Wu Changshuo s Flower and Bird Painting Appreciation Plum Blossom Chapter .

Mondo Culture Updated on 2024-02-01

Wu Changshuo, the first name Jun, also known as Junqing, the word Changshuo, and signed Cangshi, Cangshi, many aliases, the common ones are Cangshuo, Lao Cang, Lao Xuan, Ku Tie, Deaf, Daoren, Shi Venerable, etc., painters in the late Qing Dynasty. Together with Li Liangyu and Zhao Zhiqian, he is known as the three representatives of the "New Zhejiang School", and together with Ren Bonian, Pu Hua and Xugu, he is known as the "Four Masters of the Shanghai School in the Late Qing Dynasty", and is known as the last peak of literati painting.

Wu Changshuo likes to paint plums, and he believes that in order to paint plums well, it is necessary to have "plums" in his chest. For this reason, whenever the plum blossoms are in full bloom, he always has to go to Suzhou Dengwei, Hangzhou Lonely Mountain, Tangqi Chaoshan and other plum resorts to explore and paint plums. For the convenience of copying, he also planted dozens of plum blossoms in his own field, named "Wuyuan".

The Qing Dynasty was full of Qiankun, the late Qing Dynasty and the early Republic of China, Wu Changshuo.

Title: A branch of pure air is full of energy, and the jade bone ice muscle is absolutely dusty. Looking down on the idle grass and trees in the world, the empty mountains lie high and do not know the spring. Yi Mao Dong Meng, Wu Changshuo, seventy-two years old.

The end of the Qing Dynasty and the beginning of the Republic of China, Wu Changshuo.

Title: Flowers are baked in the sunset, and the old cast iron is dry. There is concentricity in the cold year, and the red pine trees in the empty mountains. Brother Ya of Furen, Bingchen Qiuzhong, Anji Wu Changshuo.

Baimeitu Wu Changshuo at the end of the Qing Dynasty and the beginning of the Republic of China.

Title: The rhyme is as beautiful as the jade, and the fragrance is the same as the smell of the orchid. I once remembered that under the agarwood pavilion, I was also drunk with the spring breeze of wealth and wealth. Anji Wu Changshuo and remembered.

A petal of incense Wu Changshuo at the end of the Qing Dynasty and the beginning of the Republic of China.

Title: The only three moons are confidants, and this petal of incense is designed for spring. Bingyin Chongyang, written in Chanxuan, Wu Changshuo was eighty-three years old.

Coral branch diagram of Wu Changshuo in the late Qing Dynasty and early Republic of China.

Title: Coral branches. A few days after the Jiazi Lantern Festival, eighty-one Weng, Wu Changshuo, Lao Ying.

Red plum picture Wu Changshuo in the late Qing Dynasty and early Republic of China.

Twelve Caves of Heavenly Plum Blossom Picture Wu Changshuo at the end of the Qing Dynasty and the beginning of the Republic of China.

Title: Three years of learning to paint plums, quite a lot of ink. Xinglai is coarse and spits on the paper. Langyi viewer Saki, wine and flowers are the same. The holy transmission of the law is suspicious, and the air is released in the sky. Capable things cannot be named, and nothing is slanderous. I say that everything has a sky, and everything is different. I say that the pen has a spirit, and the pen and pen are different. The thin shark dances and cleans the air into the five organs. When the spirit of gathering is gathered, a plum blossom account is written. Lying on the famous mountain tour, the smoke and clouds are directly offered.

Red plum, late Qing Dynasty and early Republic of China, Wu Changshuo.

Inscription: Tie Ruyi hits the coral sword, and the east wind blows the plum blossom. Who enjoys the eaves of Yanfu thatched eaves, and the horses are like Pandun Zun. Bitter railway man Mei confidant, the portrayal of flowers is a long branch. Xia Gao is dancing after Jiaoqiu, and this vigorously drives the mountains and rocks to migrate. Yesterday, I stepped into the Qinglou to drink and stole all the water from the swallow branch. Yanzhi water brews Jiangnan spring, and the maple on the Rongtang takes root. Bingchen April Weixia, Wu Changshuo.

Qiankun Qingqi diagram Wu Changshuo at the end of the Qing Dynasty and the beginning of the Republic of China.

Rainbow Plum Picture Wu Changshuo at the end of the Qing Dynasty and the beginning of the Republic of China.

Inscription: Don't drag the lonely mountain forest, don't ride the donkey of Mengjiaba Bridge. The Taoist has been chewing ice and snow for twenty years, and there is no news about it. Jiayin Xia Zhong, Wu Changshuo.

The figure of the old Han immortals in the late Qing Dynasty and the early Republic of China Wu Changshuo.

Xuemeitu Wu Changshuo at the end of the Qing Dynasty and the beginning of the Republic of China.

Title: The snow presses the branches and flowers are fat and fresh, and the snow fragrant flowers are boundless in spring. The fairy is old and has few confidants, and the only way to sleep is drunk in the city. Jiayin Xinqiu, Wu Changshuo Lao.

Lao Meitu Wu Changshuo at the end of the Qing Dynasty and the beginning of the Republic of China.

The end of the Qing Dynasty and the beginning of the Republic of China, Wu Changshuo.

Plum blossom iron bone figure Wu Changshuo at the end of the Qing Dynasty and the beginning of the Republic of China.

Folding plum figure in the late Qing Dynasty and early Republic of China, Wu Changshuo.

Thin plum figure Wu Changshuo in the late Qing Dynasty and early Republic of China.

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