Time flies, and the glory of Hong Kong films seems to be a thing of the past. However, when we look back on this era, the debate about the pinnacle of Hong Kong films continues. Some people firmly believe that "Infernal Affairs" is the final peak, while others think that it is "Cold War", "Equator", "Detective", "word-of-mouth, box office, everyone has a judgment in their hearts, but today, we focus on a new masterpiece, a film that can redefine the future of Hong Kong films - "Don't Call Me "God of Gamblers"".
Body:
It's a long-awaited moment. In recent years, Hong Kong films have almost become a common loss for fans. However, a new work created by Zhuang ** and Chow Yun-fat has once again ignited the expectations of fans. After four long years of waiting, there will be a movie feast.
Although Zhuang ** no longer directs himself, he still sits in a dominant position in the screenwriting position, and the director's baton is handed over to the up-and-coming Pan Yaoming. Poon Yiu-ming may be a relative newcomer in the field of directing, but his outstanding performance in cinematography, such as "New Police Story" and "Eavesdropping", has made people expect more from his directing.
Don't Call Me "God of Gamblers" is not only a movie, but also a review of the ** era of Hong Kong films. Chow Yun-fat will once again interpret the image of the God of Gamblers in the film, continuing his classic role in "God of Gamblers". This time, he played the role of braggart, a decadent but strong character. The story revolves around gambling, but unlike traditional Hong Kong-style cool films, the film pays more attention to humanism, focusing on the touching story between a father and his son with autism.
Chow Yun-fat's performance is exciting, he did not hesitate to pay in the film, and even was hit on the head by a hard object in a scene, bleeding nonstop. This kind of professionalism made the entire crew praise it. Other actors in the film, such as the heroine Anita Yuen, Bai Zhi, Liao Qizhi, etc., also have excellent performances, which add a lot to the movie.
Hong Kong films seem to have fallen into a trough in recent years, and the box office performance of many major productions has failed to meet expectations. "Don't Call Me "God of Gamblers" is pinned on high hopes, and whether it can become the "God of Medicine" of Hong Kong films has become a common concern for fans. The film's multiple name changes, from "Glory Years" to "Don't Call Me "God of Gamblers", reflect the producer's confidence in the market's reaction. In this new work, we may be able to find the dawn of the revival of Hong Kong films.
Conclusion:
Don't Call Me "God of Gamblers" is like a dazzling star, challenging the future direction of Hong Kong films. The partners of Zhuang ** and Chow Yun-fat once again inspired the memories of the glory of Hong Kong films. Is it inheriting the classics?Or breakthrough innovation?Only after watching the movie can we give the most authentic evaluation. Hong Kong films are destined to have new glorious moments, and "Don't Call Me "God of Gamblers" may become the beginning of this new chapter. Looking forward to this movie and looking forward to the future of Hong Kong films.