The movie "Flower Thousand Bone" overturned! The new embarrassment of "drama to film", audience: Don't do it again!
The entertainment industry is keen on the phenomenon of "drama to film", and the latest movie version of "Flower Thousand Bone" has once again attracted attention. After the TV series that once starred Tang Yan and Zhong Hanliang became popular, the movie suffered Waterloo. This time, let's reveal a series of embarrassing details under the phenomenon of "drama to film".
The first problem is the actor Li Chengbin. Although it has a huge fan base, the film only broke 5 million box office in six days after its release, and the Douban score is even more miserable, only 39 points. This makes people can't help but ask, why is the box office not proportional to the size of the fans?
As it turns out, styling really matters! Compared with Huo Jianhua nine years ago, Li Chengbin's appearance and role are simply very different. Although Huo Jianhua was not young back then, his image in costume dramas has always been highly affirmed. But what about Li Chengbin? Not to mention that the image is not delicate enough, even the clothes look bloated and crotch-pulling. Looking at the Bai Zihua he played, the audience couldn't help but sigh that the original evaluation of Huo Jianhua may have been too harsh.
What's even more unacceptable is the director's misreading of the character image. The overly straightforward kisses and physical expressions in the movie make the audience not feel the depth of the master-apprentice taboo in the original work, but rather a little embarrassing. No wonder some viewers angrily said that this is a kind of desecration of the classics.
Looking back at cases such as "Why Sheng Xiaomo" and "Three Lives and Three Worlds Ten Miles of Peach Blossoms", it is not uncommon to see high box office but low reputation. This has caused the audience to question this model, should investors think differently?
In this regard, we call for a clear stay away from the classics rather than simply copying them. The audience's expectation for "drama to film" is more to see in-depth excavation of the original work, rather than a simple remake. A successful adaptation should be respectful of the original and a clever use of the cinematic form, rather than simply relying on popular episodes from the past.
Overall, the road to film and TV series adaptation has been bumpy. The audience needs more innovation and depth than repeating past successes. The entertainment industry may need a new change, so let's look forward to more originality and excitement. May "drama change film" no longer become synonymous with embarrassment, let us look forward to the stars of tomorrow in the entertainment industry!