Xinmin Evening News (Reporter Le Mengrong) The "10,000 Dragons Art Exhibition", which brings together many domestic artists and art IPs, was recently held in Wang Xiaohui Art Museum, and the "10,000 Dragons Art Exhibition" was launched from three dimensions: past, present and future. Tracing back to the source of pre-Qin dragon culture, based on the trend of contemporary art creation, with the help of the wings empowered by AIGC new technology, we look forward to the future of "dragon culture".
Different from the traditional zodiac exhibition, the highlight of this exhibition is the perfect integration of traditional culture, contemporary art, fashion elements and the latest technology, led by artist Wang Xiaohui, fashion artist Xiao Xiao Shunzi, potter Li Jianshen, cartoonist Zheng Xinyao and other exhibitors. Visitors can play with rubbings on dragon pattern Han bricks, and the exhibition offers five ancient Han Dynasty bricks engraved with dragon patterns, and each audience has the opportunity to rub a dragon on ancient Han bricks. Rubbing is the oldest printing technology in China, is an important component of Chinese civilization, the ancestors used rubbing to learn the content of the inscription, continue the cultural dissemination, the audience can understand the millennium civilization through rubbing. In addition, since the launch of the solicitation on New Year's Day, it has attracted young AI creators from all over the country to participate in the exhibition, and far more than 10,000 AI dragons have been sent, and the museum has selected 1,000 to appear in the exhibition first.
Five naked-eye 3D dragons gathered at Wang Xiaohui Art Museum, flew into Nanjing Road, and flew onto the Bund. AR live streaming will become the new darling of digital communication. The treasure of Mingzhitang, China's largest ancient brick exhibition hall, the first dragon in the Eastern Jin Dynasty brick building world, walked out of the museum for the first time and entered the contemporary art museum, with the help of AI and AR technology, transformed into a large-scale light and shadow immersive interactive art installation.
Zheng Xinyao, chairman of the Shanghai Artists Association, drew a dragon with a brush this time, and with a wave of it, he saw the power of brush and ink, which was simple and modern. And this is exactly the image that Wang Xiaohui found in curating the exhibition. Wang Xiaohui used thousands of discarded CDs to make dragon scales, and used light and shadow to make dynamic special effects to make this dragon shine. Pottery master Li Jianshen ordered Kowloon for this exhibition, and it was shipped to Shanghai for the second day of the exhibition, which was the first time his works were exhibited in Shanghai.
Japanese artist Junko Koshinoko Molong reappeared, in the international fashion industry, she and Issey Miyake, Yohji Yamamoto and Kenzo Takada and other masters, she loves Chinese culture, enthusiastically promotes Sino-Japanese cultural exchanges, twelve years ago, she created the ink dragon for the Chinese brand, and the following year appeared in the Okinawa Flower Festival, praying for Sino-Japanese friendship. Six artists from Jingdezhen, Xu Hongbo, Xu Hongyan, Zhao Kun, Zhou Cheng, Li Lihong and Xie Xuan have newly created ceramic dragon works. Zhou Cheng's "Lu Lu" has just won the gold medal in the Chinese Dragon Competition.
So many such colorful dragon works come together, making the exhibition hall a world of dragons, endless. This is a conference between tradition and future, art and technology.