Text: Liu Jinwen.
Reading Mr. Wang Yunwu's landscape paintings is a beautiful enjoyment.
The mountains are vigorous, the mountains are empty, the morning rain is heavy, the twilight is long, how much ink flows in the vast sea of clouds, the mountains and rivers blend, and the ink dances. That is the beautiful picture we have seen on the top of Huashan Mountain, the top of Huangshan Mountain, and Taihang Mountain. Today, this beauty has appeared in Mr. Wang Yunwu's landscape paintings, which is fascinating. Standing in front of Wang Yunwu's landscape paintings, there is a feeling of being in the scene, rippling my cultural mood and youthful memories, and I can't help but sigh: why do you need to go to the mountains, thousands of cliffs and ravines are here.
Reading Mr. Wang Yunwu's landscape paintings, a painter's feelings and temperament came to my face, and a strong spiritual shock arose. I have known for a long time that pictures are not child's play, and the distant mountains everywhere are my teacher. The long-standing Chinese landscape paintings precipitate the broad spirit of the Chinese nation, are soaked in profound Chinese cultural heritage, and carry the life ideals and spiritual pursuits of generations of Chinese children! Therefore, the purpose of painting landscapes is not to depict natural landscapes, let alone to express a few ink colors, but to paint the cultural meaning and spiritual feelings of landscapes. It was from this point of view that Mr. Wang Yunwu made a great article on landscape painting.
Wang Yunwu is first and foremost a calligrapher, and his calligraphy works are written with beautiful words and sentences that praise Chinese culture, aphorisms and aphorisms that bless the sons and daughters of China, and splendid words that praise the great rivers and mountains. He has led the China Press and Publication Calligraphers Association to do many cultural events, good deeds and good deeds in the past ten years, achieved many new artistic talents and talents, and led everyone to explore and grow in the field of calligraphy and painting. He also integrated calligraphy education into the inheritance of family style, and his family was awarded the reputation of "National Five Good Civilized Family" and "National Five Good Civilized Family Model Household". Perhaps because of this, his paintings are also closely related to this theme, with elegant style and clear banner, using natural objects such as the lofty and upright mountains, the flexibility and agility of water, and the graceful and graceful trees to show us the great spirit of the Chinese nation, inspire the world, and enlighten future generations.
On the road from calligraphy to painting, Wang Yunwu does not seek to be alone, but only for a pursuit. Originally, there were many development paths to choose from, but he chose Chinese landscape painting instead. This must be the inevitable choice of his spiritual world, because only in landscape painting can his personality and feelings be freely expressed. It may also be because of his burly physique and heroic temperament, so he prefers to paint the great landscapes, the vicissitudes of history of 5,000 years and the majestic mountains and rivers that span thousands of miles into the painting, painting the mighty wind of the beautiful mountains and rivers and the heroic righteousness of the Chinese nation. He writes quickly and conceives ingeniously, which stems from the internalization and cultivation of his personality, temperament and mind. He uses the language of calligraphy and painting to depict the roots and soul of Chinese culture, and expresses the spiritual power of Chinese culture through pen and ink.
Wang Yunwu entered the Academy of Painting of Chinese University in 2018 and studied landscape painting with Mr. Peng Guochang, a leading figure at the forefront of ink painting, which made the student Wang Yunwu take off the "vulgar tone" from the beginning, enter the high-level art hall, and enter the general atmosphere of swaying freely; Therefore, the cultural imagery depicted in his paintings of high cliffs and waterfalls, deep springs and mosses, wild goose pagoda meditation rooms, smoke village study halls, cold forests, fishing woods on the river, and Nanpu Beiting are praises for the unique life ideals of the Chinese! There are hills and ravines in the chest, and the bottom of the pen sees the rivers and mountains. His small paintings are free and easy to retract, thousands of miles away, and the large paintings are full of clouds and smoke, and the momentum is majestic, showing that a painter has thousands of weather in his chest, and only in his pen can there be thousands of weather.
The pen game Samadhi, the life of the outside of the object. Mr. Wang Yunwu's rich life experience, large work span and rich cultural heritage have provided sufficient nourishment for his landscape painting creation. He had worked in the army for more than 20 years, was an excellent regimental political commissar, and later transferred to work in the ** organ, these experiences made him develop a strong sense of rules, which is a professional advantage, but this advantage in art will easily make people fall into stereotypes, resulting in uncomfortable writing, but Wang Yunwu is an exception. This is mainly due to his temperament and mind, but also due to his calligraphy to the famous calligrapher Mr. Ouyang Zhongshi as a teacher, Chinese painting to the famous painter Mr. Peng Guochang as a teacher, the former gave him a elixir, taught him to comprehend the aura of creation; The latter gave him a miracle medicine and guided him to write boldly and unconventionally. With his internal cultivation skills, he quickly stood out from the boxed techniques, learned to inherit the pulse, innovated in the way, suddenly opened his vision, his heart was tolerant of the sky, and his pen was in a variety of postures. There are often forgetful and proud brushstrokes in his works, which is a complement of his mentorship and self-transformation. The brush and ink in the painting is the extension of the calligraphy lines, he uses the calligraphy to outline the bones of the mountain, the characteristics of the ink to render the mountains, trees, water and clouds, and the charm of the mountains and veins, suddenly and thick, suddenly and lightly, seeking harmony between strength and dynamics, thus constructing his own style: the lines are vigorous, the ink rhyme is ethereal, the air rhyme is elegant, and the momentum is magnificent. His method of rubbing and dyeing is easy to come by in the expression of ink painting, and he arbitrarily dispatches troops to depict the grandeur of thousands of miles of rivers and mountains and the waves of thousands of miles of clouds and clouds.
There is a heroic atmosphere inside, which can finally be externalized into the majesty and grandeur of the painting. Mr. Wang Yunwu was born at the northern foot of the Qinling Mountains, the dragon vein of China. Qinling Mountains are like a giant dragon lying on the land of China from west to east, it is the backbone of China, majestic and mighty, the Yellow River in the north is interdependent, the Yangtze River is in the south, the mountains and rivers melt, honing a strong national will, and Chinese landscape painting has also obtained a unique endowment! Wang Yunwu's landscape paintings are also more integrated with the majesty and heaviness of the Qinling Mountains. His pen and ink may express all kinds of memories and feelings that he has seen in his eyes, thoughts in his head, and love in his heart since he was a child. His landscape paintings show the vigor of the northern school, and the agility of the southern painting, the combination of rigidity and softness, the harmony of yin and yang, and the spirit and spirit are in it.
Zhijun's painting is not a painting, it is poetic but silent". The integration of poetry, calligraphy and painting has opened up a huge space for artists to show their creative ability. Wang Yunwu was the vice president of the Party Construction Research Association of the former ** directly subordinate organ, the director of the National Party Building Research Association, an expert in the theory of party building, and published "Xue Silu - Theoretical Thinking of a Party Worker"; He is also a member of the Chinese Poetry Society, and has published "Passion and Perception - Selected Poems of Wang Yunwu", and he is also a calligraphy theorist, and has published a set of nine volumes of "Chinese Calligraphy Teaching Series". He has been learning calligraphy since he was a child, so his calligraphy is capable of all bodies, especially official calligraphy and cursive calligraphy, which also have a place in today's calligraphy world. It is on this basis that he entered the study and research of landscape painting, from the book into the painting, such as into the great useful place, "arbitrarily sweeping, peaks and peaks are the first to become", * splashing color, hearty, each painting has opened up a poetic artistic conception, each artistic conception is flowing with a distinct poetic sense. His landscape paintings and his first-hand inscriptions are good, the two complement each other, the icing on the cake, the beauty is shared, the painting conveys the meaning of the poem, and the artistic value of his landscape painting should be self-evident. This is the special feature of Wang Yunwu's landscape paintings.
Ni Zhan, a famous painter and poet at the end of the Yuan Dynasty and the beginning of the Ming Dynasty, said, "You must know that people are good at painting", which means that a painting reflects a person's mind and virtue. In order to be able to paint good mountains and rivers, a landscape painter must first be an upright person, a person who is beneficial to society, and a person with a benevolent heart. Wang Yunwu is exactly such a person. My dear friend, Mr. Wu Chuanhuai, a famous critic of calligraphy and painting, and calligrapher, talked to me, and I asked him to summarize his understanding of Wang Yunwu in one sentence, and he blurted out "good man Wang Yunwu" without thinking. Wang Yunwu's paintings aptly show his personality, he is kind, honest and kind, and his paintings convey positive energy. Art has always been about character, and it is difficult to become a tool without virtue and talent, which is an artistic truth.
Mr. Wang Yunwu, who is in the age of "Ben Qi", thinks about calligraphy and Chinese painting day and night, tirelessly, and immerses himself in the interesting ink. However, there is no end to the arts. Landscape painting is a major subject in Chinese painting, countless generations of benevolent people who have made achievements in this way all their lives, indulged in strange mountains and rivers, practiced the ancient precept of "Gou Ri Xin, Day by Day", morning and evening thoughts, heart copy and dyes, go forward and follow, has converged into a vast art treasure house. I look forward to Mr. Wang Yunwu's unique performance in this field, making the mountains greater, the water more beautiful, and the paintings more spiritual.
I believe that Mr. Wang Yunwu's artistic vitality will become more and more lush.
Wang Yunwu, the word Miaozhi, the number Qin people, Lingyuan baby, and the master of Siyuan Hall. Born in Qianxian County, Shaanxi Province, he has been working in Beijing for a long time. **In-service master's degree student of the Party School, senior political engineer. He is the first of the famous scholar Mr. Ouyang Zhongshi, a researcher of Hongwen Academy, a graduate of a master's degree in calligraphy, a member of the Chinese Calligraphers Association, a national first-class artist, and a professor of Rongbaozhai Painting Institute.
He is currently the chairman of the China Press and Publication Calligraphers Association, the vice president of the China Kaishu Art Research Institute, the vice president of the China Dafengtang Art Research Institute, the vice president of the Beijing Guomo Jindian Calligraphy and Painting Academy, the vice president of the Beijing Yiyi Calligraphy and Painting Academy, the expert member of the calligrapher professional qualification certification training committee of the Ministry of Culture, the expert member of the Chinese Cultural Management Society, the vice chairman of the China Enterprise Culture Construction Committee, the painter of the landscape painting research and innovation studio of the Painting Academy of Chinese University, and the honorary president of the Shaanxi Calligraphy and Painting Art Research Institute.
He served as the political commissar of the colonel regiment in the army, transferred to work in the local area in 1996, and successively served as the director of the Party Committee Office of the Propaganda Department, the executive deputy secretary of the Party Committee of the China Publishing Group, the secretary of the Discipline Inspection Commission of the Group, the co-chairman of the trade union of the Group, the deputy head of the secretary group of the Office of Educational Activities for Maintaining the Advanced Nature of Communist Party Members, the director of the National Party Building Research Association and a member of the special committee of the organ, and the vice president of the Party Construction Research Association of the directly affiliated organs.
Long-term research on traditional Chinese culture, focusing on the study of calligraphy culture, good at writing official calligraphy, especially like to walk grass, elegant stretching, heroic and smooth, large opening and closing, beautiful chapters. In recent years, he has studied Chinese painting under the famous ink and wash landscape painter Mr. Peng Guochang, focusing on landscape painting. His calligraphy and painting works have participated in many domestic and foreign competitions and won awards, and have been exhibited at the Korea World Expo and the Louvre Museum in France.
In June 2013, he served as the chairman of the China Press and Publication Book Association, and organized many calligraphy and painting activities and calligraphy exhibitions in the press and publishing circles, and organized and carried out activities such as calligraphy into organs, schools, military camps, communities, enterprises, and rural areas, with great social influence.
He has published more than 20 personal monographs, such as "Xuesilu - Theoretical Thinking of a Party Worker", "Passion and Perception - Selected Poems of Wang Yunwu", "Collection of Wang Yunwu's Writings", "Appreciation of Calligraphy", "Chinese Calligraphy Teaching Series" (a set of 9 volumes) and other more than 20 works, "Chinese Calligraphy Teaching Series" has become a best-selling book and a regular book, and has been used as a calligraphy textbook by Tsinghua Academy of Fine Arts, and the book has sold nearly 50,000 copies.
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