In the first fireworks season, "Fireworks People" on the screen intended to stir the ripples in the audience's hearts.
Xu Fan, Ma Sichun and other big names co-starred, such a cast, people can't help but look forward to this drama can become a literary treasure at the beginning of the year.
At the beginning, the plot was that with the warm sound of firecrackers at the Northeast Grand Gathering, the family was happily wrapping dumplings, which instantly aroused the audience's New Year's flavor, as if they were in the atmosphere of the New Year, which was very suitable for the scene.
Then came the beginning of the intertwining of the emotional entanglements and life challenges of three generations, which was originally an exquisite Chinese New Year's Eve meal, but people couldn't swallow this homely meal.
"Fireworks Family" tries to depict the love and contradictions within a family, from Qiao Haiyun's elder demeanor to the conflict of the three sisters of the Meng family, and then to the struggle and growth of each child in modern societyThis was originally a warm family group portrait.
However, when the plot brings the audience into a depressing family atmosphere, that expectation begins to turn into questions: Is this really the "fireworks" we want?
If you watch this plot and don't get angry, then you must not feel the realism and unfortunate truth in it.
Female group dramas have always been the darlings of the screen. They cut through the lens of women, revealing the multifaceted nature of society and the complexity of women's growth.
But "Pyrotechnics" seems to have lost its way on this path.
When Li Yijin faced the dilemma of feudal superstition, and when the family dinner became a battlefield of words, the audience's mood also followed the ups and downs of the plot and felt a little tired.
Love should not be a suffocating shackle, but a warm lamp.
In this family drama, we see the shadow of control and authority.
Such a plot not only makes people feel frustrating, but also invisibly increases the audience's fear of family and marriage. Film and television dramas are a mirror of reality and a magnifying glass of emotion.
If it cannot truly and delicately show the challenges and growth of women in modern society, then this mirror will lose its meaning of existence.
Although "Fireworks People" has a star-studded lineup, if it can't respond to the audience's expectations and tell a story that is both true and emotionally deep, then even the brightest starlight may gradually dim in the hearts of the audience.
What we need is a story that can bring us warmth, inspiration and resonance in a family moment like the Spring Festival.
I hope that future dramas can be really close to life, digging into the depth and complexity of more female characters, so that every audience sitting in front of the TV can find a trace of their own shadow and feel the heartwarming temperature in the fireworks festival.