Produced by **TV Station and Xixi Films, jointly produced by Yiyuan Hengtai (Beijing) Culture***, and funded by the Shanghai Cultural Development Association, "Fireworks People" will land on CCTV-1** file and Tencent** synchronous warm broadcast from February 13.
The play is directed by Yang Xiaopei, deputy director of the Youth Working Committee, as the artistic director and chief producer, directed by Lin Yan, member of the Youth Working Committee, Qiu Ting and Zhu Qi as screenwriters, Cao Xuefeng, Huang Jie, member of the Youth Working Committee, Li Liming, Sun Qijun as the chief producer, Sun Qijun, Meng Haorui, Yang Yanling, members of the Youth Working Committee, Xu Fan, Ma Sichun starring, Liang Jing, Li Xiaoran special guest starring, Song Chunli, Li Chengru, Liu Jun special starring, Sun Qian, Wang Tianchen, Song Ningfeng, Chen Jingke, Ding Chuan, Zhao Xin, Wu Shile starring, Geng Le starred in friendship.
The play tells the story of the three generations of the Meng family getting along and running in in ordinary daily life, Qiao Haiyun (played by Song Chunli), the head of the Meng family, the three sisters of the Meng family with different personalities, Meng Mingwei (played by Xu Fan), Meng Yunqing (played by Liang Jing), Meng Yi'an (played by Li Xiaoran), and their respective daughters draw strength from each other, support each other and grow up when facing various problems such as family, marriage and love, and workplace.
As a panoramic group drama on family topics, "Fireworks Family" has aroused heated discussions with its super strength lineup and attention to realistic issues since it was set.
With a bold breakthrough, the female group portrait has become the spiritual residence of the audience
"Pyrotechnics" takes a family as a sample, and uses three generations of women as the protagonists to make a detailed description, which is rarely involved in family dramas. Taking women's emotions as the starting point, the brilliance of "Fireworks Family" lies in the fact that the creator delicately depicts the psychology, emotions and even life situations of urban women with different faces in dealing with relationships such as family and career.
The eldest Meng Mingwei has low self-esteem and sensitivity, hopes that her daughter will become a phoenix, and has a tense relationship with her daughter, but she gradually realizes that keeping an appropriate distance is the right way to maintain the relationship between mother and daughter; The second Meng Yunqing and her daughter have nothing to talk about, but they find more sides of each other in a more fragmented life; The third Meng Yi'an is independent and strong, seeking a balance between career and family, and gradually understands his busy mother. The three generations of women in the Meng family, each with their own livelihood and temperament, each with their own wonderful and difficult situations, they are independent but rely on each other, and face the problems brought by life positively.
In recent years, the reason why domestic dramas are keen on shaping women's group portraits is that in the real society, many urban women are at the intersection of career, life, love and various social relationships, and many artistic and independent female typical samples have appeared. In this regard, the personality growth of several female characters in "Fireworks" in the tempering of life, as the first clue throughout the play, is not only the soul core of the work, but also the spiritual sustenance of the audience.
From a certain point of view, women are often the "anchors" of the family, determining the happiness of the family. Song Chunli, Xu Fan, Liang Jing, Li Xiaoran, Ma Sichun, Sun Qian and other actors portray a family of three generations of women, completing their destiny trajectory under their respective character logos, and different life landscapes are condensed in the spiritual field of a big family.
Warm healing, three generations in the same house to show the Chinese family proposition
As a panoramic group drama on family topics, "Fireworks People" has a realistic and warm background. The whole play is based on the family story of the three generations of the Meng family, showing the cohesion and positive spiritual inheritance of mutual tolerance, mutual support, and hand in hand between family members.
The three generations of women in the Meng family are both rigid and soft, protecting their relatives in their own ways and realizing their self-worth in their respective fields. The inheritance and reproduction of the Meng family, an ordinary family, reflects the joys, sorrows, and sorrows of the traditional Chinese family.
Not only that, the play also diversifies and deepens the Chinese mother-daughter relationship**, and each character in the play learns to understand each other, respect each other, and seek common ground while reserving differences on the road to becoming a family. The audience also saw from their growth that the mother-daughter relationship is complementary to each other, parents are the guides on the road of children's growth, guarding their children's growth**, and children are also supporters of their parents on the road to aging, helping parents understand the new world.
In the philosophy of Chinese, family members may be noisy and noisy, and there are many unsatisfactory market life, but home is always a warm harbor for everyone, and there is always blood thicker than water in the family. Just like the three generations of mothers and daughters of the Meng family, they are traveling on different tracks of life, career, and ideal pursuit, like branches stretching out in different directions, experiencing rain and wind, and feeling the nourishment of the sun, but no matter when, they are rooted to root.
"Fireworks Family" uses the story of three generations of a big family to show the warmth and entanglement in the Chinese family, and the softness and strength of the individual. Through the growth of individuals in family relationships, the emotional value that families bring to individuals, and the symbiotic power that intergenerational relationships can bring, it brings a sense of excellence and value resonance to the audience, and also makes people think about how to positively view the symbiotic relationship between self and family.
Still water flows deeply, and the "life flow" narrative shows the subtle emotions of the characters
"Fireworks People" opens with a not peaceful Chinese New Year's Eve dinner: Qiao Haiyun, the vigorous patriarch, once set a rule that everyone must go home every New Year, and no one has ever broken the rules. Until the most honest third-generation Li Yijin (played by Ma Sichun) suddenly broke the tradition and went to her boyfriend's house for the New Year, under a series of scenes with a sense of life texture in the full New Year's flavor, relying on the capture of life details and living conditions, the deep and subtle emotions between the characters have been vaguely revealed under the still water.
The eldest Meng Mingwei conscientiously takes care of the family, disciplines his daughter, and serves his mother. It's not that she has no complaints, but she has no long things, and her legs and feet are disabled, so she can only find a sense of existence by taking care of her family. The failed marriage and low self-esteem made her have unrealistic expectations for her daughter Li Yijin, and she also had a strong desire to control her daughter's life, which led to the tension between mother and daughter to the point of suffocation.
The second Meng Yunqing is so strong and loves face, pays attention to quality of life, and has a bright appearance, although she and her daughter Tao Shuna (played by Sun Qian) can be called the perfect mother and daughter who talk about everything, but she and her husband Tao Dalei (played by Liu Jun) are only "model couples" during the period when their daughter comes home, and she has to endure a messy marriage alone after her daughter leaves home.
The third Meng Yi'an is strong and independent, she doesn't want to become a strong woman like her mother, but she coincidentally walks on the same path as her mother. At the Chinese New Year's Eve dinner, she and her daughter Qiuqiu, her husband Qiu Xia (played by Song Ningfeng), who is an associate professor at the university, are an enviable family of three, and on the way to the high-speed rail station at the end of the reunion year, it was revealed that their marriage relationship had ended, and they went home together for the New Year just to not worry their families.
"Fireworks Family" makes the understanding and empathy between family members become the courage of each individual to face the problems of life**, so that each character can further have their own growth arc. From a dynamic perspective, the drama wraps the observation of personal emotional psychology, value belonging, emotional destiny, predicament and growth in the form of group portrait stories, with strong realism and humanistic care, arousing strong emotional resonance and spiritual resonance among the audience, and providing high-spirited spiritual support for the audience. Pyrotechnics