On December 26, "The Three Teams" was broadcast to the 10th episode, and the male protagonist played by Qin Hao has launched the mode of chasing the murderer for ordinary people. However, viewers have received mixed reviews of the TV series. Some people are still praising it as an excellent play, while many fans believe that the show is teetering on the verge of making up nonsense, and the main plot has long been untenable. From a creative point of view, whether it is creating ** or adapting a TV series, you need to face up to two questions and give answers honestly. If these two problems are not solved or not solved well, then whether it is ** or a TV series, it can only be regarded as nonsense. What are these two questions?First of all, why did the actor start the mode of chasing the murderer after he was released from prison, and what is his true belief, philosophy and outlook on life?
Secondly, Li Naiwen and other characters have been chasing the murderer for ten years without success under the premise of having the convenience of their positions and the full cooperation of manpower and material resources, why can the actor find clues as soon as he comes out, and may eventually succeed in chasing the murderer?Ignoring the real reasons for the archetype and its archetypal story, it is quite simple to find a rationale for the first question from a creative point of view, which is to create a "tendon" character who pursues the murderer justly. The solution to this problem in the movie version of "The Three Teams" seems to be that the actor is such a "tendon" incarnated in justice, and he can't reconcile with himself if he doesn't succeed in chasing the murderer. However, the TV series version of "The Three Teams" does not seem to follow this "one tendon" path. Although the actor worked hard at work before he was imprisoned, the screenwriter and director did not create the image of him as a "tendon". So what is a "tendon"?
In "Hurricane", Zhang Yi plays a typical tendon, his work and life are different, and he has always required himself to be maverick and noble. However, in "The Three Teams", does the male protagonist have this kind of maverick and noble image?Apparently not. In this play, before the actor was imprisoned, he was like a fish in water, and he was a universal response, how could there be a shadow of a tendon?The actor did not show the image of a tendon after he was released from prison. If he is really a tendon, he should directly turn on the murder chasing mode after he is released from prison, instead of doing other things. In the TV series "The Three Teams", the development of the story seems blunt and unreasonable. The male protagonist is stimulated by the family of the deceased before he begins to chase the murderer, and this plot twist obviously lacks basic rationality. At the same time, the other team members are also stimulated to join in the pursuit of the murderer, which is too blunt and lacks a reasonable transition of the plot.
There are failures in the screenwriter's creative techniques, and in the TV series, the narrative logic cannot be justified. The characters show ten years of perseverance, but there are many errors in narrative logic, just like the current situation of Zhao Dongling's "Fearless". In Fearless, the lawyers easily find evidence of the suspect's alibi, and this plot setting does not match the actual logic. Both dramas are classified as bad dramas because of the unreasonable narrative logic, and in order to make the story work, the twists and turns of the unrealistic plot settings give the protagonist an unrealistic aura, and at the same time hurt the ability of the real functional department to work. The TV series "The Three Teams" did not deal with both of these issues well and did not respect the archetype. This lack of rationality in the plot setting is undoubtedly a manifestation of nonsense. In the TV series "The Three Teams", the development of the story seems blunt and unreasonable.
The male protagonist is stimulated by the family of the deceased before he begins to chase the murderer, and this plot twist obviously lacks basic rationality. At the same time, the other team members are also stimulated to join in the pursuit of the murderer, which is too blunt and lacks a reasonable transition of the plot. There are failures in the screenwriter's creative techniques, and in the TV series, the narrative logic cannot be justified. The characters show ten years of perseverance, but there are many errors in narrative logic, just like the current situation of Zhao Dongling's "Fearless". In Fearless, the lawyers easily find evidence of the suspect's alibi, and this plot setting does not match the actual logic. Both dramas are classified as bad dramas because of the unreasonable narrative logic, and in order to make the story work, the twists and turns of the unrealistic plot settings give the protagonist an unrealistic aura, and at the same time hurt the ability of the real functional department to work.
The TV series "The Three Teams" did not deal with both of these issues well and did not respect the archetype. This lack of rationality in the plot setting is undoubtedly a manifestation of nonsense. In the TV series "The Three Teams", the development of the story seems blunt and unreasonable. The male protagonist is stimulated by the family of the deceased before he begins to chase the murderer, and this plot twist obviously lacks basic rationality. At the same time, the other team members are also stimulated to join in the pursuit of the murderer, which is too blunt and lacks a reasonable transition of the plot. There are failures in the screenwriter's creative techniques, and in the TV series, the narrative logic cannot be justified. The characters show ten years of perseverance, but there are many errors in narrative logic, just like the current situation of Zhao Dongling's "Fearless".
In Fearless, the lawyers easily find evidence of the suspect's alibi, and this plot setting does not match the actual logic. Both dramas are classified as bad dramas because of the unreasonable narrative logic, and in order to make the story work, the twists and turns of the unrealistic plot settings give the protagonist an unrealistic aura, and at the same time hurt the ability of the real functional department to work. The TV series "The Three Teams" did not deal with both of these issues well and did not respect the archetype. This lack of rationality in the plot setting is undoubtedly a manifestation of nonsense.