During the Spring Festival in 2014, the film industry was like a grand battle of monsters, with films from all walks of life competing fiercely to challenge the box office peak.
At this passionate and suspenseful moment, "Article 20" has become the focus of attention with its profound narrative and Zhao Liying's outstanding performance.
The reason why this film is so eye-catching, it is no less competitive in the entire Spring Festival film market than the 100-meter final.
In this competition, the movies "Hot and Hot" and "Flying Life 2" stand out, ranking in the top two at the box office respectively.
Not only were these two films hugely successful at the box office, but they were also widely acclaimed, while the other two were not as good as they could be.
The ones who announced the cancellation were "Let's Shake the Sun Together" and "Mr. Red Carpet", which failed to hold on in the face of pressure.
Every film market competition is like a competition in the ring, full of cruelty and invincibility, and success and failure are fleeting.
With its unique narrative techniques and profound thinking, "Article 20", as a dark horse, has attracted wide attention from the audience.
Through meticulous attention to detail and in-depth analysis of the characters, the film breaks through the superficial glamour and presents a more realistic and profound picture.
Zhao Liying's outstanding performance in the movie "Article 20" cannot be ignored, and her role as Hao Xiuping shows a real and profound character.
It seems to show the poor life to the audience in a more realistic way, in contrast to the exaggerated image of the "fake poor" in some domestic films.
Article 20 successfully shows the true face of poverty through delicate depictions, and the audience can feel the real concern for the life of the bottom of society in the film.
Zhao Liying brought the character Hao Xiuping to life with her superb acting skills, and the audience seemed to be able to feel her breath and emotions on the screen.
This realism is not only due to the performances of the actors, but also to director Zhang Yimou's attention to detail and realistic depiction of poverty.
Zhang Yimou shows the suffering and tenacity of a poor life through delicate and realistic pictures, making the audience involuntarily sigh for the fate of the characters.
While speaking highly of Article 20, we cannot ignore some problems in domestic works.
Some screenwriters and directors pay too much attention to the external flamboyance and shocking effects, and ignore the in-depth depiction of details and the inner workings of the characters.
This paranoid tendency to pursue external effects has led to overly exaggerated and untrue plots in some films, which in turn has led to the audience's questioning of the authenticity of the film.
The image of the "fake poor" that often appears in some domestic films makes the audience particularly dissatisfied.
This false performance not only deviates from the original intention of the film, but also is an irresponsible satire of real life.
Audiences expect movies to convey real characters and emotions, rather than letting them be fooled by fictional and over-exaggerated plots.
In the process of creating domestic films, it is more necessary to dig deep into the details and truly show the inner world and life state of the characters.
Only through vivid and profound depictions can the audience touch the heartstrings and make them more deeply understand and pay attention to the real problems at the bottom of society.
It is hoped that in the future, domestic films can find a balance in their creation, maintaining a gorgeous appearance and effect, while not losing depth and connotation.
He focuses on deep details and characters in his work to create more realistic and moving works.
In film and television, it is the responsibility of artists to expose the nature of society, not to get caught up in a fictitious labyrinth.
The audience's deep thinking on social issues is triggered by the in-depth study of the law and the current state of society in Article 20.
Article 20 stands out in such a profound narrative and has become the most striking masterpiece of the Spring Festival file.
The audience received mixed reviews of the film, just like there are two sides to a coin. Some people think that the film is too dull.
I hope that I can enjoy more laughter and relaxation in watching the movie, instead of depicting real life too pessimistically.
Article 20 stood out among the Spring Festival movies because of its controversy and became a controversial masterpiece.
In this ever-changing Spring Festival film market, each film is showing its unique charm.
In this competition, "Article 20" stands out with its profound narrative, realistic and detailed depictions, and Zhao Liying's outstanding performance.
The audience not only experienced the shocking power of the film in the film, but also began to think deeply about social issues.
Perhaps screenwriters and directors should pay more attention to those films and television works that receive good feedback, listen to the opinions of the audience, and constantly improve the quality of the works.
Only in this way can we avoid unnecessary ridicule, promote the emergence of more excellent works, and present a more wonderful audio-visual feast for the audience.
Only by constantly forging ahead, in the journey of film creation, can a more brilliant future be realized. Zhao Liying's Article 20