"The Mandalorian and the Ancient Man" has entered the creative process, and the spin-offs of "Star Wars" are becoming more and more complex, is it a good thing for Disney? Boris, the film critic of "THR", believes that the creative mode of "Gugu" is very crucial, and the director of this work is Jon Favreau, who is familiar with the layout of "Star Wars". The structure of "The Mandalorian" is mediocre, but after being sculpted by Jon Favreau, this series is very popular. Boris analyzes Jon Favreau's mode of creating "Ancient Ancients", first of all, Jon Favreau needs to continue his unique perspective, which is also his creative style. "Ancient Ancient" examines the communication between humans and extraterrestrial beings from a whole new perspective, transporting the reader into a world full of mystery and unknowns. This unique perspective not only attracts a large number of readers, but also injects new vitality into the development of science fiction films.
Many fans feel that there are too many side stories of "Star Wars", which leads to the loss of value of the feature film, and the direction of the work is not clear, which may lead to a decline in the public awareness of the classic series. However, Boris is not worried about this kind of thing happening, the huge series must have a special marginality, and the marginality of "Star Wars" is very strong. In the Star Wars series, the marginal character is an important component, reflecting the marginal nature of the work. These characters usually only play a supporting role in the main story, but their presence enriches the diversity and complexity of the entire universe. For example, "Andor" is such a marginal character, but Disney's "spin-off works also have a story" model has made this film more valuable than a single-player movie, and has become another series that can have a special fan base.
Among the marginality of "Star Wars", there is a particularly eye-catching group, that is, female characters, which also reflects the strong marginality of the film. Even in The New Hope of the seventies and eighties, female characters were often portrayed as strong, brave and visionary. They struggle for their place in a male-dominated society and exert their influence. Not only do these female characters play an important role in the story, but they also reflect real-world ideas about gender equality and feminism. It's normal for the creators of the new century to have this kind of thinking, but among the filmmakers of the last century, few have been able to free female characters from the marginal setting in the field of science fiction. In Boris's view, "Princess Leia" is also a setting that makes the marginality of "Star Wars" break through.
When Boris analyzes Jon Favreau's creative model, he mentions that Jon Favreau is also the producer of "Gugu". Throughout the few steps of his films or gatherings as producers, there is a commonality in the creative mode - rich characters. "Chef Show", "The Lion King" and "Little Sheldon" are all completely different works in genre and style, but all of them have one thing in common, that is, the characters are quite full. You can meet the characters in "Gu Gu" with distinct personalities, each with a unique background and story. And Boris especially emphasized Jon Favreau's talent in creating characters as one of the keys to the success of the work. In addition, Jon Favreau also has an innovative narrative method, and if there are no surprises, "Gugu" should adopt a non-linear narrative method, skillfully interweaving reality and fiction, giving the reader a strong shock and thought.
The author (complacent about watching movies) also believes that this innovative narrative method also provides new ideas and inspiration for later literary creation, giving fans more thorough thinking and analysis. In terms of in-depth content, some people may say that Jon Favreau is used to only going to "big water films", and the depth of "The Mandalorian" is not very good. And there are still many fans who believe that superhero series or sci-fi films cannot have both heat and depth. In fact, in Jon Favreau's creative mode, there is no lack of profound thematic thinking, which is projected on the body of "Ancient Gu", which shows that this film is a work of deep thinking about human civilization, scientific and technological development, extraterrestrial life and other themes. Through delicate brushstrokes and rich imagination, Jon Favreau leads the reader to think deeply about these themes and **.
Many directors in today's film industry have lost their literary nature, but Jon Favreau still has superb literary skills, which makes the film have strong artistic value. Of course, Boris says that this does not mean that Jon Favreau has neglected the visual and auditory effects, and that his work will not lag behind in terms of soundtrack and special effects. It is worth mentioning that Boris originally thought that "Gugu" would be presented in the form of a series, just like "Obi-Wan" and "Ahsoka". However, Disney turned this gaiden into a movie, and this creative mode is a challenge for "Gugu".