Author: Bagang Pulibu
Zhuang Meili is painting.
Am I a butterfly, or am butterflies me? This is the illusion of the exchange of the ancestor of the painter Mr. Zhuang Meimei, Zhuang Zhou Mengdie. When I actually walked into the butterflies, it seemed that I was melted by the flames, melting into the mysterious nature that was full of flowers.
1. The true meaning of butterflies
Butterflies are a kind of spiritually affectionate and capable flying insects that accompany humans. Its butterfly is absolutely like the phoenix and crane dance; The harmony of its butterflies is still a great harmony in the world; The grace of its butterflies, the grace of the exquisiteness makes the natural world have a dynamic beauty, and there is a smart pattern of human desire to depict. Because of his special love, he is often called the most soulful and elegant person in the world and the most sensational in nature. Pupation into a butterfly emphasizes a process. For the sake of more certainty, I carefully flipped through the words and other words, about the brief definition of the butterfly:
1. Butterfly, the abbreviation of butterfly. There are pink butterflies, butterflies and wind butterflies; 2. People with the surname "Butterfly". In the third year of Shunyuan, there was someone surnamed Butterfly, whose name was Lan, the word Haodu, and the person who was raised in the later middle, which was the first time that the surname of Butterfly appeared in the record; 3. Movements or shapes like butterflies, such as: butterfly swimming, butterfly-shaped flowers, etc. Stemming from the sincerity and consciousness that cannot be regained, people take butterflies as the "body" in their lives, carry out the "use" of culture, and use the positive and negative aspects of the creation to copy and the broad drawing to the reality. Such as butterfly play: it is said that butterflies fly and frolic; Butterfly Dance: A metaphor for the flow of prodigal sons; Butterfly warbler love: a metaphor for the strong feelings of love in spring. The appearance of borrowing has greatly increased the value of butterflies, and also opened up the field of butterfly fun, such as: butterfly swimming, admittedly one of the swimming postures: lying prone on the water, throwing the arms symmetrically and rowing forward, struggling to sail, similar to butterfly wings, so and so on.
Therefore, it is said that the jade seal is waiting for the chest and intestines, and I am not; The Danqing iron roll is hidden in the Jinkui stone room, and neither am I. It's just that with the simple patriotic paintings, plus the butterflies painted by Mr. Xijie and Mr. You Xizhuang. Therefore, knowing that the wings are colorful and beautiful, whether the horns are V-shaped, or like a small hammer, they are all wings on the back of the wings, and they like to fly up and down in the grass. Absorbing nectar between flowers is harmful when young. Because of his deep love, he has a panoramic overview of butterflies. However, the basic caliper for judging the quality of art works is: the frequency of love and the period of gaze retention. I walked into Mr. Zhuang Meimei's butterfly world with a conscience of evaluation.
A butterfly's life cycle goes through four stages: egg, larva, pupa and adult. The butterfly is beautiful, but its lifespan is short. Usually adult butterflies only survive for about a month in nature. If you are in a wintering condition, you can live for 3 to 4 months without any outing. Butterflies have tiny scales on their wings, and the more they shed, the shorter their lifespan. There is also a powdery substance on the wings, as if there is a velvet state, it is not only a beautiful ornament, but also those ornaments have practical uses, that is, the equivalent of human paints and coatings have the effect of resisting infiltration and waterproofing; It is also equivalent to a false coat, which is convenient for the golden cicada to shed its shell and save its life in times of crisis. For example, when a butterfly touches a spider's web, it can easily break free because of the layer of powder, so it often escapes when its life hangs by a thread.
However, the butterfly is not a cold-blooded animal, nor is it a homeothermic animal, its body temperature will change with the change of external temperature, and the external temperature determines the body temperature, and the body temperature determines the vitality. When the temperature is high, its vitality is greatly increased, and it is willing to fly; On the contrary, when the temperature drops, its vitality will also decrease, and it will be lazy and idle, or even not flying at all. Therefore, we rarely see butterflies in the early morning, and we can only see butterflies dancing when the sun rises and the temperature is warm. Butterflies generally do not move on cloudy and rainy days, which is determined by the natural mechanism of their own conditions and the balance of nature.
2. From the picture of "Lonely Butterfly", we can see the consciousness content of the outnumbered people, and appreciate the conscience and painstaking efforts of regenerative value to fill the diversification of high-end art
In the practice of butterfly painting for many years, the court butterfly paintings created by Mr. Zhuang Meili and the butterfly paintings of Wanzong are famous all over the country at the same time. She Li Lishu is diligent and diligent, and she can be regarded as chasing her life's desire, going to a gamble of fate, saving her mind and mind to strangle the dragon, and waiting for the accumulation of strength to turn the tide - she succeeded! The law is not alone, and the battle is born. Under the influence of Mr. Zhuang Meili, Bazi is crazy about butterflies, and he loves butterflies like drunk, as the so-called: although the home is small, it is also regarded as the East Wall Library, although the desire is small, it is even more unique to the West Garden Han Molin. My wife and I have a bedroom and study on the east side, and next door to the west is the common space for our family of four.
It's funny, every time after the class, after the meal, knocking on the computer, watching TV, learning calligraphy, appreciating calligraphy and painting, not holding one, flowers and flowers, very interesting - say Hanlin is not doubtful. Then, to watch and appreciate butterflies and talk about butterflies, it is necessary for us to have a general understanding and cognition of the beauty of butterflies, and even some enlightened concepts. Every detail of the composition is not "twisted" in advance, but the artistic "care" given to the picture itself by the "wedge" after the fact, that is, a kind of deep processing after coloring. In this way, the level of realism provided to the painting may be many times better than those who are eager to reach out and render the thick ink and color.
Of course, each painter has his own personal technique, which cannot be forced to be the same (quoted from Ba Ziben's "Art: The Rational Law of Super-Sensual Logic") "According to this theory, there is a certain number of self-beauty components and degrees in the chest before aesthetics are brewed, and this certain number is much higher and greater than that of other categories of mind. As you know, generally speaking, there are three states of mind: one is the fastest state, which is many times faster than light; the second is a slow state, so slow that it can be described as "rubbing"; The third is the state of stagnation. It is possible that the painter had all three of these states before he worked on the composition. In other words, before sketching and forming an image in the mind, it is necessary to obtain the conscious examination of art and the free consent of self-grasping, otherwise mature art will not come out of the cage. This is a statement of complete abundance, and it has nothing to do with the lack of harvest.
Just as life is a beauty, just as asymmetry is a beauty, just as imbalance is a beauty. Because, many times the reference is blank, and not everything in the world is real. As the three meanings of the "Diamond Sutra" say: The world is not the world, but the world. Mr. Zhuang Meimei's butterfly structure is quite bold, and the structure of her butterfly paintings often makes people look at the top. Just like a group of flowers and lonely butterflies, it is not a topic of conversation under common sense, but an irresistible construction of artistic reincarnation. Judging from the pixels of the overall picture, we do not touch the monotony and oligomorphity, on the contrary, the abundant control and undeceptive mutual confession directly reach the deepest part of the human soul - the harmony and beauty of the flower butterfly, which has achieved the supreme example of the stars holding the moon and writing character love poems together.
People are also in the world, the world is as beautiful as this, placed under the eyes, filtered to appreciate, open in Xinda, as if a skylight for themselves, when the heart is open, hum a few long sweet songs, in order to complete life, worthy of living, to plan descendants to fruition, with a beautiful and prosperous world, happy to be on the way. Mr. Zhuang Meili is surprising, the butterfly flies lonely like lonely is not lonely, we get a glimpse of thousands of weather from the back of the lonely flight, it seems to have a tendency to spread the sky, and the heart of the sea and lake is spread. And the beautiful Yao Huang blooms and blooms to trigger the love of the world, and the gorgeous Wei Zi blooms with the fragrance of flowers and provokes the love of spring. The panorama is simple and abundant, and the whole picture is thick and bright, which greatly mobilizes people's aesthetic feelings and reputation, and cannot but be struck by it.
3. The essence of "Four Butterflies and Lonely Cats" shows the unintentional evolution of natural protozoa, which provides a great incentive basis for human beings to subjectively confirm the existence of spirituality in things, and also provides objective aesthetic mutuality
Greed, hatred, ignorance, and suspicion come from self-righteousness, and if a person is not self-righteous, he will not give birth to eighty-four thousand afflictions. Therefore, seeking the Dharma outside the heart is an external way. And there is also a difference between the righteous way and the evil way. The right way: the good law of man and heaven. The good dharma in the world is called the path of liberation; Evil path: It is the path of liberation, the cause of obstacles. Although the six ordinary people did not enter the holy path, he was upper-class because he was on the right path; The evildoer is indecent, because he is following the evil path (quoted from Ba Ziben's "Philosophy Torn to Pieces, Part 1)" "Mr. Zhuang Meili is on the right path, she is not art for art's sake, but her true feelings are poured into the true nature and soul of art.
Therefore, her butterfly paintings depict the body, mind, and spirit of butterflies, which are the most distracting of the heart, and are necessary; heart, need; Spirit, important. So, if desire understands the importance of understanding, we must first understand the need, and the importance and need are all subject to the "need", if there is no "body", is the "need" of the heart meaningful? Does the "importance" of the Spirit make sense? Therefore, in the early days of human nature, it was more about taking care of one's own gains and losses, just like the king of Chu lost his bow and the Chu people picked it up. Or it is tempted to be ready-made, limited to the desire to be poor in oil, or only to cover the abdomen and cover the body without the intention to covet it. It's not that it's deliberately barbaric, it's that the culture of a particular era limits that particular cultural era.
As far as butterflies are concerned, as early cosmic creatures that almost coexisted with human beings, the predecessors did not give benefits to the events of cultural reconstruction, and the so-called new generation of painters in ancient times, or attached to the famous mountains and rivers, or obsessed with leopards, birds and tigers, or gazing at chrysanthemum branches and lotus leaves, do not seem to be able to become a climate. That is to say, the pupa depicts butterflies into the essence of the inspiration and love period, far from the beginning of human desire for beauty. Now, with the spread of Mr. Zhuang Meimei's fame, we are pleased to see that such a butterfly painting master has emerged in the Chinese painting circle, which is admired by the Chinese people. Mr. Zhuang Meimei's butterfly reminds people of Picasso's "Painter and Model", the mathematical essence of Pythagoras and the cunning of Socratic philosophers, and even the generosity of Mandela, the former ** of South Africa, just as logic is the most abstract idea.
The release of "Four Butterflies and Lonely Cats" is the culmination of the artist's "Tibetan knowledge" as the safest abode in her own heart—she uses all the worldly environments as a place to practice the art of Chinese painting. We know. This kind of psychological revelation directly corresponds to the unity of form realization, and is the synchronization and proportionality of the maximization of inner beauty and external beauty. This is probably the reason why the painter was able to paint butterflies to the highest level. From the whole picture, we can see such a magic: the cat's willingness to know, the naughtiness of the single butterfly, and the instigation of the three butterflies to prepare for war. And then we think of the warm and intoxicating spring morning again, the empty and undisturbed expansiveness, and the auspiciousness of the natural biological world, so that until we think of the song and dance of the prosperous era of China. The butterflies seem to be silent, and I think that if humans can understand them, the butterflies will also speak and express that kind of leisurely and happy mood just like humans. This is the quality of art, this is the charm of art, and it is also the character of art.
Throughout "a good Chinese painting, the picture is basically composed of "three-dimensional" co-construction—flowers, birds, and stones (except for space). In terms of the overall sense of technique and style, it can be attributed to the list of 'lowercase half-work'. From this painting and thinking of other paintings, we can imagine that the idea and writing of the painting cool class write articles. In the arrangement of this square inch, on the eve of the ink, it is generally said that there are the following seven steps: its.
1. The brewing of blurred pictures; That.
2. Hair growth of the outline of the brain map; That.
3. Placement of specific shapes; That.
Fourth, the scheduling of the reason for the pen; Fifth, the moisturizing pen that removes the redundant and increases the profit; That.
Sixth, the overall pattern obeys the finalization of aesthetics; That.
7. Use the most good artistic and spiritual hands to draw artistic tendencies that can command oneself and create extraordinary works of art.
This has a direct relationship with "artistic bai, yin ping". What is "artistic drawing huai, to sound", repeating in a nutshell: a good work of art, the serious idea before the pen is "artistic drawing huai", that is: the composition is "up to draw huai, to sound", and the implementation is "down bai, yin ping". In fact, every step of the painter's thinking is a kind of external looseness and internal tightness. In other words, every step is "updrawing". This is because: only in this way can you make your works "have a medium in the cabinet" at the moment, and then "get married when you leave the cabinet". To be honest, generally speaking, there is a gap between the theory and practice of the work and the thinking of a large number of people, and even a large gap between the work and the thinking. In other words, "reality" is inferior to "conception", especially the disconnect between the image of the work and the name given to the work. This is a "solder point" that needs to be seriously addressed and improved by all painters (quoted from Ba Ziben's "Art: The Rational Law of Super-Sensual Logic"). Mr. Zhuang Meimei's butterfly painting, the idea and realization are very consistent, amazing!
Fourth, the appearance of "Harmonious Five Butterfly Cats" stems from the painter's respect for butterflies, nature, and art
The respect and stability of human civilization is a rigid mechanism that a mature painter can best consider the humanistic mind and artistic conscience.
Mr. Zhuang Meimei's humanistic mind has a rational law of super-perceptual logic; Her artistic conscience is even more profound; Solid complex: Mr. Zhuang Meimei's artistic accomplishment has an extraordinary condensation; True feelings: Mr. Zhuang Meimei's artistic spirit has a diligent and resolute ascent; High-spirited taste: Mr. Zhuang Meili has a strong pursuit in his artistic life; Bright feelings: Mr. Zhuang Meili has more noble sentiments. These advantages of hers constitute all the requirements for her to be able to control Tu Die's perfection. Most pedestrians understand that the generation of art is the final declaration of pushing artistic thinking to the forefront of intuitive beauty in the visual frontier of art, forming a state of perfection that can be judged and clarified.
In addition, we also noticed the care, maintenance and love of the husband of the writer and calligrapher, Mr. Qiu Xuefei, for his marriage. Stealing chickens and touching dogs, Mr. Xuefei will not; Hot and cold, Mr. Xuefei did not; Deviant, learning to fly is even more impossible. What makes us feel is that the new and fresh of the precious sideburns of loving couples has never faded. For example, every time between relatives and friends, he always let his beloved wife talk about it. Although the incident is small and not very eye-catching, it is a perfect act of his heart and respect for his beloved wife. Therefore, the exaltation of his beloved wife, the exaltation of human nature, and the exaltation of things are also indispensable bonus elements for the achievement of Mr. Zhuang Meimei's artistic achievements.
Harmony Five Butterfly Cat", "butterfly" is roughly judged to be among the "butterfly". Because, its basic feature is that it has two whiskers like a small hammer. We noticed a few details: the reason why it is called "harmony" is that there is no such thing as a solo fight. Although it is a creature of two families in nature, at that moment, the butterfly on the flower is flying and dancing freely, its arms are fluttering its wings, and the spirit is happy and happy, and it is leisurely to enjoy the brightness and splendor; The cat under the flower watched quietly, as if it was shocked, like a dream, the beauty was vivid, and fortunately the right to eat and drink slightly drunk. What's even more interesting is that the kitten can synchronize with its mother's gaze and look through the foreground and be full of novelty. Isn't this kind of peaceful coexistence and peace of mind the best of humanity? It is similar to the instinctive reality that the Tao is not born in vain, and the instinctive reality that meets the fate is embedded in it. Indeed, I don't want to use the old tune of "lifelike" to describe the butterfly dance, which is too old and too weak.
In fact, the transformation of cultural "body" into cultural "use", and then from "use" to the "body" to express reality again, is itself the maximization of human nature by the ontology of the large universe corresponding to the paradigm of the small universe. This kind of lifting, from the real "butterfly" to the soul is painted with the true nature of the artistic "butterfly", from "true" to "false", and from "false" to "true", and finally will eventually move towards the "true" of "fake", this is a cool and handsome art chain, we seem to feel the same satisfaction with Mr. Zhuang Meili. In this sense, Mr. Zhuang Meili has completed the initial value selection of her life, completed the artistic pursuit in the original state of her life, and also completed the foundation of her sprint to the highest level of artistic truth.
She has realized the freedom of human nature restoration, the freedom of artistic restoration, and the willingness of life restoration. She gives the human form dynamic in life to the extreme comfort, but also gives human feelings a sense of faith that cannot be overturned. Because, with the duty of the artist's conscience, she carried out the natural confirmation of the concept of artistic activation. This is the inevitable acceptance of the artist's acceptance of the rules of art and the destiny of art, which is a great span of human nature and a great artistic height.
5. The picture of "Butterflies in Spring" embodies the accuracy of aesthetic thinking and the matching value of aesthetics, and is a directional response to the artistic clarity of the painter's inner world
Most painters know that "Gongbi" is good at issuing contracts according to neat rules. Its style is cool and beautiful, and it is like a small jasper, which is a cautious, delicate, and refined brushwork to depict the scenery of Chinese painting as a way of expression. The outstanding figures of Tang Dynasty flower and bird painting, represented by Bian Luan, can depict the living state of birds and birds, and can depict the gorgeous color of flowers blooming. A "Peony Picture", so far the light is brilliant and scattered, and the wonder is endless, which makes future generations sigh. Viewing flowers is like entering the garden, appreciating the painting to know the time, the cat in the picture, the brain and ears are standing upright, and the eyes stand on the "vertical line", which shows that the background of the painting is noon; Another example is the painter Huang Zhen of the fifth generation, who depicts birds and birds, writes flowers and flowers, and is meticulous and realistic, and wants to speak.
Mr. Zhuang Meimei's butterfly painting, on the basis of learning from the excellent painting methods of his predecessors, has a new stove and a new path to the stream, which is extraordinary. Her paintings are also both workmanship and meaning, and the workmanship is mutually reinforcing, and the match is repeatedly harmonious but not deceitful; It is also interesting, Zhuang is fun, and it is witty but not greasy. And her coloring is definitely better than the past: the shape is hooked in the shape, and the shape inside and outside are scattered everywhere, and there is a degree of macro and subtlety; The color is set in color, and the bits and pieces are clearly distinct and the shades are just right. Painting the butterfly, the butterfly is elegant and light to take the characteristics; Painting pink butterflies, the form and gods are all ready and the gods are more and more inclined; Painting butterflies, the wind dancing butterflies are so big that the feathers cover the heart. Every time you enjoy its butterflies, to the thickness of the mottled layer, such as three-dimensional vertical vertical, like a cicada thin, like the original Xuan is not dyed. A picture of "a group of butterflies in spring", the shadow of the flowers moves and flashes the branches, the fragrance of the flowers covers the vault, the splendor, the playful and uninhibited, the joy of playing, and the unobstructed exhibition is presented.
This kind of technique is upright and skillful, which embodies the profound creative wisdom of the painter, reveals the inexhaustible source of the painter's art, and conveys the exaltation of the painter's cultural thoughts. Zhao Wei sang the butterfly with her throat, sang the praise of the world clearly, and the singing made the quicksand of dancing, becoming a pagoda to look up to; Tan Weiwei Bing Qing Jie was full of meaning, and he sang Xuanyu Honghong, singing as a victorious battleship, and a giant hand for the moon. The "butterfly" penned by the painter Mr. Zhuang Meili is definitely a hard time cultivating for deep years, refining the sword and opening the hole. Her "butterfly", at first glance, is cool and detached, and it is also the same as the standard; The complex phase is seen beyond the truth, and it is in the form of a fake. And freely, swaying is not hindered, the butterflies are vivid, and the postures are varied.
If so, it is rare for a painter to repay the truth with the reference; And what is even more rare is to make the real fake and the false to be true; What's even more difficult is that the truth is fake. Mr. Zhuang Meimei's butterfly painting is a kind of everyone's admiration, style and nostalgia. This is an artistic thought, an artistic stunt, and a great artistic realm. When the sense of responsibility enters a dormant period, the ** of things will be temporary. Mr. Zhuang Meili did not, her personal responsibility - the realization of her ideals; Her family responsibilities – deep social status; Her public responsibility, the glorious value of group happiness; Her national responsibility - the art garden is full of strange flowers, and the quality is more abundant.
Sixth, the peak of enlightenment
There are at least two interpretations of the heart and the technique heart: one is a ball of flesh, which is the heart of blood; The second is the functional mind: worrying and depressed, troubled and excited, low and high, and so on. The mental method refers specifically to the functional mind: the ability to think and swing the system of that particular nihilistic practice and practical practice; The technique is a kind of means used by the painter to depict and practice when painting.
Generally speaking, the mental method should be understood as the inner brewing and outlining operation of the intuitive painting work, including the technique; The technique is the sum of the skills or skills of a pure painter. It can be seen from this that the mental method governs the technique, which is the premise of being responsible for the technique; The technique is subordinate to the mental law, which is the implementation of the specific behavior that embodies the mental method, similar to the sage Wang Yangming's "knowledge is the beginning of action, and action is the completion of knowledge". True knowledge is not changing, it is delusional, and delusion is real. Mr. Zhuang Meimei's mental method, we objectively say that we only know one thing, but we don't know the other; And her technique is concentrated in:
First, the butterfly painting starts with a white line drawing, and it is advisable to draw the outline of the butterfly with the overall outline, during which the length of the strokes, the hook and the bend, the thickness of the ink, and the proportion of the left and right arcs of the butterfly wings need to be laid out one by one with affection and freehand; Second, the pigments of his works are especially Buddha red (i.e., real gold powder), mud silver (real silver powder), as well as precious sandalwood, agarwood, rue, and incense.
Under this premise, Seiko depicts the butterfly's eyebrows and whiskers, and uses its final artistic mission to perfect the circle of the end of the Xuan: a skimming is true feelings, a horizontal and vertical is the return of ingenuity, pointing to the pointable place, depicting the body of the depiction, and paying special attention to the beauty of each butterfly in the whole picture, so that all butterflies Yao Yao Yiyi is more swaying, adding natural rhyme to the entire spring song, adding color to all the humanities and autumn colors, so that it is wonderful; Thirdly, gesture polishing is a very classic procedure in the whole process of painting butterflies: the color and luster are organically integrated with the butterfly skeleton, the light is infinitely compared with the hidden darkness, the head wing part is evenly balanced with the tail, the frolic and the solitary flight are adapted, the flight and the perching echo, compact but not crowded, spacious and not alienated, which embodies the artistic simplicity of "one source for the body and the microscopic (Wang Mingyang's words)" to the greatest extent, and concentrates on the essence of the beauty of reason beyond the beauty of sensibility. This is probably the fundamental reason why the artist Zhuang Meili is different from his previous paintings of butterflies.
Epilogue
The starting point of Yangming Xinxue (also known as Lu Wang Xinxue: Lu Jiuyuan, Wang Yangming) is "Longchang Enlightenment", which lays the cornerstone of Wang Xue, and constructs the basic theoretical framework of "heart is reason" - the unity of knowledge and action" - to conscience". If it is not for this "great enlightenment", Wang Xue may be difficult to achieve the realm of perfection.
For a long time, the "Dragon Field Enlightenment" has been shrouded in a veil of mystery, as if it was suddenly realized overnight, while ignoring many previous bumpy experiences, philosophical reflections and theoretical debates. Wang Yangming once believed in Cheng Zhu's "knowledge of things". Later, in front of a bamboo forest, I thought about "learning from things". As a result, I thought about it for seven days and seven nights, but it still did not come to fruition. After a serious illness. He found that "learning from things" was wrong, and then thought about Yang Ming Xinxue. There is no doubt about it. Mr. Zhuang Meimei's enlightenment in the Dingchang ("Dingchang" refers to Fuding, Fujian), and finally exhausted the "butterfly knowledge", or the avenue of epiphany in a late night, gave birth to the vivid scene of a hundred butterflies in spring, a thousand butterflies in mulberry, and ten thousand butterflies in the world.
From this, it can be seen: "From the perspective of the interpretation of the creative subject, art is a form of communication of desire emotion and desire emotion. It is the externalized expression of the painter's soul and the internalization of the cultural object's interests. As an expression of instinctive desire, art is an artistic game of free temperament, and a kind of spiritual co-construction of pleasure activity in which one's own work or participation in the excitement of others' temperament is involved. From the perspective of the interpretation of the relationship between subject and object, I believe that art is the perceptual manifestation of ideas, the imitation of the two states of form and spirit of real life parts, the so-called variation of the means of "use" by the cultural "body", and the general imitation of the natural local objects with witchcraft properties.
From the ontology of art, the form (i.e., the formal) is explained as: the preference for the results of the drawing form with the interest of life and the realistic art text with direct participation - from the 'body' to the 'use', and then from the secondary means of 'use' to the 'body' itself, art is born (quoted from Ba Ziben's "Art: The Rational Law of Perceptual Logic") "Mr. Zhuang Meili is in line with this artistic concept, depicting the roundness of her heart one by one, and the slightest bit is perfunctory, which is the prospect of her life. She is seriously preparing for her "Hundred Butterflies", flipping the hardships (according to the body) and joy (returning to the body) under the hands of the painter. I know that one day, her "Hundred Butterflies" will fly into the Great Hall of the People and dance in Zhongnanhai, becoming a famous product for party and state leaders to read and appreciate.
Fantasy, clinging to the imaginary, rubbing shoulders with the obscurity; Longing is far from understanding, but close to touch. Mr. Zhuang Meimei's artistic fantasy has been realized in both behavior and form, which is no longer obscure, nor is it fictional; Her vision allows the world to understand and appreciate art, and it becomes a beautiful touch up close. I have the privilege of fulfilling such a touch of myself up close, which can be regarded as a reward for what I have sought, a reward for reward, and a fulfillment of fantasy. If you think about it, although Bazi is not proficient in painting, he can be regarded as a responsibility for art, and it can be regarded as an enjoyable artistic roaming in his life. And being able to write a little specious text for Mr. Beauty's butterfly painting is a kind of glory and wealth in his life.
The first blue draft was written on August 25, 2009.
The final version was revised on September 10, 2009.
About the Artist:
Zhuang Meili, female, pen name Huixin Shangu, is a member of the Chinese Peasants and Workers Party and a national first-class artist. He is now a member of the Painting and Calligraphy Institute of China Education Television Station and a member of the Fujian Artists Association.
About the author of this article:
Bagang Pulibu, male, is a contemporary Mongolian writer, historian, philosopher, linguist, famous literary critic, and scholar of Chinese culture. ** A number of books.
*Co-ordinator: Li Wubin (This article was originally published on the People's Artist Network, authorized and agreed by the author**).