On the road to **, singer Huang Qishan's life is full of twists and turns.
A late bloomer, she really made her mark at the age of 45 through "I Am a Singer".
However, when Faye Wong and Na Ying became popular with "Meet 1998", Huang Qishan was still lingering in the shadow of a failed marriage.
The experience of three marriages and the desire for family affection made her life full of twists and turns.
Huang Qishan's childhood was plagued by a lack of family affection, and her parents left early, estranged from her mother.
The lack of childhood became the fuse for the failure of her marriage.
The only one who gave her happiness was her grandfather, who led her into the world of ** through him.
This childhood shadow laid the foundation for her marriage.
Her **talent has developed in the bar *** in Guangzhou, but the haze of marriage makes her unwilling.
In the Butong 100 band, she ushered in the second Bole of her life, Chen Kai.
However, in the face of Chen Kai's request for plastic surgery, she chose to stick to herself.
Winning respect with her strength, she became the pillar of Butong 100 and emerged.
But the second marriage was also full of twists and turns, and Huang Qishan and Tu Huiyuan had constant conflicts due to different places.
After coming to Taiwan, the marriage accelerated its disintegration, and she fell into loneliness and longing for **.
After the divorce, she indulged in depression and even tried to get her ex-husband's attention by committing suicide, but failed.
However, Wong did not give up.
In 2013, she participated in "I Am a Singer", and she was recognized by people for her outstanding performance.
This stage allowed her to find the best way to become a high-profile female singer.
Despite three failed marriages, she decided to put her heart and soul into her career to *** herself.
The haze of marriage did not stop Huang Qishan's ** dream.
She found herself in **, returned to the stage through "I Am a Singer", and gained a new height in life.
Although she failed to become a mother, she bloomed on the stage as a "yellow mother", conveying the power of maternal love with **.