Desire and destruction are also eternal themes, and Xu Xian's story is about this.
once felt that this person was cowardly and ambiguous, he loved the white snake, but he couldn't help the instigation of Fahai, and left the house with him in a daze, and he escaped to find the white snake, even Xiaoqing was impatient, and pulled out his sword to give him a break. At this moment, looking at his miserable appearance of snot and tears, dazed and helpless, I really don't know whether it is pitiful or hateful.
Such a person with a bad brain never knows what he should do, the infatuation of the white snake, the persistence of Fahai, the balance and force on both sides, and the fragile person is dragged to the point where he doesn't know what to do.
In fact, Xu Xian's situation is the basic situation of human beings. The white snake is a kind of **, a flying, turbulent, and reckless desire, which makes people powerless to resist. But she also has the horror and uncleanness of a demon, which is a great danger to life;Fahai is also a kind of **, it is the nature of people who yearn for stability, calmness, and eternal life, and at the same time, he also means restraint, patience, and hard workThe fighting method between the White Snake and Fahai is the endless contest between desire and reason, the magic is one foot high, the road is one foot high, and in the end, the White Lady was Yongzhen Leifeng Tower, and Fahai was only a gray one, in the end, who wins and who loses, it is really difficult to say.
In the first dozen episodes of "Dream of Red Mansions", it seems that they are also leaning on this theme, and the three main characters usually died, namely the Qin brothers and sisters and Jia Rui, and the deaths of these three people are all related to **.
Jia Rui's death is closest to the topic, this person is tasteless and stupid, when he is still breathing, God does not give him a chance, as long as he looks at the back of the Fengyue Treasure Book, understands that all beauties are nothing more than skeletons, and knows the true meaning of color is emptiness, he can pick up his life and come back. It's a pity that this guy is too uncompetitive, and his "desire" makes him dizzy, and he is repeatedly hooked into the clouds and rain by Sister Feng reflected in the front of the mirror, until the oil runs out and the lamp dries up, and he dies.
Qin Zhong's death is similar to Jia Rui's, but it is more sloppy, this merry and handsome young man is still seducing gay partners in the school - this chapter of the school seems to be specially designed to show his ** - and the little nun Zhi'er secretly intertwined, but because of this, he lost his recuperation, first coughed and cold, and after a few days of not seeing him, he revealed the situation of the next life. His short life is very conceptual, as if it was just a warning to the world: please cherish life and have few desires.
In Jia Rui and Qin Zhong, Cao Gong was an absolute negation of desire, but when it came to Qin Keqing, his attitude was a little vague and hesitant. This mysterious woman has too many mysteries, such as how a commoner's daughter easily married into Ning Guofu and became the first proud person among her great-granddaughters?For example, she was originally a ** beauty, how did she explain the way to the "hero in the fat powder pile" Sister Feng before going to Huangquan, and her affection is comparable to "Zeng Guofan's Family Letter"?Maybe she really has an extraordinary background, and even changed the fate of the Jia family, and disappeared after eighty times, allowing every speculation to exist, here I only say, as a woman, how kind of influence she has on Baoyu, because a "Dream of Red Mansions" can also be understood as a man's spiritual history.
Even in the eyes of the minor Baoyu, her ** is shocking. The writer does not say anything about her appearance and figure, but also finds another way, describing how her room is charming and soft, the eye-catching incense, the suggestive furnishings, and the fragrant poems and paintings of the talents, all of which are signs, pointing to the place where ** grows like grass.
Baoyu was hypnotized, and then he sleepwalked in Wonderland and walked with Keqing, the sister of the police illusion. This chapter seems to be the outline of the whole book, but if Freud were to explain it, it must be the result of thinking day and night, and being stimulated too much just now.
I suspect that the incident of traveling with Keqing is Cao Gong's own childhood experience, and it is likely that he has really seen such a mature woman, although the relationship is not deep - the descriptions of Qin Keqing are very light, and most of them are paraphrased impressions, but the woman's graceful back enlightened the boy's sexual consciousness, making him vaguely understand men and women.
Many boys have had this kind of experience, Guo Moruo had a crush on a beautiful sister-in-law when he was a child, and later did learning, and people verified that he was in his thirties when he married into the Cao family, and Cao Zhi was only ten years old, the so-called love affair is unlikely, Guo Moruo refuted with personal experience: How do you know that it is not a sister-brother relationship?In "Sunny Days", Xia Yu's fascination with tranquility, and in the New Year's film "Mobile Phone", the admiration of a pair of cousins-in-law belongs to this list, it seems that ancient and modern times are the same, regardless of poets and laymen, the template of feelings is only a few pieces, in a sense, Keqing is Baoyu's first love.
However, ** is also a double-edged sword, giving Keqing a variety of styles, but also bringing her into the whirlpool of the word "obscenity", Jiao Da's scolding has confirmed the very relationship between Jia Zhen and her, after she died, Jia Zhen cried rudely, and it was a wonderful footnote to "Picking Ashes". Many people can't bear to see the first beauty in "The Twelve Hairpins of Jinling" as a suspicion, and they hate Jia Zhen's dirty face, and explain for her, saying that they have to succumb to Jia Zhen's obscenity, but if this is the case, why did Cao Gong, who is most willing to face reality, say in her judgment: "Love is deep in love with the sea and fantasy", what he cherishes most is this love word, how can he be used to beautify an old thief?
We always imagine that love is only related to those beautiful people, and in the social news, we also see someone falling in love with a villain, but only with an exclamation to send it away, that is an abnormal state, a story, and there is no need to do considerate understanding. This self-righteousness, this rejection of the authenticity and richness of life, undermines the breadth of our hearts, although we will all talk about Zhang's famous saying: Man cannot be his own master.
Maybe she really loves him, loves him with body rather than heart, no wind and snow as a foundation, long and short sighs as a backdrop, no metaphysical deliberation and thinking, and no trend of turning love into a philosophy, between them is the love of two men and women with strong desires, strong, powerful, **primitive, but who can say that such a love is not love, who can, give a precise definition of love?
Keqing's death should be somewhat related to her and Jia Zhen's "inappropriate" relationship, even if she is not a "lewd mourning Tianxianglou", but as the doctor said, she has a heart disease, and that heart disease is not born for no reason.
For Keqing, Cao Gong always had a complicated feeling. On the one hand, he did not hesitate to compare his favorite two women, saying that she was "bright and charming, like Baochai, graceful, and like Daiyu", the so-called "beauty". To describe Xiangling's good appearance, just one sentence "Some of the conduct of Grandma Rong'er of Dongfu Rong'er" can be done;On the other hand, in her judgment, she not only used the word "obscene", but also said: "Nonsense is honored, and the beginning of provocation is really peaceful." He also said: "Being good at style and looking good at the moon is the root of the loser." "It's kind of unimpressed. Such hesitation and repetition is actually Cao Gong's ambiguous attitude towards desire, hovering between affirmation and negation, which is the home change between White Snake and Fahai. Although he arranged Qin Keqing's death, just like the White Lady representing desire was Yongzhen Leifeng Tower, he still left a mysterious and charming Qin Keqing to future readers, just like the kind and lovely image of the White Lady in the folk.
In the final analysis, no one can have a resolute and thorough attitude in the face of incombinable desire and eternity, and even if they take a firm stance against it at first, they will gradually become confused as the narrative deepens.
Looking at the first sixteen episodes alone, Cao Gong seems to want to write a warning to the world that color is empty**, in addition to the instance of indulging in desire and inevitably perishing, the police fairy teaches Baoyu men and women, and also wants to use a special education method to keep him away from desire and become a person who is beneficial to the country and family. Her method is similar to stimulating the guinea pig, all of them use the principle of conditioned reflex, first teach him the things of men and women, and just get interesting, she will take him to the danger of having an abyss in front and a tiger and wolf in the future, which means that he is disgusted, and he will never want to do this, as if the principle of quitting smoking is also like this. It's a pity that Baoyu didn't appreciate this good intentions, but she became interested in it, and the police illusion turned into a prostitution and theft, her method is very similar to the negative teaching materials of the "Cultural Revolution", what "Visitors on the Iceberg", "March in a Small Town", are all big poisonous weeds for criticism, but when the lights in the movie theater are extinguished, how many people are immersed in it, and they can't remember the original intention of "above" at all.
These sixteen times are very different from the style of the back, its theme is prominent, the content is mixed, fairy stories, officialdom encounters, ** descriptions are readily available, the most excessive is the seventh round, first advertise on the eye, saying "send the palace flower Jia Lian to play Xifeng", obviously hanging people's appetite, who knows that he described a burst of laughter on the side, and he is suspected of doing false advertising at the expense of attracting attention. These means, make**climax, many selling points, very similar to the popular ** on the market, at most, the text is more elegant, the portrayal is more detailed, far less calm, soothing and confident in the later chapters, there is no kind of ethereal poetry that is even better than the magic hand, it is too tense, too similar**, I think this exposes the lack of confidence of the author of the long story at the beginning.
Not every writer knows what to write when he puts pen to paper, many details have been piled up in his mind, and he has to find a soul for these things so that they can stand. This kind of search is a long journey, sometimes even more than half of the way, before you know what you have to say, before that, you have to go on the road, in the blank search, gradually lock on to your goal.
Educating the world, telling about desire and destruction, telling the truth of "seeing color because of emptiness, giving birth to love from color, passing on love into color, and self-color Wukong" is safe for a beginner, in the first sixteen rounds, he closely focused on this central idea, but with the gradual deepening of the brushstrokes, deeper and deeper feelings, dense memories poured out, a single theme could not carry all he wanted to confide, and even, he could not find a theme that could accommodate everything. At this point, he has entered the kingdom of freedom from the kingdom of necessity, no longer trying to bind the ocean of his mind into a bottle, he lets go of his hand, writes as he wants, writes in a round, and the tide of emotions sweeps over, drowning all the fragile subjects.
Lin Bai said that she likes those who are not like**, probably because this kind of ** has no reference, isolated, completely follows the guidance of intuition, and jumps out of a path that has never been before, if my guess is still a little reliable, I really want to be glad for Cao Gong, after sixteen times, he got rid of the existing reading experience, and jumped out of the road of genius that only belongs to himself.
Excerpt from "Misreading the Red Chamber" Yan Hong.