Dear audience friends, have you ever been in ** film and television dramas,By those who are ridiculous"Goofs"Smiling from ear to ear?
When we are immersed in the storyline, it is inevitable that there will be a goofs that make people cry and laugh and suddenly appearIt seems to be "insulting" our three views and IQ.
From the negligence of the crew, to the incomprehensible brain circuits of the director,These shots can be called classic scenes.
Only you can't think of it, you can't do it without him, these shots are more thunderous and more thunderous.
Today, let's take a look at the most hilarious goofs and shots!
In recent years, in order to attract attention, some entertainment companies and television stations have produced a large number of TV series with the theme of the War of Resistance Against Japanese Aggression.
However, if you look deeply, you will find that there are too many absurd contents in the plot settings and character lines of these anti-Japanese dramas that do not conform to common sense and contradict logic.
It is seriously detached from historical facts, and it makes people laugh and cry.
The reason for this lies in the fact that some screenwriters and directors take it for granted that they make up nonsense for the so-called "dramatic effect" in the creative process, and they do not have a rigorous sense of historical responsibility at all.
For example, in an anti-Japanese drama titled "Bloody Zhang Ao", the heroine said to the male protagonist with grief on her face: "My nine-year-old grandfather was beaten to death by Japanese devils, and I can't wait to eat all the Japanese!" ”
If her grandfather did die when she was 9 years old, her father would not have been born and she would not have existed as a granddaughter.
There are many similar plots full of loopholes, which make people laugh and cry. In order to attract the attention of the audience,All kinds of thunderous shots emerge one after another, such as the most controversial "Anti-Japanese Heroes".
That's what it's about in this TV productionSix "capable people" with unique skills,With his own flying eaves and walls, he learned the story of fighting against the well-equipped troops of the Japanese army on his own.
The number one character in the play is Du Dapeng, this hero is simply an extremely awesome existence.
The performance in the play can be said to make Newton's coffin board unbearable.
You can tear the Japanese devil in half with your bare handsI don't know, I thought there were two excavator mechanical arms on this arm.
Another example is in another popular anti-Japanese drama "Bloody Battle to the End", the male protagonist commanded his soldiers on the battlefield: "I killed the Japanese machine-gun position with one shot on the high ground 800 miles away yesterday!" ”
As soon as this remark came out, it made people cry and laugh. 800 li is about 400 kilometers, which is almost the actual distance between Beijing and Taiyuan. How is it possible for a bullet from an ordinary rifle to travel such a long distance and hit every shot? This is undoubtedly a challenge to the fundamental laws of physics.
Railway Guerrillas", this should be regarded as the originator of the anti-Japanese drama, it was originally a good drama. However, the god-like bicycle flies when it is said to fly. Peng Liang's bicycle, Lu in the car, and Chitu in the horse, you deserve it.
It can be seen from the above that for the sake of the so-called "dramatic effect" and eye-catching rate, the screenwriters and directors of these anti-Japanese dramas completely disregard basic facts and common sense, and just make up plots and lines based on imagination.
They may think that the audience will not scrutinize the logic, so they ignore the historical truth and blindly pursue the so-called "effect". But the result can only be self-deception, and the gains outweigh the losses. This kind of screenwriting technique is not only seriously untrue, but also may mislead the audience and have a negative impact on society.
Therefore, the industry should strictly reflect and rectify. Relevant departments should strengthen censorship to prevent the broadcast of such low-level works that are divorced from historical facts. Screenwriters and directors should also always keep in mind their social responsibilities, and should not use dramatic effects as an excuse to make up for the numbers, but should take history as a mirror, respect facts, create in a down-to-earth manner, and not believe fiction.
We look forward to the emergence of more masterpieces of the War of Resistance Against Japanese Aggression that face history squarely and reflect the bloody struggle of the Chinese people. Only by abiding by the creative spirit of honesty and historical facts can we move people's hearts and have a positive impact. We believe that the industry can self-reflect and work together to improve the authenticity and artistry of historical works.
As a major category of film and television works, costume dramas have always been loved by the audience.
However, even dramas with huge investment and excellent plots cannot escape the fate of "goofs".
These small details have become a topic of conversation among fans, and they also make people sigh at the hard work of the crew.
is like the popular costume drama "Know", there is no shortage of exquisite costumes and scenes. But once the camera zooms out, the sloppiness on the props is revealed - there is a modern manhole cover hidden in the green belt, which is incompatible with ancient costumes.
Out of the trees is a street lamp with a quaint style, but it is too "modern" when you look closely. These "crossing" places make people laugh.
Even top-notch actors can't guarantee that they can't make mistakes. A supporting character in "Do You Know" actually stuffed a mobile phone with a bulging body, outlining a distinct square shape on the hem of the costume. Does the actor always need to be in touch with him to bring his phone to the costume set? This goof-up shot has become a talking point for the audience.
Even "The Legend of Zhen Huan", which has always been meticulous and rigorous, cannot escape the "mobile phone door". In a palace banquet scene, the little concubines all sat dignified and quiet, but some people hid their mobile phones below the buttocks and covered by the hem of their clothes. This act of shyness was unimaginable in ancient times.
Of course, for costume dramas, it's not surprising that there are some goofs occasionally. Today's audience aesthetics are also very tolerant, and slight mistakes will not affect the evaluation of the plot and acting skills.
These "tips" have instead become the talk and jokes of fans after dinner. After all, while pursuing perfection, it is also necessary to be calm with the inevitable mistakes. A few minor flaws alone shouldn't erase the excitement of the entire series.
Counting them down, these "secrets" are actually harmless. Between the audience and the crew, understanding and tolerance also need to be maintained.
After all, for ancient costumes, "goofs" have become commonplace, and we might as well use a witty and ridiculous mentality to look at these "offside" places in the lens.
In fact, not only costume dramas, but also many film and television works with modern themes often appear in this or that goof.
For example, Stephen Chow, who is famous for his special effects works, also has obvious CG mistakes in the comedy movies he starred in.
For example, in "Shaolin Football", when he faced off against star Beckham, the football under his feet was obviously on the stage of p. This kind of special effect treatment is rough, and it also makes the audience cry and laugh.
Unlike special effects, the most common goofs in modern dramas come from the actors' dresses. Many actors choose to wear modern underwear or footwear for comfort or dress. This is easy to catch in front of the camera, which directly destroys the atmosphere in the play.
For example, in a costume drama, it is obviously ancient, but an actor's shoulder straps accidentally reveal the shape of a sporty **, or it is obviously in the Soviet era, but the actress wears sneakers that look like Nike on her feet out of place. These mistakes are ridiculous.
In "Hello Sharpshooter", Xing Fei has normal dark circles under her eyes at the moment, but she forcibly eliminated them in the later stage, and was "exposed" by the audience for this work to be an obvious fake goof.
It is said that even actress-level actors cannot avoid such mistakes. In fact, this is understandable, after all, the conditions on the set are difficult, and in order to ensure the quality of the performance, the actors also need to pursue a certain level of comfort. It's just that sometimes it serves the drama, sometimes it serves the self, and the two need to be balanced. Otherwise, small details will become a "stumbling block" to capture the audience's attention and affect the viewing experience.
Therefore, the audience needs to be tolerant and understanding of the subtle goofs, and they also need to look at them with a peaceful and open-minded attitude. After all, mistakes are inevitable in the silver screen, which should not erase the overall intentions.
Just one or two mistakes can't negate the overall hard work of the production team. If only we were open to the occasional misstep. After all, on screen, perfection is difficult, and small flaws should not mask serious effort.
"Journey to the West" and "Water Margin" are two classic masterpieces in my country, and they are also the memories of countless people's childhood. But when we revisit these two classics again, we will find that there are many unknown "secrets" hidden in them.
"Journey to the West" is a TV series filmed in 1986, which tells the story of Sun Wukong protecting Tang monk Xitian to learn scriptures. During the filming process, the crew encountered the dilemma of insufficient funds and had to reuse the same actor many times.
The actors of Monkey, Zhu Bajie, and Sha Seng all appear in other roles, and it is impossible to tell who it is. The most embarrassing thing is that Xu Shaohua, the actor of Tang Seng, actually showed a modern T-shirt from time to time and traveled directly to the west.
In addition to this, many untimely utility poles can be seen in the set.
"Journey to the West" was very difficult in terms of framing, the crew had to shoot in the countryside next to the factory, and bad weather would affect the filming schedule.
In order for the audience to see the beautiful picture, the staff had to scrape together and look around for the filming location. There are also scenes that can only be done in a set of sets. With such simple conditions, it is not easy to present the grand scene of learning scriptures from the west.
According to history, the story of "Water Margin" takes place during the Northern Song Dynasty. But when the crew set up the scene, they used sugar gourds that only appeared in the Southern Song Dynasty.
In addition, in the classic shot of Wu Song fighting the tiger, it is obviously a toy tiger made of fabric, but it was moved through the bazaar and a bicycle appeared, which is a very obvious goof.
Some of the fights and action scenes in "Water Margin" need to be completed by the actors themselves. What is embarrassing is that the insurance and safety measures at that time were still very weak, and once the actor was injured, he could only consider himself unlucky, and the crew was unable to provide better care. In order to complete the task, the actors can only go out and are willing to take risks.
It is not easy for these two dramas to be filmed under limited conditions, and it also makes the audience re-examine the intrinsic value of the classics. Even if there are such and such omissions, they cannot detract from their status as "divine dramas" in people's hearts.
It's like a favorite childhood toy, even if it is worn out and yellowed, it will last in our minds for a long time. Perhaps, it is these vivid details that make these two classic dramas exude a unique charm over the years.
In fact, the various goofs in these two dramas also reflect the difficult production conditions of Chinese TV dramas back then.
Considering how rudimentary the technology was in the 80s, there was not even a decent camera, and it was even more difficult for the directors and actors to work tirelessly to complete the filming with limited budget.
We are now making a TV series, there are too many modern equipment and means to use, and it is not difficult to present the desired picture.
But the crew in the 80s had to rely entirely on manpower to solve these problems, and the difficulties they faced were unimaginable. Because of this, we should also be tolerant and understanding when we see the flaws in "Journey to the West" and "Water Margin".
Although times are changing and technology is advancing, the values and emotions conveyed by these old TV series are timeless.
The reason why they have become classics is that we feel the strong feelings and persistent pursuit of dreams of the people of that era.
These TV series are not only a TV series, but also a memory, a kind of spiritual wealth. They deserve to be remembered and remembered.