Last night, I went to Hengtai City to watch the movie "Hot and Hot", I braved the cold and snowstorm to watch it, and the city was already white when the movie ended at ten o'clock, and I almost split my legs from the steps of the mall. But the mood is strangely good. "Hot and Hot" did not live up to my sincerity in running on a snowy night, and Jia Ling did not live up to my love for her for more than ten years.
With handsome facial features, a round face, cute dimples, a rich figure, witty language arts, and a talent for acting like anything, this is Jia Ling, a joyful girl who just stands on the stage, doesn't need to speak, and makes people laugh inexplicably with a random movement, a look, and a facial micro-expression. She plays a beautiful woman in ancient costumes, she is beautiful when she plays a beautiful woman now, she is also beautiful when she plays a middle-aged woman, her funny comedy star is too obvious to deliberately pretend to be crazy and stupid, she is all serious and lacks roots, she is cute and amiable and cute, just like growing on other people's laughs.
Like all stars, Jia Ling has also experienced a long struggle. She has been a cross talk actor for 8 years, and then changed to sketches and variety shows, and with her accumulated performance experience, she has gradually won the love of audiences across the country.
I am a big fan of her, and I have silently liked her for many years and have not missed any of her variety shows and sketch shows. But I didn't watch her first movie "Hello Li Huanying". Because I was disgusted with the theme at that time, and I had the impression that Jia Ling was that chubby super funny and cute sketch actor, I didn't want to change my impression of her because of a movie.
What attracted me to Hot and Hot was her success**. Successfully losing half of Jia Ling's perseverance made me even more impressed with her. Because I have a deep understanding of how difficult it is for an obese person. If I eat less or not eat what I like, I will feel that there is no point in living, and I am more worried that when I am old and can't eat anything, I will regret not eating willfully when I can, and being too harsh on myself. The pain of not being able to eat food in your mouth is unforgettable. Therefore, I can only let myself be fat without recklessness, and comfort myself: I am a mixed age, and I want to be ancient (at our age, we want to be like this).
There are a lot of peers around me, and they talk about ** with great fanfare, don't eat this, don't eat that, eat ** meals, eat apples and vegetables, and don't eat dinner. When we met, I proudly showed off how many pounds I had lost. To tell the truth, for a person with a relatively large weight base, losing three or five pounds, seven or eight pounds, even if it is more than ten pounds, really doesn't look obvious, probably that you can feel it. But how much pain and hurt the main body has suffered from resisting the ** with these minted meat cannot be calculated with specific data. What shocked me about Jia Ling was that the effect of her ** was measurably obvious. She lost a hundred pounds. It's equivalent to killing half of yourself. What perseverance and ruthlessness it takes!
As viewers who like her sketches, we miss the joy that chubby her brings us, and her natural comfort and joy, and we don't want to lose it. We don't want her to **, and even though she succeeds**, we know how difficult it is for her, but we all need a while to get used to her, and she is still the original Jia Ling.
But we know that such thoughts are selfish, and the discrimination and injustice that obese people encounter in their lives can only be understood by obese people. Jia Ling just hid the bitterness in it and showed the glamorous side to the audience. Or Jia Ling has made her fat a brand benchmark and feature through years of hard work.
But the impact of obesity on health will become more and more obvious as you get older, Jia Ling's ** is to act in a good movie and direct a good movie, and it is also to make her future longer. We can't make irresponsible remarks about her success, we can only admire it from the bottom of our hearts. After all, there are not many people in the world who can be so fast.
The details of the movie are handled very well, each story is not told thoroughly, it is left blank, and the answers are revealed one by one in the form of memories after the heroine falls in the boxing ring, making the audience feel that everything is unexpected and reasonable. The most satisfying thing about this movie is that the ending does not fall into the old cliché of a happy reunion in a Chinese New Year movie, does not let a man become her savior, and does not let those who have hurt her suddenly wake up and repent of their mistakes and return to her side and get her forgiveness; Nor did she let the obviously more professional boxing opponent lose under her protagonist aura.
Her victory was limited to one punch. Her win was just to say goodbye to her pleasing personality and live for herself. This is the real plot. When I saw her fighting with professional boxers, my heart hung all the time, and I was so worried that the final result would be that she would defeat her professional opponents, because many film and television dramas do this in order to pursue coolness. Fortunately, she didn't, she won by standing up again and again, hitting until blood sprayed but still gritting her teeth and holding on to the end.
When I saw her hitting a shrew-like vixen and hugging people with both hands, and the referee pulled her away again and again and warned me not to hug or hug, I remembered when I was a freshman in high school and participated in the school's girls' basketball team. At that time, we unprofessional players just saw someone holding the ball and held on to them and didn't let them go. Jokes and gaps are all on the line. It's so real that it brings tears to your eyes.
At the end of the movie, when the man who had failed her asked her to eat bullfrogs, she said that she didn't like to eat bullfrogs, and when she dated her, she said lightly, "Look at the mood", and there was a happy feeling in her heart. She finally stopped pleasing others, and she finally knew how to take care of her feelings.
There are also regrets in the film. In order to deliberately highlight the misery of the heroine, her sister was designed to be impersonal. She had absolutely no reason to be so ruthless to her sister. Because my sister didn't do any substantial harm to her, and it can be said that she was very benevolent to her. For example, even if you run away from home, you will sign the power of attorney for the transfer of the house in a fit of anger. Where does the bitter hatred that my sister has for my sister come from?
For another example, how can a woman who has been sleeping on the sofa for more than ten years have a boyfriend? Even if she had it before, how did she maintain the relationship during the ten years she stayed at home? If there is very little contact, is it still a robbery for a girlfriend to rob her boyfriend? Isn't it a normal relationship?
Isn't there no sister's badness, no cheating of her boyfriend and best friend, just the use of her cousin and scumbag coach can't highlight the heroine's fiasco? Can't inspire the heroine to live again? In fact, sometimes people's awakening is instantaneous, because a certain thing can be opened at a certain point.
I think that the design of my sister is a little more humane, and the plot should be more real and credible if this redundant boyfriend is removed.
Another point, the heroine didn't bring money when she went out, and the rent was sponsored by her mother. Working part-time for 2,500 a month, how can I have the money to secretly spend 5,000 yuan for the male coach to buy a place to participate in the competition, and also have the money to participate in 300 yuan an hour of boxing training. These need to be explained reasonably.
Although there are small regrets, "Hot and Hot" is still a drama that I like very much. I have seen more and better Jia Ling because of this drama. She has lived up to the love I have had for her for so many years. I look forward to her bringing us more Jia-style film and television works in the future.
Note: **From the Internet.
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