Introduction: The visual art of collage.
From the very beginning, Raging Tide shows its pursuit of visual impact. The combination of actors such as Zhang Jiahui, Ruan Jingtian, Wang Dalu, etc., coupled with the promotional slogan of "Dark Reality Crime Action Movie", indicates a visual and emotional feast. However, this collage art is not an independent creation, but a mixture of borrowing and imitation, lacking the spirit of innovation.
Plot & Structure: A patchwork storyline.
The plot thread of Raging Tide seems to have been pieced together from multiple films. From the black-and-white dispute to the violent way it is resolved, the film tries to engage the audience through these elements. However, this patchwork is not a tribute, but a parody that lacks self-identity. As a result, the film's core story becomes fragmented and unable to form a coherent narrative.
Action and Violence: Excessive Dependence.
Raging Tide stands out in the design of the action scenes, with each character participating in intense action scenes. However, this over-reliance on action has led to the sacrifice of plot and character depth. The film seems to focus more on showing scenes of violence and neglecting the emotion and depth of the story itself.
Characters and Emotions: Shallow portrayal.
The portrayal of the characters in the film seems shallow and fails to resonate with the audience. The image of the protagonist Chen An is hot and cold in the film, lacking emotional coherence. The other characters also lack depth and don't show real humanity. This neglect of the characters makes the film unable to touch the hearts of the audience.
Women and Violence: Wrong Manifestations.
The film's treatment of female characters is particularly worthy of criticism. Women's suffering is used as a tool to drive the actions of male characters, rather than as emotional expressions. This contempt for women's suffering, as well as the overemphasis on violence and heroism, further diminish the film's artistic value.
Conclusion & Commentary: The Lost Soul of Art.
Rage Tide tries to attract the audience by collaging different elements, but in the end it loses the artistic soul of the film. Excessive action scenes, shallow characterization, and misrepresentation of women all combine to create a work that lacks depth and emotion. Cinema should be an interweaving of emotions and stories, rather than mere visual impact and violent displays. In its pursuit of commercial success, "Tide of Rage" loses the essence of artistic creation.