OneVixen tendernessIn the first half of the year, I watched a "Long Season", and in the second half of the year, I watched "Flowers", both of which talked about the 90s. The nineties in the Northeast are falling, and the times are like giant wheels, crushing the ordinary people who inhabit this land. And the 90s in Shanghai were high-spirited, and the red men and green women who took the Times Express were blown in the air by the wind. Someone makes a jump, someone falls in mid-air. Both are good-looking. But I still love "Flowers" more. Because it's more refined. Idle pen everywhere, sigh everywhere. The scene that amazed me the most was Jin Meilin's proprietress Lu Meilin, who took her lover Du Honggen to make a fuss in Zhenyuan. A fierce mother-in-law, a ruffian hooligan, said that she smashed the restaurant, and she smashed it. But when Li Li took out the 300,000 IOU that Du Honggen had sent to Mr. Bao, his arrogance immediately vented again. Lu Meilin couldn't get off the stage and questioned Du. Asked in a hurry, Du Honggen said: For so many years, your husband has been gambling in Macau, gambling all the way and losing all the way, every time you ask me to borrow money, what do you think I can do?!The two quarreled on the street, one by one. The woman said that the man is incompetent, and the man said that after so many years, if it weren't for me, your hotel would have been open to this day?The woman turned around, and her heartache and grievances were all on her face: "You talked to me about the past?".You talk to me about conscience?If you want to take care of me, you will already take care of me!But you're going to die!"That's so well written. In just 4 lines, what is pressed is the past of thousands of troops, and it is a woman's sad grievances for decades. Fierce mother-in-law, ruffian hooligan, turned around to be a hard-working mandarin duck, a frustrated person at the end of the world. I loved it when I thought about it, and I was disappointed when I thought about it. Later, Lu Meilin and her husband quarreled, and her husband scolded, if you have the ability, you can find Du Honggen, that ** criminal. Probably, it was because Du went to jail. 
After the two quarreled, the woman entered the hotel, and the man got into the car. The dim light side hit the side, and Lu Meilin cried bitterly in the mirror, and Du Hong was silent in the car, with pain and helplessness in his eyes and mouth. What does it mean to shoot a shot of people's sense of fate, this is. I pulled it back and forth and watched it several times, and every time I looked at it, I sighed. There is also a shot of Lu Meilin, just one second, which is also very good. Miss Wang's factory master injured Boss Jin, and she wanted to fight back. Mr. Bao appeared in time and said that I took this slap for her. Lu Meilin snapped and threw it over. But after the dumping, the director gave a close-up for a second, allowing the audience to see that after this woman beat someone, her face was full of misery, as if she was the one who was slapped. Oh, yes. How can you not be sad? Other women are protected, and the wind and rain and slaps are blocked, but only herself, her ex-boyfriend has failed to live up, and her current husband is not angry. Fan Xiangyan performed this flash of pain, poking every woman who is frustrated for love. IIReiko's intuition and wake-upMiss Wang, Reiko, Li Li, these three characters, I like Reiko the most. The character setting is also the most established. Of the three women, Reiko is the most ordinary. Miss Wang has a week-long father who pays her rent, Xiao Wei, who will inherit Haining Leather City if she fails, Mr. A, the ** and lover Mr. A who taught her real skills, and 30 million from HSBC. Reiko has nothing. Po saw her for the first time, and she was playing in **Pavilion**. Her father, who remarried, was asking her for money. She needs love the most, but also the most insecure. Miss Wang loves Bao, it is a sister's love for her brother, and a girl's love. Li Li loves Bao, it is a hunting-like sympathy, a lover's love. Only Reiko is the most thoughtful and deepest love that an ordinary woman gives to a man, the love of his wife. Po socializes every day, and when it's over, he always goes to Tokyo at night to eat a bowl of rice. She always laughs and scolds and dislikes, but she always has enough side dishes, and she carefully follows the man's taste. Po is hit by someone, and she goes around looking for the person who hit him. Debt collectors poured into Tokyo at night, and she said, "I will pay off Bao's debt." Like a wife, she carefully takes care of his life and builds a big rear for him. Uncle said that she was a debt collector, because she always changed her way to fight the autumn wind from Po. But this bit of snobbery and shrewdness is also very similar to the style of an ordinary wife of dregs. She used the bits and pieces of money to squeeze and calculate, testing this man again and again, testing how much he cares about herself, and testing his bottom line. It's not so much about asking for money, it's better to ask for people, love, love, and care. When Po and Reiko met in Weiwei, they both had a deep understanding of each other. As Ah Bao becomes the president of the Yellow River Road day by day, Reiko actually understands very well that this man can't ask for it herself. But she wouldn't wake up. It wasn't until Li Li appeared, and it wasn't until Mr. Ge pierced this layer of paper for the sake of that purchase order - Lingzi was old, and Ah Bao couldn't look down on her, that she was really defeated and woke up. 
In Tokyo at the beginning, in Tokyo the night after tomorrow, from beginning to end, Reiko was moved by Po, and Po was righteous to her. For a man who doesn't have true feelings for himself, he uses it with all his heart, and flatters the blind man. Even if you sacrifice yourself, he will not see it. Reiko's infatuation, her wake-up, and her escape after waking up are all experienced by us ordinary women, and they can be learned, so it seems to be extraordinarily kind. IIIThe smell of the system"Flowers" uses intensive kung fu on some small characters. Wu Yue's No. 27 Jinhua section chief performed the soul of the system. Do you know what kind of people can be promoted all the way in the system?It's not a person who likes to make small moves like Mei Ping as everyone thinks. People who are truly favored within the system and have the conditions to become political stars are people who are recognized as "loyal" by the organization. And this loyalty is your ego, your way of thinking, and your style of acting, which is completely integrated with the system. The "self" is handed over to the system to reshape. Wu Yue's acting skills are really good, she performed this sense of loyalty, every word and deed, every look, she is a person that the organization can rest assured. Mei Ping made too many small movements, Miss Wang was too self-conscious, and Uncle Grandpa's brain was too active, so they all had to leave No. 27. No. 27, belongs to the Jinhua section chief. When it comes to the system, there is still a spare pen, and readers in the system should really study hard. It is the speech that Mr. Bao gave to the relevant departments when he was striving for the listing quota of the clothing company. From the point of view to the sublimation, it is all through the hands of the old master and uncle. The screenwriter should have spent effort writing this paragraph. You have to be very experienced in the style, report, and style of work in the system to write so well. Specifically, we will not expand here. You can see for yourself. After reading it, you at least know how to write the report of the bureau and the speech of the leader. There is also a system idle pen. It was the day that Uncle Bao left Mr. Bao, he suddenly changed his face to Mei Ping. borrowed Mei Ping's mouth to say the reason why Section Chief Jin didn't like his uncle, "There are people who have nothing to do, and no one has anything to do." In fact, this is also a kind of gene given by the past environment. Four** of tensionIn the original work of "Flowers", the relationship between men and women is "Ka Concubine". TV series, is a clean book. The only explicit scene is Tao Tao being requisitioned by his wife for public grain. watched the first 28 episodes, and Bao's emotional entanglement with the three women was limited to eating, pulling and pulling through clothes. To be honest, it's not very pretty. It's not that the bridge section that has to break the bed is good-looking. However, it is not true if it is too clean. Men and women in the world, without lust back and forth, can't hold up love. Just filming the ambiguous entanglements between men and women, no one among Chinese directors can shoot Wong Kar-wai. If there is no scene of dismantling the bed, can't we show those entanglements between men and women?Neither is it. "In the Mood for Love" is so well filmed. Tony Leung and Maggie Cheung, passing by in the alley, sitting next to each other in the car, going to open a room is also to read ** and write articles. No matter how clean it is, there is no more. But Tony Leung has the ability, using his eyes and limbs to give you an imagination, a eye contact, a passing body, is a cloud and rain. They are clean, but in the hearts of the audience, the bed has collapsed countless times. 
Wong Kar-wai also arranged a lot of such ** idle pens in the flowers. It's a pity that Hu Ge doesn't have Tony Leung's sexual tension. He doesn't stick to women. He can't hold the love drama of these three women. In front of Li Li, he is like a high school student who has not grown up, and in front of Reiko, he is like a younger brother who has done something wrong. A slight match is Miss Hongkou Wang. But it's still half a cut. The most wanted scene filmed in the first 28 episodes was probably when Li Li was interrogated and came out of the police station overnight. Ah Bao asked her, what do you want to eat, Li Li said tiredly, I want to sleep. Then, one drove in front of him, going around the city in circles and circles, and the other slept in the back seat. He looked at her in the rearview mirror, one at a time. The neon lights of the city reflected half of her face. Wong Kar-wai is really good at shooting. Therefore, this is not a film of Shanghai in the 90s, the business war of reform and opening up, this is another "The True Story of A Fei", "In the Mood for Love", and "Ip Man". Ah Bao is Ah Fei, Zhou Muyun, and Ip Man, they are all legless birds who can't fly in the sea. So longing**, and so cowardly.