The flowers are gone, the music is over, and people are leaving.
The drama, which has been filmed for three years, has only been lively for less than half a month, and it has come to a gorgeous end in a blink of an eye.
30 episodes, the measurement is just right, the gorgeous light and shadow and the nostalgic ** make the audience seem to be immersed in the unique fragrance of that era: friends are accompanied, talking and laughing, and whispering.
The menu started out as a boom, but ended up being uneventful.
Some people think that the ending is hurried and perfunctory, could it be that the dish "Flowers" is full of effort and exciting taste in the production process, but in the end it failed in the link of "collecting juice on fire"?
The younger brother thinks otherwise.
Wong Kar-wai's shots, regrets come from routines, and endless reverie brings surprises.
In In the Mood for Love, a ticket has become a regret, the sad love shown in the camera seems insignificant on the world stage, and the blank space outside the camera dilutes the regret and triggers the audience's infinite reverie.
The end of "Flowers" hides unspoken regrets, and at the same time looks forward to the unexpected surprise at the next intersection.
This technique is Wong Kar-wai's consistent style, not only in "Chungking Forest", but also in "The Grandmaster".
All the words are not finished, and there is meaning in them.
At the end of "Flowers", Mr. Bao made a desperate decision, and finally lost all his family fortune and turned back into Bao.
However, if you can exit the market in time, it means excellent luck. In addition, he also bought a piece of land in Chuansha in Pudong and waited for the next investment opportunity to arrive. Sure enough, Mr. Bao's insight is still extraordinary.
Mr. Bao's backstabbing of his uncle on the Walmart list made the audience complain, which happened before.
It wasn't until I looked back that I realized that the anger went out to be false, and the real thing was protection. It is a sin to put an elderly teacher in a dangerous situation.
Lingzi, Li Li, and Miss Wang, after all, were just passing by in a hurry, witnessing the scene of Mr. Bao's spring breeze being proud, but there was no intersection between the three.
Reiko has a lot to say to Bao, her love is hard to speak, and the tears in the corners of her eyes are forgotten as soon as they pass by.
The so-called love is empty, the sky is white, Tokyo is still bustling at night, her heart is simple but firm, but full of passion.
Li Li's rejection of Mr. Bao is both dangerous and charming.
Her heart is full of stories and emotions that seem complex but are actually very innocent.
Walking alone on the Yellow River Road, just to deal with the aftermath of Mr. Qing A, to end everything, and then live in seclusion away from the red dust of the world, and live a life like Chen Zhen with a pure heart.
Mr. Bao and Miss Wang got together on both sides of the Huangpu River as scheduled as agreed, which once again verified that the development of the relationship was affected by the favorable time and place, and it was fleeting.
Love is blank, career is thriving, Xiao Wang's life is full of brightness and publicity, has experienced ups and downs, found his place in the trend of the times, regained his dignity, and then became a firm foothold Mr. Wang, the original bleak pearl finally regained its brilliance.
The reason why "Flowers" is outstanding is that not only the great men on the Yellow River Road shine, but also the ordinary people in the alleys exude dazzling light and shine.
Against the backdrop of the sunset, Mr. Fan and Miss Wang said goodbye with a smile, and said goodbye to each other.
The crowd was bustling, and the uncle's staggering back stared indifferently.
Jin Hua stood in place, raised her head and stared at the stamp album sent back by her uncle, her heart surging with complex emotions, and her feelings and relief were undoubtedly expressed in silence.
Tao Tao hesitated, oscillating between bondage and freedom. The beauty of the little sister-in-law is like a "red apricot", and the noisy sounds of Tokyo at night have become a thing of the past.
Tao Tao's heart became dazed and helpless, without a trace of life, longing to fly but was troubled by Fang Mei's deep love, and fell into the cage of marriage, feeling very painful.
Tao Tao was ecstatic about Fang Mei's pregnancy, and she was reborn like a dead tree in spring. An affectionate kiss in front of the hospital bed is not only an affirmation of emotion, but also a peace of mind.
Manager Pan has experienced the Golden Phoenix and Zhizhen Garden, the prosperity and vicissitudes of life, and he has already understood everything in his heart, so he left the Yellow River Road lightly.
The three sisters smile when they appear in the town, but when they finally leave, they are in tears of grief.
One keeps to himself and lives a down-to-earth life, one is loyal to his heart and distinguishes between right and wrong, and the other is ambitious and unwilling to be mediocre, the three sisters leave the lively life and devote themselves to the excitement, and it is difficult to find a trace again.
When Huanghe Road visited again, Zhenyuan had been stripped of the hustle and bustle of the past by the construction team, Jin Meilin's flashing signboard had long lost its luster, and even Jingxiu's commissary had been "transformed" with the changes of the times.
The Yellow River Road is still the same Yellow River Road, but the group of people who left before have left, and the next group of people have come again, all of them are just passing by in a hurry.
In reality, the red dust rolling forward is often filled with countless unhealthy endings, and forced happy endings only exist in fairy tales.
Wong Kar-wai's great thing is that from beginning to end, every shot of "Flowers" is full of beauty, every paragraph is just right, and every character is charming, even CCTV is full of praise: this movie is likely to become a unique masterpiece for a long time.
Before the finale of "Flowers" was revealed, audiences generally thought that Wong Kar-wai's work only involved subtle commercial wrestling or the extreme display of food culture.
However, when the finale was finally released, people were amazed that the original theme could be so brilliant, Wong Kar-wai skillfully integrated the development and changes of Shanghai in the 90s of the last century and the major events of the entire national economy.
The 65-year-old Wong Kar-wai completely taught a lesson to the mainland entertainment industry with the finale of "Flowers".
Mr. Bao's story is just an episode, and what really dominates everything is the changes of the mountains and rivers and the times.
Wong Kar-wai's genius has finally been recognized, which makes Ang Lee feel gratified.
Wong Kar Wai Shenlong usually keeps a low profile and rarely appears in public, but his fame has spread far and wide, for example, people have given him the nickname "King of Sunglasses".
Whenever and wherever he is, he wears a pair of black sunglasses and looks mysterious. There are different opinions about this, some people think it is to cover up the cross-eyed, but when he was young, he had a beautiful and beautiful face.
Whether it is unconventional or his wife's love token, these rumors are becoming more and more incredible, and Wong Kar-wai can only use the phrase "eyes are more sensitive" to stop the spread of rumors.
Wong Kar-wai has always been known for being harsh in filming, and starring in his movies may win awards, but the unspeakable suffering is just as real. Andy Lau, Tony Leung and other celebrities feel very sad every time they talk about this matter.
The actors are still scrambling to be "abused" by Wong Kar-wai, even after being tortured by lines, endless reshoots, and unexpected cuts, these are the statements of members of the "Wong Kar-wai Victims Alliance".
Wong Kar-wai has always been considered reclusive, isolated from the world, and oblivious to the outside world, but this time he showed everyone his true side.
Because "Flowers" is a TV series, the popularity and scale of its barrage are unprecedented, and it is simply thrilling, so Wong Kar-wai is known as an expert in reading barrage late at night.
Always pay attention to the feedback of the audience, and do not stop after the filming is completed, actively participate in the production of material posters and event planning. He was dissatisfied with the popularity of 30,000 on the platform and longed for higher results.
Audience satisfaction is the ultimate criterion.
Feng Xiaogang once said frankly that if the director does not pay attention to all kinds of feedback on the Internet, he must be lying, as far as I know, I have never seen a director who does not care about these feedbacks.
Only by listening to the audience, rather than being conceited and unfocused, can a virtuous circle be formed and a highly acclaimed work can be created.
Wong Kar-wai's ambitions don't stop there.
The drama version of "Flowers" has come to a gorgeous end, and it is rumored on the Internet that the film version of "Flowers" is gearing up and eager to try.
The popularity of the drama version is bound to bring natural popularity to the film version, and the high box office is easy to achieve. Director Wang's game of chess is rare, killing two birds with one stone, which is really clever.
Ang Lee, an internationally renowned director, said of Wong Kar-wai: "He is truly a genius. ”
Zhang Yimou also praised it: "Wong Kar-wai's works give people a first-class petty bourgeois city feeling."
I didn't know enough about "Flowers" before, but now after 30 episodes, I have a deeper understanding of the show.