5 The words are sick.
Words and sentences are used as elements, and they are also the stairs to build the edifice of poetry.
In battles, it is easy to be confused about the identification and use of some positive phrases and conjunctions. Partial phrases, the relationship between the structural components is modified and modified. A conjunctive phrase, also known as a "juxtaposition phrase", consists of two or more parts of grammatical equality, with juxtaposition, choice, or progression in between. Partial and conjunctive phrases have some similarities in structure and meaning, which can be confusing. Here are the main differences between them:
We can't easily judge a combination of a noun and a noun to be a conjunctive phrase just by its combination. The core criterion is whether these nouns have equal status in the grammatical structure and whether there is a subordinate relationship. For example, combinations such as "sun and moon", "heaven and earth", and "Qiankun", in which nouns have equal status in the grammatical structure and have no subordination, are therefore conjunctive phrases.
On the contrary, if in the combination between nouns and nouns, the grammatical status of each noun is unequal and there is a subordinate relationship, then they do not belong to the conjunctive group, but to the positive group. For example, in "green tree" and "red flower", "green" and "red" are used as adverbs to modify the nouns "tree" and "flower", and this combination can easily be identified as a positive phrase. Another example is "village girl" and "mountain man", although on the surface it seems to be a combination of noun and noun, but in fact the former noun ("village", "mountain") appears here as a definite term, so this is also a partial phrase, not a conjunctive phrase.
When we need to accurately determine whether a phrase is a positive phrase or a conjunction, we cannot judge it solely on the basis of whether the structure is the same. In fact, we also need to consider a number of factors, including whether the literal meaning is equivalent, whether the parts of speech are the same, etc. By combining these factors, we can more accurately determine the type of a phrase. In this way, there will be no mismatch in the battle.
Contradictory use of words is also a common problem, and poets sometimes get sick at will. For example, the combination of terms "100 years of modern times" is generally understood to refer to a longer period of time, while "modern times" usually refers to the period after the Opium War of 1840. The starting points of these two time periods are not consistent, so using them together can lead to ambiguity in meaning. To avoid this ambiguity and contradiction, there are ways we can express ourselves clearly. For example, we can use more specific words to describe the time frame, or further define and explain the terms "centennial" and "modern" to ensure that the reader understands exactly what we want to say.
There is also a common problem of separating consecutive words in order to rhyme or fight. For example, in the poem "Clear water, blue sky, purple air", the continuous word "氤氲" is used separately, although it increases the artistry of the language to a certain extent, but this usage does not conform to the norms of the language and may bring some trouble to the reader. If the poet wants to emphasize the diffuse effect of "purple gas", he can consider using other rhetorical devices to express it.
Whether it is feasible to create your own vocabulary is a matter of debate. If you succeed, you are a good poem, and if you don't succeed, you write scribble.
On the one hand, self-created vocabulary can increase the expressiveness and innovation of language, and inject new elements into poetry creation. On the other hand, the excessive use of self-created vocabulary can undermine the norms and unity of language, making poetry difficult to understand and accept. In poetry, the use of self-created vocabulary requires caution and moderation. First of all, self-created vocabulary needs to conform to the norms and habits of the language, and cannot be created at will. Second, the use of self-created vocabulary needs to be reasonable and necessary, and innovation for the sake of innovation cannot be made. The use of self-created vocabulary is only feasible if it conforms to the norms of the language, can clearly express the meaning, and increases the artistic nature of the language.
As for the success of your own vocabulary, it depends on the reader's reception and the overall effect of the poem. If a self-created vocabulary can be accepted and resonate with readers, enhancing the expressiveness and appeal of the poem, then it is a success. Conversely, if the self-created vocabulary is used inappropriately or excessively, making the poem difficult to understand or accept, then it is a failure.
Humble work "Eternal Happiness · Heavy Snow Solar Terms":
Hu Ma Zeng Chi, breaking a thousand armies, Qin Tie declined. Encountering Qiuqing, the heart is high and the dream is shallow, and the water is drunk. Slow piano and drums, wild Xiao bitter flute, learn to slay the phoenix and slay the dragon. The rivers and lakes are timid, the waves are deep and surging, and they are half a bucket of tears.
False name heavy snow, stupid and frightened, just a touch of light frost. Cold finches and jackdaws, zombie snakes and rabbits, can be fed to Ling Yunzhi. Hate is difficult to become brave, too much, why worry about the crown Zhu Yizi. Or should we ask, with the left and right hearts, and the Tao divides each other?
There are a lot of vain words and phrases, and the gains and losses are self-evident.
Because of the shape of the meaning: the unique realm of modern people writing poems in the old style.
Modern people write poems in the old style about the choice of words (4).
Modern people write poems in the old style about the choice of words (3).
Modern people write poems in the old style about the choice of words (2).
Modern people write poems in the old style about the choice of words (1).
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