List of high-quality authors
A few years ago, the filings of Xianjian 4, Xianjian 5 prequel and Xianjian 6 were released one after another, and this IP was like announcing to the world that he was preparing for pregnancy, and the progress was officially announced every three or five places.
In the Q1 quarter of this year, the concubine returned to the palace and gave birth to twin sons, Xianjian 4 and Xianjian 6 (also known as "Praying for the Present Dynasty") fought against each other, Ju Jingyi and Yu Shuxin joined the ranks of the new generation of fairy sword heroines.
For viewers who have not played the game, looking at it, they smell a smell of the impending sneak attack of the underworld
Wait, is it again and againFancy abuse of the heroineFinish???
As the heroine of Fairy Sword, it is difficult to endure mentally and physically
The Legend of Sword and Fairy series is an ultra-long-lasting domestic Xianxia masterpiece that spans and even the memories of the post-10s, from game derivatives to **, comics, and dramas, all of which have names and surnames in the circle.
This time, Ju Jingyi, Chen Zheyuan (in no particular order) 's "Sword and Fairy Four" and Xu Kai and Yu Shuxin's "Praying for the Present Dynasty" are all dramas adapted from the official IP.
The Legend of Sword and Fairy (hereinafter referred to as "Sword and Fairy") can last for nearly 30 years, and there is a reason why it can survive in the fierce domestic game market
The most famous "Fairy Sword 1" and "Fairy Sword 3" are works based on the "descendants of Nuwa" in the framework of myths and legendsThis series focuses on a "be is the most affectionate companion", and it is difficult to escape the proposition of "abusing women".
The taste of being abused when you are dead is very in line with the painting style of Xianxia dramas in the early stage.
In "Fairy Sword One", Li Xiaoyao, a stinky boy who has nothing but good looks, first peeked at a mortal fairy like Zhao Ling'er taking a bath, and then was pressed by Ling'er's grandmother to spend candle night in the cave room, and then he could forget it all when he went down to the island, without any psychological burden.
If it is placed in real life, this kind of operation, the people around will only call the police one after another. But at that time, this dream made many players never forget, especially Zhao Linger's character set in the end
A girl who seemed to be unworldly and helpless in the early stage, prayed for rain and mediated for the disputes within the clan, and finally became a freeze-frame white moonlight for the safety of the world and Warcraft 1v1, whether it is a game or a series, it makes people cry and look for paper.
The second female Lin Yueru is the setting of "sacrificing everything for the male protagonist".
The Lin family's family conditions are good, Lin Yueru doesn't need Li Xiaoyao to raise her, and her martial arts are not bad, and she doesn't even care that Li Xiaoyao is going to find Zhao Ling'er so she runs all the way, and in the end, in order to save these two people, she was stoned to death.
What's even more outrageous is that in "Sword and Fairy 2", Lin Yueru was also resurrected, and Li Xiaoyao took the child until he couldn't hold ......
Fairy Sword 3" is onThe male protagonist eats all kinds of female emotional benefits in a fancy wayBonus:
The original form of the male protagonist Sedum is the fairy Feipeng in the sky. The heroine Tang Xuejian's original form, the goddess Xi Yao, in order to give Feipeng, who was thrown into reincarnation in a private fight with Chonglou, a companion, used public weapons for private use, and threw the fruits of the cultivated god realm into the world, so there was Tang Xuejian;
The other reincarnation of the male protagonist is the crown prince Long Yang, his sister Long Kui, in order to forge a sword with blood, he threw himself into the furnace and burned him alive. Although the male protagonist also gave back to them, it was ...... compared to the other party's contributionIt seems to be very cost-effective.
Relatively speaking, although the drama version is a magic change, it still deletes the outdated settings in some games.
In the game, the male protagonist will go to different endings because of his different favorability of Yukimi, Nightshade, Zixuan and Jacaranda, and the drama version of Sedum and Xuejian is a complete two-way rush, which can be regarded as understanding that changes should be made according to the audience's taste.
So, after the end of the two classic works, will you continue to abuse women in the fairy sword series that will be launched later?
Isn't it, sir? Haven't finished abusing the heroine yet?
Before "Fairy Sword 4" and "Pray for the Present Dynasty", there was also a "Fairy Sword 5", starring Han Dongjun and Nazha (don't ask me why Sword and Fairy 5 was broadcast earlier than Sword and Fairy 4), which also tortured the heroine to death.
The heroine Tang Yurou, who has been a short-lived baby since birth, was cast by the master of Shushan for 20 years, and is destined to be unsealed after 20 years.
This version is very reductive to the ending, and directly filmed a heroine who blew herself up in order to defeat the boss
The soon-to-end "Sword and Fairy IV", although it is a drama that is out of the story line of Nuwa's descendants, the heroine Han Lingsha still cannot escape death.
The Han family has lived by robbing tombs for generations, so they have lost their yin virtues and have always had a short life in the world. Han Lingsha's short life was to break into the tomb of the male protagonist's parents, and was automatically parasitized by Wangshu Sword, and the female protagonist became the host of the sword.
According to the plot of the game, the female protagonist was originally going out to find the method of immortality, but because she met the male protagonist and his sword, she was constantly absorbed by the sword and soon became the "tomb of the beloved wife Lingsha".
Fairy Sword series, from one to five, each part is indispensable to toss the female protagonist, and the male protagonist of these five parts is still alive ...... the finale of the game
However, after the accumulation of a series of female abuse materials, the main creator of the fairy sword game has not made any progress at all.
From the beginning, the male protagonist can almost be said to be "taking it for nothing", obtaining the favor brought by the female protagonist, to the drama version of "Fairy Sword 3", Sedum exchanged Yangshou for other people's lives, which can be regarded as giving the male protagonist an actual payment; and then to "Fairy Sword 4", the male protagonist is alive, but he is also blind, and the mission of saving the world has changed from the descendants of Nuwa to ordinary mortals.
and then in "Praying for the Present Dynasty", which is adapted from Fairy Sword 6, the female protagonist Yue Qi and the male protagonist Yue Jin Dynasty are difficult to be called a complete couple:
The heroine is a humanoid ** extracted from the essence of the life of the divine beast**, and can also be called the daughter of the divine beast. Therefore, the male protagonist treats the female protagonist, and it cannot be described as simple love or friendship, or the relationship between the lovers above the friend.
From the original goddess, eldest lady, and demon girl, to mortals with some abilities, to non-humans who can't even figure out the situation themselvesThe transformation of the heroine of Sword and Fairy is not only the character design, but also the iterative disappearance of the proposition of "whether it takes great sacrifice to establish emotions".
Old IP reshapes the road to rebirth
From the first generation of fairy swords, the heroine has to face oneTram conundrum
Give up love or give up yourself, or give up guarding (career), and the difficulty coefficient of the male protagonist on this issue is very small. If Zhao Linger is facing life and death, then Li Xiaoyao is facing more of Tsinghua University or Peking University.
With the increasing number of female players in the "Sword and Fairy" series, the feedback on the plot has more perspectives, and "how to enrich the attributes of female characters" has become the top priority of the IP.
Starting from "Sword and Fairy IV", the main creative team has been consciously sharing the "sacrifice" as much as possible. There are four protagonists, and the endings are disabled, dead, life and separation, and growing old alone.
The male protagonist gave up his eyesight in order to use the artifact; The heroine was sucked by the cold sword and died in a short life; The second female is a demon clan, separated from her human adoptive parents, and will never be seen again in this life; The second male cultivates immortals and becomes enlightened, and lives a long life, but there is no female protagonist in the world.
Like Li Xiaoyao, who died with two wives, and lived a handful of years, has a daughter, a career, and grew up Anu as a confidant and friend, the male protagonist will not be copied again. Since there are regrets, it is necessary to divide the cake like Liu Xing, and there are only many regrets.
After that, there is also a "The Legend of Sword and Fairy Five Prequels", which has been filed and has not started filming, the female protagonist in the original work is a down-and-out performing woman, and the male protagonist is the son of a large family, and finally the female protagonist is eroded and possessed by the villain, the male protagonist first assassinated the female protagonist in order to kill the villain, and then jumped off the cliff in order to save the female protagonist.
From the posters released so far, this should still be retained.
The handsome and elegant scholar young master, with a drunkard orphan girl wandering the rivers and lakes, the heroine is not like a fairy, nor has a prominent background, she is still ordinary with her own heroic righteousness and sincerity, and the male protagonist will spend the rest of her life hand in hand.
By the time of "Praying for the Present Dynasty", the heroine can no longer be regarded as a normal person-
She has no father, and she is a living form cultivated with the giant beast Kun as her mother. Her emotional discernment and moral cognition are lacking in human beings, but the male protagonist gradually has an inseparable vision in her natural worldview, and has exchanged life for her twice.
The second female is even more Mulan-colored, because her twin brother can't go far away, so she pretends to be **, in charge of family affairs, and there are many little girls who want to go to her household registration book.
Until the latest launch of "Sword and Fairy VII", the role of Ichiban is no longer male, and the main perspective of the game is carried out by the heroine, and the main task of the heroine is to carry forward the endangered sect to which she belongs.
In terms of the evolution of the heroine's setting, the "Sword and Fairy" series has not fallen into the Mary Sue pit where all men in the world love me, even if some players in "Sword and Fairy VII" criticize the heroine's career development for being a little too stiff, but it can be regarded as trying to set the heroine into a double harvest in the love field.
"The pregnant fairy is pinched by a mortal boy" to "The handsome guy of the Protoss accompanies the mortal heroine to strengthen the court", the idea of "Fairy Sword" may not have been in the most advanced category, but it has never given up continuous improvement and continuous progress.
From this point of view, "Sword and Fairy" has beaten quite a lot of popular online IPs, after all, not every creator will learn a lesson after being stepped on in the face, and the main creators in the film and television industry who have no aesthetics for choking the audience are more tourists than Universal Studios queuing up.
Sister E's conclusion
The success of "Sword and Fairy" has opened up all kinds of female abuse literature. In Xianxia dramas, the blackening of the heroine and heroine abounds, and there is so much blackening that dark lipstick and punk eyeshadow are not enough.
There are also various female competition themes in the middle, all of which are left and right, and they can also fight for a lifetime of falling in love with other women.
This setting is essentially a trapped love.
Women always have to pay an outrageous price if they want to get loyal love, and you must know that the original setting of "Fairy Sword" came from men - men also know very well that it is very reasonable to bind a woman with love and children for a lifetime, even if she is a descendant of Nuwa.
More and more women are yearning for sadomasochism, which is approaching 0.
After real maturity, there are the darkest moments when people's blood pressure soars: the lactating mother squeezes out the milk and stores it in the refrigerator, and the father forgets to close the refrigerator door; When I came home from work, I saw my husband lying down and beating the king, and I didn't even order takeout; The two-legged gold-swallowing beast has to pay tuition fees, and her husband asks if he can apply for a cheaper ...... while smoking Huazi
When life is very tired, let alone abuse for love, even if you play an abusive passerby in the play, the audience will be so irritable that you will send a private message to the director if you don't want to shoot.
Female audiences don't like it so much, and they won't comfort themselves because "goddesses have to beat juniors", and they will only want to put scumbags into the ICU. Even old IPs like "Fairy Sword" know that they have to keep pace with the times, and some dramas that were changed from old online texts ten years ago don't want to be rescued again?
Today's topic:
Which heroine of the Sword and Fairy series do you think is the worst?
Let's talk in the comments section