attitude has been supported by many netizens, who believe that a higher level of performance should be pursued on stage.
However, the little ghost's "come to play" attitude also resonated with some netizens. He believes that the most impressive part of the stage is the scene, not the professionalism of perfection. This point of view also leads to thinking about whether the essence of performance is the pursuit of professionalism or authenticity. In the eyes of the audience, is professionalism the success criterion of a performance, or is the communication of real emotions more important?
Overall, the controversy reveals the complexity behind the stage. The balance between professionalism and personality is a big challenge for artists. The "playful" attitude of the little ghost may be a challenge to the traditional concept, or it may be a symbol of the diversification of the stage. In this process, it is necessary to review and rethink the definition of the stage, as well as the expectations of artists on the stage. This controversy undoubtedly provides us with an opportunity to think about the future direction of the stage.
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