The rise of Guoman has been shouting for many years, and in fact, there are only a handful of movies that can afford these words.
Journey to the West: The Return of the Great Sage (2015) counts as one, "Nezha: The Demon Boy Descends" (2019) counts as one, and "White Snake: Origin" (2019) counts as one. These three animation works themselves are relatively solid, and the box office is very **.
These three animations are all based on the derivative creation of national-level mythological characters.,It's a bit tricky in it.。
So it also sets off the director of Bu Sifan's "Big **" 2017) is even better.
I remember at that time, after watching "Big **", I was amazed by its dark-oriented theme, and deeply admired its original plot that was completely out of the low direction.
As a "tap water", over the years, I have really shouted for "Big **", praising it for its compact plot and profound theme, praising it for its unique director's personal animation expression technology, and the cruelty and coldness that pierces the **world.
I remembered the name of director Bu Sifan and was full of expectations for his future works.
After seven years of absence, Bu Sifan brought "Heavy Rain".
I also bought a ticket and entered the theater as soon as possible.
How so? Forget it, let's just spray it.
Although I like "Big **" very much, "Heavy Rain" is really incredible, and the director smashes his own signboard.
The first is to set a high and weak plot, and you want to be profound but not to.
There are too many elements, too many characters, too many ideas, and the ingredients are all delicacies from the mountains and seas, but it turns out to be a messy stew.
Then there is the bad group drama with no good to show for it.
There are a lot of characters in the movie, but none of them are the real protagonists - every character tries to turn himself into a dead runner.
Steamed buns and big millet are either you looking for me, or I am looking for you, sensationalizing to the point of getting tired. But functionally, they don't even get involved in the film's core conflict from beginning to end.
Lord Liu and Mu Yingzhi were both awesome when they appeared, but in the end they were reduced to NPCs, and they were blind to their own crazy and cool character styles. After the invention of the word "tiger head", it is particularly appropriate to use it here.
The pet bird raised by Mantou also has no sense of existence with the Liu brothers.
In the whole movie, only two Nightlings are doing their business and successfully summon the boss at the cost of self-sacrifice.
The one-third principle of the workplace mentioned in "The Queen of News" is still too conservative.
In fact, the movie also has some advantages, and the director's extraordinary imagination and presentation are still in the woods.
Unfortunately, these technical advantages really can't hedge against many of the disadvantages mentioned above.
There weren't many films scheduled in the first week of the release of "Heavy Rain", and even fewer now.
The box office must have smashed too.
I hope that the capital, which has always been high and low, will not be sent into the cold palace because of this failure.
You don't have to rush to succeed without directing.
Let this impetuous society have one more slow person.
Isn't that a very strong thing?