In 2019, he was selected for the National Academy of Painting Training Course of the Ministry of Culture of China (China National Academy of Painting). Exhibitions & Awards:
In 2015, "Snow on the Dragon" won the Excellence Award (the highest award) of the National Chinese Painting Exhibition sponsored by the China Landscape Painting Association and the China Landscape Painting Creation Institute. In 2016, "Dragon on the Garden" won the third prize of the National Calligraphy and Painting Works sponsored by the China National Academy of Painting and the China Painting and Calligraphy Newspaper;
In 2016, "Lapo Mountain Residence" won the Excellence Award of the 2nd National Chinese Painting Exhibition of I Love Danqing;
In 2019, "The Original Age" was selected for the 3rd Lu Yan Young Prize National Chinese Painting.
In 2022, "Jiashan Ruixue Trillion Year" was selected for the 4th "Lu Yanshao Award" exhibition.
In October 2019, "Xixi. Moonlight - Zhao Ying. Jing Hong's solo exhibition of Chinese paintings. In January 2024, the "Spring Covenant Lake" will be held at the Hangzhou Cultural Center. "Villa Ink" four-person group exhibition.
Publication: Zhao Haiyan's Collected Works", many of his works have been published in "Grand View", "Art Education Research", "Art Appreciation" and other publications.
*:*The Aesthetic Pursuit of Orthodox Landscape Painting in the Early Qing Dynasty", published in Science and Fortune in January 2013;
An Analysis of the Northern School Style in Song Dynasty Landscape Painting Sketches", published in the Art Times Art Journal in May 2014;
An Analysis of Southern Style in Song Dynasty Landscape Painting", published in "Four Treasures of Chinese Study" in June 2014;
*The Relationship between Landscape Painting Appreciation and Sheikh's Six Laws" was published in academic journals such as Peony in November 2015.
Danqing's righteous path is the vicissitudes of life
Xue Qingyu
This is an era of different ideas and ideas, so it is very easy for young martyrs of Chinese painting art to get lost in this confusion. For them, how do they take every step of their artistic practice? What is the right path of Chinese painting? What does it mean to stay on the right path? It is particularly important to solve these problems. I think that the path of landscape painter Ms. Zhao Que has an extremely important inspiration for us.
Over the years, Zhao Que has been tirelessly exploring the true meaning of Chinese painting. He has studied at Northwest Normal University, Academy of Fine Arts of Tsinghua University, and China Academy of Art, and has been taught by many famous teachers such as Wang Hongen, Ru Feng, Zhang Jie, etc.
The road is clear, and over time, in her heart, the road of struggle and recourse in front of her has become clearer and clearer, which is: devote her life, have no distractions, and admire the sages of the Song and Yuan dynasties.
Such faith is like a rock, which brings her not only inexhaustible motivation, but also a journey to the holy realm again and again. In such an artistic journey, she appreciated the infinite scenery of the pinnacle of Chinese painting in the Song and Yuan dynasties; Appreciate the spiritual power of Lao Zhuang's philosophy that is ubiquitous in all fields of classical Chinese art in this scenery, which makes the landscapes of the Song and Yuan dynasties incomparably lofty and wide, with profound artistic conception and profound meaning, which is inexhaustible.
As a result, in this appreciation, her artistic practice has taken on a more distinctive personality. Her literati painting style works are ancient, elegant, comfortable, fresh and timeless; Her small green landscape, studying Qian Xuan, seeking its charm, the color is elegant, beautiful but not vulgar; Her ink painting series, which is deeply influenced by the "Lujia Landscape", and the study of the "blank" technique makes the clouds and water in the picture dense and vivid; The treatment of counting white as black originates from Lao Zhuang's philosophy of the cosmology of the unity of heaven and man; The strange peaks and trees are ancient and clumsy, and they are tall and wonderful. All of this makes people feel full of otherworldly aesthetic taste, as well as flowing spirit, which is fascinating. All these original styles, magical brushwork, and flexible rhyme exude a high-grade literati atmosphere.
It is particularly worth mentioning that Zhao Juan's recent exploration is a rare new breakthrough for himself. This is the way of green and green, focusing on the personalized expression of Dunhuang art landscape. Its most recent creation, "Yo Yo Deer Song, Apple of the Wild Eating Series", is based on the series of murals in Dunhuang art, such as the nine-color green. The strong visual impact and the childlike composition are refreshing. This, which can be considered to be of extraordinary significance in her artistic practice.
How did it come to this? It comes from her years of solid and hard study.
On the one hand, as early as when she was studying at Northwest Normal University, Wang Hongen's dedication and generosity in absorbing and promoting Dunhuang art deeply affected her and became a long-term potential factor for her to have this breakthrough.
On the other hand, it is the effect of being in Hangzhou in recent years, immersed in the extremely orthodox academic atmosphere of the China Academy of Art. First, under the guidance of Ru Feng, Zhang Jie and other teachers, he asked Song Yuan, especially fascinated by Qian Xuan's green landscapes. Qian Xuan originated from Dong Yuan's landscape, and she was able to create a new physique, and the artistic charm of green and green colors and full of literary atmosphere all deeply attracted her. The second is to understand the exploration achievements of teachers such as Ru Feng and Zhang Jie in the field of Chinese painting art. I realized that when Mr. Ru Feng made an article on the green, he referred to the permeation of watercolor painting, the rhythm of light and shadow, pursued nature, harmony and peace, and expressed the experience of Jiangnan in his heart in a poetic context. It is also necessary to understand the purer view of finding inspiration in the "seven colors" and "five colors" that he advocates, as well as the experience of walking between "color" and "ink", "color" and "water", and "color" and "ink". The above is an important foundation for her to have this breakthrough.
All of this is summed up in one sentence: Thanksgiving for the beautiful Hangzhou! Thanksgiving! It is fulfilling Zhao Que's dream of Chinese painting art!
Speaking of which, I want to talk about a topic that seems to be off-topic and in-question.
Zhao Que is a good-looking female Chinese painter. Her hometown is Longzhong on the Loess Plateau. The natural environment of the cold mountains and thin waters seems to be somewhat incompatible with her dream of Chinese landscape painting art. The germination and growth of this dream can only be attributed to individual talent. Talent is undoubtedly a very important factor in determining artistic achievement. Perhaps it was providence that favored this talent, or perhaps it was the inevitable choice of her personal artistic journey, which made her long study tour finally settle in the beautiful Hangzhou, where the humanities and the country are beautiful. It can be said that it was her wandering heart that finally returned to her hometown of art.
Yes, beautiful Hangzhou, famous for its beautiful women. Beauty is a business card of this ancient cultural city. Therefore, we hope that Ms. Zhao Que can be more contaminated by the beauty of classical Chinese art here, so that the future of her art will be more beautiful like jade!
Therefore, I pray that Ms. Zhao Juan's artistic style will be more charming!