Angelababy, who has been banned from the whole network for 3 months, announced that the whole network will be unblocked.
Carefully checked all of Angelababy's social accounts, and found that the previous display "Due to violation of relevant laws and regulations, the user is currently in a banned state" has disappeared. Instead, it returned to the normal social ** personal page state. 
This also means that Angelababy's three-month ban ends here. Some of her fans began to cheer on the Internet, excited about the return of their idols: "Finally unblocked, for three months, we have been there" "Baby, I'm here, celebrate your return".
A lot of fans have attacked it, Crazy Horse is not pornography, it's art!
You don't know anything about art!
Is Crazy Horse really "art" through and through?
The Crazy Horse show is not real art.
Answer the question above first:I don't think so. The most well-known actor of Crazy Horse is Tita, and before Lisa went to perform, the dancer Tita's glass dance was one of Crazy Horse's most famous performances. Nowadays, many Chinese audiences say that places like Crazy Horse show present art, and they all say that Dita's show is very high-end. said that she was thoughtful and inclusive in the selection of actors, and that the actors were all good in terms of race, gender, age and body type. 
And she's a rebellious, sexually empowered, retro glamour, and femininity, and Lisa is on her side. 
In this case, Lisa, a Korean dancing at the Crazy Horse Show in Paris, what does it matter to us Chinese? In fact, there are inextricable links between them.
When a history of humiliation turned into erotic entertainmentAs long as you dig a little deeper, you will find that Tita not only has a goblet bath, but also staged an "opium house". 
In fact, there are not many Asians who have watched "Opium House", or in other words, there are not many people who have left a "feeling after watching". Because the history it describes is too heavy and too painful for Asians, especially Chinese. Even if I find many descriptions and thoughts written by foreign viewers, I can feel the contradiction and heaviness in their hearts. 
This kind of cultural appropriation, which can even be said to be a ridiculous and smearing program, even foreigners have lingering feelings when they watch it! And thinking of many people whitewashing ** dance venues such as Crazy Horse Show and Lido, and even some domestic stars even cheering for Crazy Horse Show, Sister Hua is really sad in her heart. 
Some foreign audience members have reported that they came to the Crazy Horse Show with an open mind, eager to see the true face of this so-called dancing queen. As a result, after watching "Opium House", they were all dumbfounded. 
A white female viewer said the "opium house" performance was the finale of Dita's show, "Strip Strip Hooray." But this show, like"A soggy burlap bag slammed into the audience, ruining everything that had gone before." The set of the Opium House dance is like this:
The velvet curtains slowly opened, and a white dragon could be seen leaping into view, and the delicate set was half pagoda, half sofa, surrounded by red lanterns. Tita wears a tight boreak with kimono sleeves, a collar, long black hair, and a headdress featuring cherry blossoms and red tassels. Sit in a silk cushion, bask in the orange-red glow of a paper lantern, and smoke a sparkling rhinoceros skin opium pipe.
As the performance progressed, she stumbled out of the opium den, slowly undressing in the haze brought by the opium. At the end of the performance, Tita is completely naked, and the imitation reaches a climax under the caress of two gloved arms. And ** is the gong, the zither, and the simplified, so-called far east proto cliché, a nine-note phrase. Since the 19th century, it has been considered by Western listeners to be"Asia and especially China"of things.
National Public Radio's Kat Chow wrote:"It's a shorthand way to express it'This is the Chinese; It's Asian'"。
Dita's character of the little dragon girl also followed this line of thought, and according to the account, the audience was noticeably quieter during and after the performance. They looked around in embarrassment, not knowing how to respond, they didn't applaud, they didn't cheer, they didn't know what to discuss with each other. It's just, very, embarrassing. I feel that it is very, inappropriate. Because everyone knows what opium, Chinese, means.
Because of that tragic history, even the Europeans themselves would feel ashamed and could not bear to face it.
A white lady who saw the show said, "I, a white woman, I was privileged in the eyes of a lot of people, but to be honest, I felt very sick about the show, like a cultural garbage disposer, like watching a World War II-era racist cartoon, and the progressive art form of burlesque should be rewritten rather than replayed this old antique." "These foreign audiences, a lot of them like burlesque, but they said"If we don't think critically, then these things can really affect us and hurt us. ”
In a romantic comedy, if the man in the film persistently pursues the woman despite the woman's rejection, or even hurts the woman. And when this behavior is praised, then these women are more likely to perceive stalking as non-threatening in real life. It's the same as "The House of Opium," a performance that uses negative stereotypes of Asian women to evoke sexuality, blending multiple Asian cultures in sets, costumes, and movements.
And every stereotype of "**Asian lady", such as Chinese dolls, geisha, and dragon girls, has appeared. And the program "Opium House" reduces the extremely destructive side of Chinese history, that is, the Opium War at the end of the Qing Dynasty, to the glittering cigarette in her hand to entertain and appreciate. One viewer thought that Tita was unconscious when she represented opium, a very serious topic, and the proliferation of drugs in the West has become a big problem. Many people have witnessed friends and even relatives being imprisoned or disabled or dying for this, whether it is in the context of history or in the current society, this topic needs to be carefully considered!
They portrayed China's opium smokehouses in a romanticized and erotic way, creating a fascinating spectacle. Completely ignoring the seriousness of opium addiction, entertaining and even sexualizing the pain and humiliation of a nation, once again turning Asian women into sexual resources and playthings, providing entertainment for foreigners.
This show has reached the point where even foreigners can't stand it!
No matter how many pictures there are, Sister Hua doesn't dare to put them anymore.
Another audience member commented: One of the most obvious problems in Tita's performance is the issue of cultural appropriation, and the performance does not belong"us"Is the culture appropriate? Artists should indeed draw inspiration from various cultures, can break stereotypes, can break through. But I'd rather see us pay homage to culture, to the beauty that inspires our creativity. There are so many colorful things in the world, why not praise them? Be conscious, and don't hurt the culture of other countries! No matter how offensive, subversive or avant-garde, a work should carry a certain level of self-awareness, which is the unwritten contract between the performer and the audience:When we ask the audience to respect us on stage, we also have to respect them. The performance of "Opium House" turns a hundred years of humiliation of a country into a theme costume when appreciating sexual playthings, in addition to **, it is also extremely barbaric. This show has been suspended for several years because the response is not good enough, but the malicious intentions behind it have never disappeared. Crazy Horse thinks this thing is easy to do, you say it's not good for white people to play Asians, then I'll find an Asian girl Lisa to dance, she is willing to dance, now you have nothing to say, right? Thinking of the "art theory" and "freedom theory" that I gave everyone before, I can only say that although opium is not imported now, there is a lot of spiritual opium. And this is the most terrifying thing that is really scary. Such so-called "** dance performances", whether it is "objectifying women" or "beautifying drugs and aggression", is not only not art, but a "cultural dross" worthy of vigilance. Therefore, now anglelababy's comeback is almost a foregone conclusion, but they were ** before, and they are really not wronged. I only hope that they can learn their lesson and never do such a chilling wrong thing again. Otherwise, it will only hurt the feelings of more people.
Because, we can have one less entertainment star, but we really dare not forget history.