Author: The most beautiful author team in history - Wu Guang.
Word Count: 2838, Reading Time: Approx 5 min.
Our last article "On Jin Yong's Exquisite Self-interested Nature" involved the meaning of "the great man of chivalry is for the country and the people", and I will expand it here. Jin Yong means that even if he can't serve the country and the people, he is still a chivalrous man, but he can't reach the realm of a chivalrous man.
Jin Yong wrote about shooting eagles, and Huang Rong was the leader of the beggar gang and took the beggar gang ** on an expedition to Samarkand, just to please the Venerable Master Guo Jing. Jin Yong simply wants to enjoy rights, but he is unwilling to take responsibility, and he wants fame and fortune, to be honest, it is quite hypocritical.
Huang Rong stills. Throughout the reign of Huang Rong's beggar gang leader, it is simply a model of the ancient faint king: for the sake of the Venerable Master, he smiled and sent troops to expedition to the Western Regions; After the incident, he "ignored the government" and handed over all the affairs of the beggar gang to Lu Youjiao, and he also engaged in nepotism and let his son-in-law come to power. can only say that Jin Yong is writing "Smiling Proud Jianghu" to satirize political figures, why not take a look at the virtues of the heroine in his pen?
According to the setting of the golden book, before defending Xiangyang, Guo Jing and Huang Rong lived in seclusion on Peach Blossom Island for more than ten years. I don't say this for moral kidnapping, but it can also be seen from this plot arrangement that in Jin Yong's values:
1. It is duty not to be patriotic, and it is love to be patriotic.
2. As long as the elite is patriotic, they can obtain the best value and privileges. For example, Guo Jing, an amateur, deserves to become the leader of the Xiangyang defenders, and he can come and go as soon as he wants (dropped for more than ten years), and he can even easily market himself as the world's first hero, and he can continue to dislike Lu Wende, who really defended Xiangyang in history, and was stolen by Guo Juxia, is a "straw bag".
That's why there will be a large number of Liu Beiwen of Lu Wende NTR and Huang Rong. But in fact, Guo Jing's prototype may be Lu Wende, not Guo Baoyu or Guo Kan. Lu Wende is "a foolish little people, illiterate, every pretending to be an idiot, and a good rude doctor", his personality seems to be wooden and strong in martial arts, and he is good at using soldiers, but he also lives a luxurious life and accumulates wealth. Lu Wende used a large number of his own clansmen and fellow villagers, which was quite similar to Guo Jing's use of the position of the leader of the martial arts obtained by guarding Xiangyang to entrap the private party and develop his own power.
From Yang Guo's question, it can also be seen that Guo Jing is exaggerated. Can a big sentence cover up his adoptive daughter and not teach him? can cover up his pre-trial judgment, obviously the nephew is raised by his mother, but because he has the blood of his righteous brother on his body, he thinks that people must be the same as his father? To know what the real "great man" is, for the country and the people, it is better to read the story of Xinlingjun saving Zhao.
In "Why is it in the original book of Condor Shooting, Guo Jing always jumps sideways between Hua Zheng and Huang Rong repeatedly? has already interpreted Guo Jing's ambition. As of his death at the age of seventy, Guo Jing has been an underground emperor for almost forty years, and judging from Guo Fu's luxurious life, Guo Jing has lived a life of fame and fortune in the past forty years. From this point of view, the Guo family has accumulated a lot of wealth.
Of course, if Lu Wende is understood as Guo Jing's vest, then those Liu Beiwen are role-playing between the two people, what if it is more interesting to think about it?
As for Miss Guo Er's search for the Condor Oba everywhere in the era when the mountains and rivers were broken, not to mention the disobedient thing. You must know that Jin Yong has experienced the Anti-Japanese War era, and being able to write this kind of plot shows that he really feels that most of the land has fallen and does not delay the daughter of the front-line commander to spend a lot of manpower and material resources to chase stars.
Guo Juxia's flexible patriotic values of "being a Mongolian in Mongolia and a Song in the Great Song Dynasty" are not a life motto believed in by some elites.
This is not my words, Jin Yong**, even if it is the protagonist camp, how many can have the ambition of "serving the country and the people"? Refined self-interest is the norm for these chivalrous.
The rivers and lakes in Jin Yong** are the prototype of the gentry class, so resisting centralization, advocating separation, and pursuing autonomy is the class appeal imprinted in the genes of chivalrous people. Only by understanding this can we understand the many inconsistencies in Jin Yong**. In real history, almost only one of the ten gentry can be loyal to the country, six of the remaining nine are watching or even being grass on the wall, and three are bowing to the new master, which is the norm.
Jin Yong is a refined egoist, only interested in romance, likes to play smart, pure businessman. His books are not only contrary to harmony, but also contrary to the feelings of family and country advocated by ancient literati.
The combination of love brain and refined egoism also determines that the protagonist will never have a decent love rival, and his love rival is either very frustrated or killed by the plot.
So Jin Yong is not writing romance, but a male frequency cool article.
And if you think about it carefully, not only is it a rival in love, Jin Yong's **, there will never be a same sex in the protagonist's generation who is as good as the protagonist. If there is, it must be the younger brother of the protagonist, such as Tenryu Babu.
There are a lot of people of the opposite sex who are as good as the protagonist, and they are all the protagonist's women.
The Condor shot Yang Kang badly.
Xiaoao played Lin Pingzhi badly.
Yitian broke Song Qingshu.
Not much to say about the Condor stand-alone game.
Lu Ding Ji yy** don't say much.
Tianlong Babu played Murong Fu badly.
Murong Fu stills.
As long as the protagonist is in the version, there is no way that there will be peers who can really go toe-to-toe with the protagonist. Obviously, the previous generation of the protagonist can be all kinds of masters x feet, all kinds of peerless double pride, all kinds of world x unique. As a result, in the protagonist's generation, the rivers and lakes have become the protagonist's private clothes again. It is not an exaggeration to say that Jin Yong is the originator of the current Internet obscene and cool articles.
In addition to exquisite self-interest, Jin Yong also likes to write lovers, and has the same skills as Qiong Yao in the field of dog blood romance. Jin Yong has to lose the thirty-three swordsmen to the eunuchs, the first article of the Yue Nu Sword is a love triangle, and it is really impossible to make a Chinese swordsman universe who falls in love after writing it.
Jin Yong's protagonist has a classic quote - "xxx is dead, what's the point of me living?" This is like being wrapped in a small foot, forcibly curbing the mental growth of the characters. In fact, I like to say that xxx is dead, and I am not alive anymore, the giant baby is often easy to be like Li Jia in "Du Shi Niang's Angry Sinking Treasure Chest", and is fooled by Huang Mao's three words, and Huang Mao Sun Fu flickered Li Jia's words are exactly the pain point for the giant baby.
Du Shi Niang angrily sank the treasure chest.
In fact, I think the reason why Jin Yong sells well is that he uses a square and serious posture to write strange stories. This positive stance is very important to keep him in the mainstream and lack of competitors in the ecological niche. Like Gulong Wen Rui'an, he is empty of "strange, but not serious enough", which is not enough to protect the elderly.
Gu Long is romantic, but he really can't treat romance as a groundbreaking event in his writing. Jin Yong learned the penmanship of the Dream of Red Mansions, or the real classical romance penmanship, such as the Peony Pavilion and the Legend of the West Chamber, which does not have much connotation, but relies on writing to blow hard. Like the Peony Pavilion, Lin Daiyu dislikes the story of talented and beautiful women, and thinks that the image of the Peony Pavilion is very beautiful.
Yan Leisheng, these Jin Yong fans, like to brag about Jin Yong's timelessness. Yan Leisheng once argued that Jin Yong's lower limit is higher than the upper limit of Gu Long, the reason is that Jin Yong's essay "Look at these white clouds gathered and scattered, scattered and gathered, life is separated, and it is also the same", which is much more timeless than Gu Long. Those who think that George Martin is inferior to Jin Yong also appreciate the timelessness of Jin Yong's works.
But Jin Yong has strong writing and description skills, and the plot is very problematic. Martin should be stronger than Jin Yong, ** worldview obviously feels more flavorful than Jin Yong's worldview, and there is no organization with such a lofty temperament as the night watchman in the golden book, and the refined egoist can't write it.
Jin Yong also relies on a lot of books to form a world view linkage, otherwise a book of eight dragons, the world view is not as good as the creation of Kaifeng Mansion IP, creating a series of classic images such as Bao Zheng, Gongsun Ce, Zhanzhao, Dynasty Mahan, Zhang Long, Zhao Hu, etc. Many of the settings of Tianlong Babu need to be combined with other books to have a taste, and Jin Yong's chronicles are much better than Liang Yusheng. However, the problem with Jin Yong's chronicle is that there are too many air walls as history (air walls, meaning places that can be seen but can't be seen in open games), and basically, the maps that are not mentioned are all air walls, which have no blank beauty and no feeling of open world.
Like the godfather's worldview, openness is obvious, because the party's existential logic is compatible with the real world. In principle, there can be no air wall in history, unless it is a metaphor for the historical stage, for example, you compare both sides to gods and demons to abstract, intense, and label a historical process. And Jin Yong didn't write this, he wrote about the field of barnyard history, but turned the official history into an air wall, which is very embarrassing.
This article is the most beautiful original manuscript in history. Editor-in-chief Gun Jun, author Wu Guang. If you have copyright issues, please contact us.