In the finale of "Flowers", Ah Bao returned to the hidden flower field, Lingzi traveled south to Hong Kong, Miss Wang returned from a big order, the Yellow River Road was wrong, and the people of Zhenyuan went to the empty building, and Li Li escaped into the empty door, a big dream for several yearsAt the end of the song, people scattered, leaving spectators to talk about the rise and fall.
For me, Blossom isThe only book in its heyday
"Sheng" and "Lonely" are strange together, but it should not be strange to use the TV series to describe Wong Kar-wai.
The stunning picture of Qunfang from the stunning shadow is extremely beautiful, emotionally brushed, and the afterglow can be heard across the nine streets.
With a big investment, a big deal and a big battle, it is hard to imagine that other directors can mobilize such resources and invest in such a cycle, not to mention that the general situation is not what it used to be, not to mention that the texture of Wong Kar-wai is far from being smashed with money.
In this sense, it is a "one-of-a-kind".
Usually we say that the only book is bound together with conditions such as "circulated for a long time" and "only existing in the world", "Flowers" has just been freshly released, and it does not meet the common context of "the only only book after a thousand years", but "Flowers" is so unique and difficult to copy, shining with the sunglasses light of "difficult to follow in the past, difficult to catch up in the future", yesThe only book in the extreme
Let's talk about the characters.
One, Reiko: Birds in the building and flowers on the sea
When Reiko first went online, she was the boss lady Reiko, a boss lady who had neither a boss nor a real main business,Half yesThe name of the hostessHalf-noneThe foundation is firmly in hand, the philistine and the rivers and lakes, and the amorous and shrewd and marketable; In a sense, she isThe caged bird in the small building who was trapped by Mr. Bao's kindness and his own love(Stocking version).
Early night Tokyo,Favor is the first, business is secondary
On the one hand, there is the general stronghold of Bao, and even like his back kitchen and inner house. Night Tokyo is always waiting for Mr. Bao to come to eat, and the focus of the business is not catering, but the exclusive ticket of Mr. Bao's VIP meeting. At this time, the night Tokyo is not so much Reiko's career as a big step forward and becoming the boss lady herself, but Reiko making soup for Mr. BaoSemi-retired treasure under the total eaves.
On the other hand, Night Tokyo is also the stronghold of Reiko, Tao Tao, Teacher Ge, and Linghong's team, which is the social continuation of Reiko's emotional needs, and the sense of forgetting the business boundary in the crowd.
At this stage of the night Tokyo,It's Reiko's furnace and her cage.,She's always affectionate and righteous to Bao but always pits Bao for total money,(Shu Xin-chan used intimacy sojourn to describe this mentality),Love and attachment are intertwined, and worries and sufferings overlap.
Tao Tao and Teacher Ge repeatedly said that if they have wings or not, should Reiko really sit in the small building?
After Mr. Hebao cleared the accounts, he and everyone set up a clear set of rules and started over with ReikoOnly then did she really have her own catering career in Tokyo, the core of the difference is not in the menu, decoration and running water, but in the fact that it has finally become Reiko's home field.
She is a flower on the sea, and she is still like a fish in water and calm when the tide comes
She is also Xiao Wang's sister Lingzi, who felt guilty after the earring accident, and sincerely wished to help Mr. Wang start a business, gave the lucky cat in the store, gave her a big brother's beautiful number, and sent her business cards to introduce business.
She is Linghong's sister, watching Linghong leave like an eldest sister sending a younger sister, watching the other party leave home alone before dawn arrives after the wind and waves, the old time is hazy with tears, and the long worry is fetters for thousands of miles.
She is also Tao Tao's sister, although the age of the two may not be older or younger, but her Lingzi's thunderous means of "carrying clearly" were once a firewall when Tao Tao and the little sister-in-law were confused.
She is her own Sister Lingzi,Independent courtyard, self-contained, windy and waves are also idle
Reiko and Po are halfway men and women who meet in a foreign country on a winter night, she is kind, he promises a shop, and repays the favor in the ancient narrative often associated with "making a promise with his body", and Po's retribution has become ReikoA snail shell that cannot be advanced or retreated
For a few years, Reiko stayed by Bao's side, not necessarily all love, and there was a strong sense of gratitude hidden under her heart.
For so many years, Reiko has made a small canopy boat for Po, giving him a beautiful and daily dream in the sound of oars and lights, a gentle but sweet and spicy mobile harbor, and she can actually be a building ship or even a large aircraft carrier, sailing away in the wind and waves.
And for such a Lingzi, whether it is Shanghai or Hong Kong, it is the same, it can be a transplanted rootless flower branch, and it can also take root and flourish.
Second, Wang Mingzhu: The fairy tale of the times, the sweet version of the wine version of time
Miss Wang of the twenty-seventh, the light was jointly created by the twenty-seventh, Mr. Bao, and Father Wang (the head of the week), and they were also invisibly covered together.
Xiao Wang's first growth was when he entered the 27th after graduation, and began to work from the pantry without stamps, recklessly crying and crying, but naïve, proud, and principled.
The second growth is to start a long cooperation with Bao, stumbling towards the twilight, Xiao Wang falls in love with Bao, a lover who is "in Vanity Fair, and his heart is outside the red dust", hoping that Bao is her way back; It's a pity that Ah Bao only recognizes "revolutionary friendship", and "love" and "love" have different paths.
The third growth is when Xiao Wang enters the warehouse, works hard through the ups and downs, shouts "I want to be my own dock" in the storm, and loses his love, but also gains independent and sober energy, and starts the Hongkou Xiao Wang mode.
The fourth growth is that Xiao Wang cut down a big order, killed to Shenzhen, and gave it a go, smart and tenacious, delicate and brave, and finally became famous and became his own wharf (although his own wharf is intuitively an office in the wharf?). ）
If Reiko's growth line is more of a semi-retreating and semi-contractile state, then Xiao Wang is closer to the growth line in the conventional general sense.
At first glance, Xiao Wang only felt that he was a high-decibel "silly white sweet" (bushi).
Hongkou Xiaowang turned around and returned, and he was already a pearl.
From sweetheart tsundere touching crying essence, from being righteous and responsible but lacking the strength to match, to never losing love but not resentful, and not turning around when his head is broken, he finally got the realistic version of "The Future Is Not a Dream".
We like Miss Wang, perhaps because Miss Wang is a fairy tale of the times, not a passive redemption fairy tale that wakes up with a kiss from the prince, butExpectations for the upswing of a certain ** era.
In the golden blood of the utilitarian market, it tells the story of practicing love and hard work to win, and people are invincibleGood fairy tale code.
1.0 version of Xiao Wang, just sweet, 40 version of Wang Mingzhu,After scraping fame and fortune, soaking in ups and downs and sorrows, seeing the warmth and coldness of the world, and crossing thousands of miles of dangerous beaches, looking back is still sweet, time is mellow, sweet for a long time, and rich in sweetness.
She is a pearl, a moment of inspiration, the original intention of love and kindness that does not need to be echoed, the smile that will not be drowned in the rolling torrent of time, and the sweet ideal of the world, the most affectionate and the true and pure.
Xiao Wang, who returned after the wind and rain, could not find the old man on the Yellow River Road, and Ah Bao was wrong at the door of the old and new companies; Separated by a Huangpu River, like a system, era, time and space staggered version of the Magpie Bridge, Yingying a water, the old people have become a thing of the past, and it is also a luxury to look back on a meeting.
The past is like smoke, the pearl does not have to find the magpie bridge, she is her own galaxy.
Three, Li Li: The empty door version is gold-inlaid with jade
Li Li's finale is to pay off the debt for Mr. A, and he will become a monk after a year in prison. is also affectionate and sexual, Xiao Wang may reflect more of a fairy tale of the times, while Li Li is another kind of base color for children of the rivers and lakes, life and death, and heartache.
When I watched the film, I was very fascinated by Li Li, just like a "Yellow River Road version of gold and jade", and a few words of business explained very wellA generation of grandmastersDéjà vu.
It turned out that the entire Shanghai Beach was her wind and sand desert, and once her eyes were black and white, both horizontal and vertical.
Po is probably her red and black, the two of them walking on the road on a rainy night is one of my favorite plays, the extreme pull of men and women, between saying and not talking, between light and dark, between existence and nothing, a silent version of Fantasia.
Lingzi and Miss Wang are probably a little soft and bright yellow for her, and they have combed the restaurant routine for Lingzi in the front, and then they have instructed Xiao Wang to do business; No one on Huanghe Road recognized Lingzi and Miss Wang "after leaving Mr. Bao", but she Li Li recognized.
The lust is too hot, and she always leaves after getting close to Po.
Fame and fortune are too vain, she created the Golden True Garden, and did not hesitate to cash it out.
Do you think she indulges in the world and is dashing in the red dust? As a result, under the most beautiful appearance, there is a heart that escapes into the empty door.
She cares a lot about the Yellow River Road, and she is very open-minded for the Zhizhen Garden; She doesn't care about the Yellow River Road, she is her own Yellow River Road.
From Shenzhen** to Shanghai Hotel, drunk and drunk, cooking oil with fire, and finally falling into the filmThe white land is so clean
Fourth, look up and show up, sit idly and talk about flowers
In the excitement of the New Year, Lu Meilin saw that her husband of the dead ghost had really become a dead ghost, and a ring with a private relationship flashed in the smoke and water of the Yellow River Road.
One vented and beat Xiao Jiangxi, and begged for peace to show weakness to Li Li, the former was her "ruthless" signboard to vent her anger, and the latter was her "fate on this road".Joy and sorrow
It is not so much that it is really "ruthless", but that ruthlessness is a way to survive and a lasting stress trauma; It's not so much a real show of weakness, but rather a drop in the scab after removing it.
Before Boss Jin fell from the building, Shu Xinchan wrote that the two couples were "fireworks in the world with a miasma".
Three points of ruthlessness of teeth and claws, three points of hatred of knocking out teeth and swallowing blood, three points of chattering and babbling in the market, and three points of "resentment and unspeakable, head high and refusing to lower" sigh.
In the end, Lu Meilin withdrew from the Yellow River Road, looking back in Du Honggen's car, the prosperous past of the Yellow River Road was like a dream.
The trio of Xiaojiangxi sisters advanced and retreated together, leaving Huanghe Road to open a small restaurant together.
The three sisters just came to the bustling city of Shanghai and were dazzled by the dazzling signboards.
Xiaojiangxi once "only asked about gold and silver and did not ask about right and wrong", and on the road of thinking that it was a shortcut, he planted the biggest heel and made a long detour.
Bloody Yellow River Road, lover life and death, ** dream shattered
Min Min once used buttons to make a literary pillow literary cleverness for profit, and he made a lot of progress by Li Li's side, and his heart was not evil, and he was probably always on the right track after the ups and downs of the "small half-bend" a few times.
And the heron silk has been careful from beginning to end.
You see, they can be three different people, or they can be the same person at different points and different nodes of the three choices, rich and powerful, messy flowers, their final answer is "you can be the boss lady if you have the ability", the big world is disturbed, and the little sisterhood is stronger than gold.
The ups and downs of some of the characters on the Yellow River Road are said through the mouth of Jingxiu's dialogue; Co-director makes a cameo in the play, this is what it isIntertextuality of the double narrator.
The splendid scenery show that takes off the gold and jade should also be a layer of intertextuality between the surface and the inside.
Zhizhenyuan people go to the empty building, Manager Pan is always an insider and seems to be an outsider forever, prosperous ups and downs like flowing water, she is the same as the splendid scenery on the shore.
At the end of the big play, Jingxiu and Miss Wang chatted about the changes and changed the name of the store to passers-by.
Probably years later, there are still themThe white-headed scenery is here, sitting idle and talking about flowers.
Comforting conclusion
"Flowers" retains a little bit of the base color of the world, wrapping a little nostalgic color of the alternation of the old and the new era, and overflowing with Wong Kar-wai's dreamy and regretful color, such as a warning to the world, and like a big dream.
The past is seen across the river, and the grievances are empty according to the covenant, so people listen to it across the water, and the red dust sways in the sound of the oars.
Everyone says "goodbye to the rivers and lakes", and this rivers and lakes are the only ones that are drifting away.
The flowers are in full bloom, and the lonely rivers and lakes are not lonely.