Concert tickets have become a norm, and the ensuing "ticketing" phenomenon is like throwing a ** explosion on this feast. The audience's complaints and the quiet rise of "ticketing" constitute a contradiction that people have to think about. This is not only a story about the feast of ** being eroded by materialism, but also a big test of our understanding of the word "fairness" in our time.
When the time came, I frantically clicked on my phone, but as soon as I clicked on the purchase page, it showed that the tickets were sold out. This sentence has become a common memory of almost every concert lover. I thought that there was only a ticket between myself and my idol, but I didn't expect it to be so far away, so far away that I didn't even have a chance to compete fairly. And the existence of the "ticketers" is like pouring salt on the wound, which makes people question, whether the rules of this game are fair?
Can these "ticketers" who claim to be able to "get tickets from the authorities", really be able to do it? If so, how do they differ from the widely criticized "scalpers"? In fact, what is hidden behind this is a complex supply and demand relationship and a chain of interests within the industry. Raising the price of tickets** several times not only harms the interests of ordinary consumers, but also challenges the principle of fair trade. The so-called "unified pricing in the industry" is just a sugar coating that secretly legitimizes the behavior of "scalpers", and its essence has not changed.
If the "ticketing" people are really able to obtain a large number of tickets from official channels, then this will undoubtedly expose a major loophole in the management of the performance market. This practice not only erodes the rights and interests of consumers, but also desecrates the art market. As Steve Jobs said, "Technology itself is not something that changes the world." It's the way humans use technology that really changes the world. "When this kind of application deteriorates, the brilliance of the technology will also be overshadowed.
This debate over concert tickets actually reflects a larger question: how do we keep our hearts pure while pursuing profit? This is not only a question of the "ticketing", but also a deep reflection on the entire industry and even our society. Only when every participant can follow the principles of fairness and justice can we return to our original appearance: pure and beautiful.
There is no easy answer to this question, but as Wilde said, "Society is conditioned by the injustice of its existence." "We can't change the whole world right away, but we can start with ourselves, with every choice, to make the world a little fairer. The controversy over concert tickets may be just the tip of the iceberg, but it is these seemingly insignificant little things that constitute the edifice of social justice. Let us move forward in reflection for a more just and better tomorrow. Concerts