Author The most beautiful author team in history - Wu Guang, zymzdx441
Word Count: 1445, Reading Time: Approx 5 mins.
Some people believe that today's readers are pursuing a sense of security, pursuing a certain relationship in **, and are afraid of real pain in **. And this pursuit will eventually destroy the genre of cyber**.
Is this really the case?
In fact, the popular ** mainstream readers of any era are pursuing a sense of security, thinking that it is only "this generation of readers is special", which is undoubtedly a wrong premise, and a series of conclusions carried out on this premise are all based on the preset answers, which will only be contrary to the truth.
Isn't the martial arts and romance sought after by the post-80s generation, the fairytale interpersonal relationship between people and people, a kind of safe haven?
The immortal heroes sought after by the post-90s, all kinds of immortality and decisive killing, aren't they also a kind of safe haven?
Even the ancient texts of all kinds of good and evil retribution, the reincarnation of heaven, and the manifestation of heroic spirits, aren't they just a kind of satisfaction with a sense of security? Not to mention that the ancients still had feudal superstition, a killer move that constantly gained a sense of security in reality. The so-called "pursuit of a sense of security stems from the unwillingness to endure hardship" can be said to be a conclusion that is completely contrary to the facts, in fact, human beings have the instinct not to let themselves be cognitively dissonant, and the giant baby is the truth of the human soul.
Readers in every era have pursued security, but in different forms.
And the most pursuing of a sense of security, it is precisely the mainstream readers of the last online literature, that is, the post-90s readers, not the post-00s readers of this session, compared to the mainstream readers of the previous online literature era, the set of "all the places are collected, no thunder and no depression" The magic pursuit, this generation of readers is not too cute.
"Blasphemy", so why did there be such a work as blasphemy in the last online article? Isn't it said that the last online readers were more afraid of pain?
The answer is that feeling safe is just one of a vast number of indicators, and sometimes it is not even a theme, or it is a theme but gives way to other topics.
To sum it up briefly:
The complete works of Jin Yong. All the mainstream three vulgarities on the market (Jin Yong: I have become three vulgarities) are catering to the market theme of that generation of market.
Post-80s mainstream readers' theme - the authenticity of love fairy tales, the authenticity of traditional Chinese medicine and qigong (nationalism). So the popular ** should meet this kind of theme. So Jin Yong Qiongyao was all the rage. However, most of the lives of post-80s readers have not been affected by the Internet, and the exposure of the darkness of reality is a nutrient related to their lives, so realistic themes also have their market.
Post-90s readers - in the face of the impact of the Internet, the huge gap between it and the reality of the old era has led to the fact that readers cannot love reality, so they are attached to the protagonist of the virtual world, so they cannot tolerate any suffering of the protagonist. That's why there will be all the harvest, no thunder and no depression. Therefore, the pursuit of a sense of security is the theme of the last era of online literature. However, post-90s readers are also full of curiosity about the grand unknown world while pursuing a sense of security, which is also not enough word-of-mouth, "Blasphemy" has become a hit, but "The Dust of History" can only be a niche, the reason is that blasphemy stories can satisfy more readers' curiosity about the world, for mystery, and for human nature. And dust can't.
The dust of history.
Post-zero readers - spoiled by the short **, developed a very bad reading habit, and lacked the patience to understand things with a threshold of understanding. In other words, the mainstream readers of the post-00s generation have lost the curiosity of the post-90s readers and feel that the information cocoon fed by the algorithm is very comfortable, which is the biggest audience challenge faced by contemporary online articles.
Recently, I watched some female frequency**, and found that there are a lot of female frequency** abuse articles, and some of them are also very good, and the feelings are sincere.
Female frequency** is a little good, that is, it attaches great importance to personal emotional experience, people-oriented, this point is done very well, male frequency** is almost all about how the protagonist makes contributions, the protagonist is just a tool of struggle, no wonder now turtle men are easy to be fairy PUA.
To put it simply, the male frequency is an external hero's journey, focusing on achievements but very rough. The female frequency is an inner hero's journey, focusing on the completeness of emotional experience, which is quite mature. So although the plot of female frequency is generally not hard enough, it is inappropriate to look down on female frequency excessively.
This article is the most beautiful original manuscript in history. Editor-in-chief Gun Jun, authors Wu Guang, zymzdx441. If you have copyright issues, please contact us.