Wash and sleep! If you can't act, don't act.
The Hong Kong drama "News Queen" is a good example of those in the entertainment industry who can only mess around and are not good at acting.
In recent years, there have been many "wonderful" actors in the mainland entertainment industry who have embarrassing acting skills but sufficient resources, and at the same time, there are also some excellent actors at the level of old drama bones who have "overturned".
Those once highly praised "old drama bones" have not only lost their previous acting strength, but also frequently become hot search topics and are criticized.
Netizens couldn't help but issue a "soul question", thinking that they could win the award in this way?
Let's take a look at the six actors, their resources are against the sky, but their acting skills "can't keep up".
If I could, I would have won the entire Grand Slam award.
The female star who has recently been controversial because of the "Crazy Horse Show" incident is a veritable "theatrical genius".
Yang Ying is an actress born in the post-90s modeling industry, and since she stepped into the entertainment industry, people have been controversial about her acting skills.
Yang Ying has shown the problem of blunt acting skills in many film and television works, such as in "The Great Cause of the Founding of the Party", she couldn't even complete a short crying scene, and had to use eye drops to complete the shot.
In "Lonely Fang", no matter what emotions she shows, there is always only one expression on her face - wide-eyed eyes. There are even shots that need to be post-produced.
Yang Ying's acting skills are not even as good as ordinary actors, there is no doubt about it.
Despite this, Yang Ying also publicly stated that she asked for a salary of 80 million yuan, and said that she should win all the awards.
This surprised everyone at the disconnect between her abilities and ambitions, no doubt.
The fact that Yang Ying entered the showbiz is that she relied heavily on her ex-husband's network.
With her current level of acting skills, if she doesn't have this relationship as support, I'm afraid it will be very difficult to survive in the film and television industry.
At present, Yang Ying has divorced her ex-husband Huang Xiaoming and no longer has the protection of this relationship.
Some of the fashion resources she once had had have been reduced or stopped.
To some extent, Yang Ying's career is in a downward spiral.
She aspires to break into the entertainment industry alone, but her lack of performance makes it difficult for her to stand out in the fierce competition.
This situation is not only faced by Yang Ying personally, but also reflects some problems in the current film and television industry.
For example, the role of the network is too large, resulting in real acting skills being underestimated, and it is not uncommon for the salary to match the strength.
These questions raise questions about the fairness and justice of this circle.
Of course, to change the situation, the most important thing for Yang Ying personally is to improve her acting skills.
She needs to do in-depth introspection, find out the shortcomings of her acting skills, and then improve them through active training.
Adjust your positioning, don't greedily expect a high salary, but gradually rebuild your reputation through excellent work.
If Yang Ying is unable to face the problem head-on and continues to consume her own value, it is likely that she will not be able to escape the fate of being abandoned by the market.
This also reminds other actors that they can't regard interpersonal relationships as the only support, and ultimately rely on real talent and learning to gain a foothold.
Jiang Shuying has become an independent individual at the age of thirty, but her acting skills seem a little embarrassing, and she has become one of the representatives of many less successful actors.
Jiang Shuying is an actor who can be called "Bai Fumei" in appearance.
She is innocent in appearance, but she is also "hidden", with an overseas study background and a master's degree in economics.
However, despite returning to the entertainment industry, her career has always been uneventful.
It seems that the main reason for this result seems to be Jiang Shuying's acting skills.
Judging from the many film and television works that Jiang Shuying has starred in, whether it is a youth idol drama or a relatively high-quality drama, the roles she plays rarely have breakthroughs, and the performance level is uneven, and she is often criticized by the audience and critics, thinking that "no matter what she plays, it is unnatural".
Jiang Shuying played the heroine in popular dramas such as "I'm Waiting for You in Beijing" and "Full Time Master", but her performance was stiff and stiff, and she lacked tacit understanding with the male lead, which led to poor response to these works.
Although in high-level dramas such as "Sweeping the Black Storm" and "Qingping Le", Jiang Shuying was guided by senior actors such as Sun Honglei and Wu Yue, but she still failed to make a breakthrough.
Especially in "Qing Pingle", Jiang Shuying's performance is far from being comparable to the young actor Ren Min in the same play.
Industry insiders and senior film critics have their own opinions and explanations for Jiang Shuying's long-term "not popular" status.
Some people feel that although Jiang Shuying is in a superior situation, she relies too much on resources and does not fundamentally improve her acting skills.
There are also some people who believe that what Jiang Shuying has experienced may be just temporary bad luck, and as long as she chooses the right role, she still has a chance to get back on her feet.
Jiang Shuying wants to truly become a first-line actress, no matter what, she can't do without the foundation of acting.
In this highly competitive circle, it can become very difficult to become popular if you rely only on the support of resources and relationships.
This also conveys a revelation to young actors who dream of becoming famous: no matter how superior the environment is, inner cultivation cannot be ignored.
Over the years, Jiang Shuying's route in choosing roles has also been controversial, she seems to be a bit old-fashioned, unwilling to completely change her image, and dare not take risks to try new breakthroughs.
She could have chosen more different types of roles to show off her wide range of acting skills, but in fact she still prefers those fixed character types, which can cause visual fatigue for the audience.
Perhaps, challenging the traditional framework, trying to develop across borders, or exploring non-mainstream performance genres may bring unexpected results to Jiang Shuying.
In the entertainment industry, success is often only a thought, after all, this is its essence.
The premise is that Jiang Shuying must first face up to and solve her shortcomings in acting, which is the cornerstone of her moving to new heights.
However, this requires Jiang Shuying to first face up to and solve her shortcomings in acting, which can become the cornerstone of her moving to new heights.
The audience welcomed and recognized actor Jin Dong very much, especially his performance in "The Pretender" left a deep impression.
However, as time went on, it was also noticed that Jin Dong often played repeatedly in some fixed roles, such as presidents, business tycoons and other "old cadre" roles.
Some viewers feel aesthetic fatigue with this singular acting style and character setup.
In recent years, Jin Dong's role has been relatively similar, showing a kind of "middle-aged boss" image in "Elite Lawyer", "Ode to Joy" and most recently "Infernal".
Some netizens directly began to question whether his performance had improved and broken through, because the role choices were too similar.
In fact, as an actor, Jin Dong still has a lot of room for improvement.
He needed to get rid of the fixed role and try to play other types of characters and show a more colorful performance.
Doing so will not only win the approval of a larger audience, but also avoid being stuck in a specific character setting.
He could try his hand at playing some comedic roles, develop his sense of humor, and increase the variety of his performances.
Or, you can choose to play as some villains and show a different dark force than before.
All of this helps to change the current stereotypes about people.
As a veteran actor, Jin Dong of course needs to maintain his own unique style and personal characteristics at all times.
He doesn't need to easily abandon his accumulated acting experience and resources in order to make the transition.
On this basis, the key is to consciously expand the type of role you play, so that it is both continuous and innovative.
He himself needs to work together with the packaging team, from script selection to character building.
The audience also needs to be given a certain amount of time and space, and don't expect too much from Jin Dong's transformation, because progress requires a process. At the same time, the audience also needs to understand that they should not have too high expectations for Jin Dong's transformation, after all, progress takes time.
Jin Dong believes that through his own efforts, he can make his acting skills rejuvenate and will not be limited by any role.
As an excellent actor, he will eventually prove that he can perfectly interpret various different types of characters.
This is the only way for actors to gain a firm foothold in the entertainment industry.
Wu Gang is a powerful actor of the older generation, and he has rich experience and qualifications in the film industry.
He has spent 38 years of his career in the field of acting, accumulating a wealth of acting skills and experience.
In his early years, he performed well in many films and TV series, especially in hit dramas such as "Latent" and "In the Name of the People", and the classic roles he created earned him the reputation of "old drama bones".
However, Wu Gang's performance in the latest hit drama "Hurricane" has aroused countless questions.
His roles and roles are arranged quite controversially, and his acting skills have obviously regressed.
What is even more unacceptable to the audience is that he even stepped into the filming scene with his son.
For a veteran actor, there is no doubt that this will be a stain on his acting career.
In fact, Wu Gang seems to have shown signs of transformation a few years ago.
In "Celebrating More Than Years", the strange "plastic surgery traces" on his face have become the focus of discussion.
Despite this, his performance in the show was still appreciated. However, in "Hurricane", everything seems to have collapsed, and this originally beloved "national old drama bone" has completely become the object of criticism in the public's mouth.
For an actor, although the external image is important, the more important thing is the acting skills.
On both fronts, however, Wu Gang seems to be struggling.
We inevitably have to suspect that it is a variety of reasons in work and life that lead to a decline in mentality and state, which produces such a performance.
Before starring in "Hurricane", we can easily observe that Wu Gang's acting works have begun to gradually increase.
As the saying goes, the country is easy to change, and the nature is difficult to change.
How can an actor who has experienced decades of ups and downs in the entertainment industry easily choose to give up when his career reaches its peak?
What kind of predicament did Wu Gang encounter?
What kind of pressure will he face? Perhaps this is worth thinking about in the industry and the public.
After all, there is a complementary relationship between the actor and the audience.
We should be more patient and compassionate, rather than simply pointing fingers and criticizing.
Huang Lei is also a middle-aged actor like Wu Gang.
With his handsome appearance and excellent acting skills, Huang Lei became popular in the entertainment industry in the early days of his debut.
Later, relying on his exquisite cooking skills, he was affectionately known as "Huang Xiaochu".
Because he performed vividly when playing the role of Xu Zhimo, which also won him countless praises, so his delicate appearance and melancholy temperament became his trademark.
At the age of 19, he participated in the movie "Singing While Walking" and was nominated for the Cannes Film Festival. After graduating from university, he collaborated with Leslie Cheung to shoot "Singing in the Middle of the Night" and won the Best Supporting Actor Award at the Changchun Film Festival.
This made him quickly famous in the film and television industry, and he became a new star overnight.
In the first few years, Huang Lei was recognized for his acting skills and appearance, whether in movies or TV series, he played roles that left a deep impression on the audience and was regarded as the best among the popular students.
With the passage of time, Huang Lei was gradually labeled as a "drama bastard".
The audience found that his roles in different film and television works were highly similar, and they were all Beijing "little men" who talked a lot.
Huang Lei frequently participates in variety shows, causing his performances to become bland and boring, and it is difficult for the audience to be surprised.
In the later stages of his career, Huang Lei seems to rely too much on these labeled characters.
He played a typical middle-aged Beijing man in many family ethics dramas, starring in turn.
As a result, the audience felt aesthetic fatigue and expressed many dissatisfaction with the singleness of her acting skills.
In addition, Huang Lei's arrogant attitude in variety shows, especially his indifferent attitude towards young guests, also aroused public dissatisfaction. He was once loved by young women in literature and art, but now he has lost the love of the public.
Huang Lei recently realized that his acting career was facing difficulties, so he decided to try to transform into a drama.
However, his performance in the main drama is also bland, and his exaggerated expressions and movements are still hard to believe.
Undoubtedly, this is a heavy blow to the dignity of an acting teacher.
Huang Lei is no longer able to make a sensation in the film and television industry.
Teacher Ni Dahong is also one of the old drama bones, and the same is true.
I want to drink hand-ground coffee. ”
Ni Dahong is a well-known actor in the Chinese film and television industry.
He first entered the entertainment industry because of his unusual appearance, but was ostracized.
According to people familiar with the matter, Ni Dahong is considered "unsuitable for filming" by many directors and producers because of his unique appearance characteristics.
Ni Dahong did not give up easily, he insisted on constantly participating in auditions, hoping to find opportunities.
After cooperating with the well-known artist Tang Guoqiang, he played the role of Lao Xiucai in "Qiao's Courtyard", showing his deep and introverted acting skills. Despite the attention, it is still overshadowed by the aura of the leading actor Chen Jianbin .
It is rumored that Ni Dahong is extremely low-key in the crew, rarely communicates with other actors, and is engrossed in the role.
However, the core of the audience's discussion remained Chen's excellent performance.
The opportunity for Ni Dahong to really become popular was when he played the role of Sima Yi in "Three Kingdoms".
His personality is introverted, while Ni Dahong relies on his rich acting experience to interpret this role deeply in the hearts of the people, so he has won the reputation of "acting with bags under his eyes".
There is a view that Ni Dahong played the role of Sima Yi brilliantly, he not only showed a deep and introverted side, but also often showed the brilliance of human nature, showing a very rich layer.
9 years later, his role as a pit dad in "It's All Good" Su Daqiang has brought his popularity to a new height, and the classic lines in the play have also become his representative labels.
Some fans laughed and said that Su Daqiang's "powerful" role was simply tailor-made for Ni Dahong.
However, there is still controversy about whether Ni Dahong really belongs to the acting school.
Ni Dahong has been facing questions from the outside world about whether he is playing a role or showing his true self.
His role as the ringleader Uncle Tai in this year's TV series "Hurricane" has been fiercely criticized.
As a powerful and powerful person, Uncle Tai has always maintained a expressionless state in the play, whether in good times or bad.
Doing so is not only incompatible with the character setting, but also causes severe aesthetic fatigue.
Therefore, we can observe that Ni Dahong's performance seems to have a duality.
He excels in certain types of roles, but his lack of acting skills is revealed when roles with a lot of expressions are required.
Perhaps it also has something to do with his personal performance style, which is too restrained and difficult to change quickly.
In any case, the performance in "Hurricane" at least shows that we can't effortlessly give Ni Dahong the title of "acting school".
It seems that we have a different opinion on the title of "drama bastard".
Are we too harsh on the definition of "bastard"?
Is the value of an actor only reflected in his acting skills? Isn't it just as important to bring audience joy and positive energy to the audience?
Perhaps we should learn to tolerate and appreciate different types of artists, rather than being overly critical.
Only when they are really worthless, the masses will not support them.
Before jumping to conclusions, we need to think deeply about what is the standard by which an actor is measured, but perhaps some criticism can be reduced and more encouragement added.