In the seventeenth chapter of the wonderful Manchu Kanyu, the Manchu Kanyu axiom (1), (2) and theorem (1) are mentioned. This time, I will tell you about a new axiom called the axiom of the golden eye.
As we all know, the traditional culture of Chinese civilization is based on the Book of Changes. The Book of Changes is based on the changes of yin and yang. Then it means that those who can take on the responsibility of inheriting this kind of Chinese civilization must have a very high talent in yin and yang.
Sharp eyes are one of Sun Monkey's talents. However, it doesn't mean that whoever is thrown into Laojun's furnace can be sharp-eyed. The reason why Sun Monkey was able to unlock the skill of Sharp-eyed in the process of training in the Laojun Furnace was because he had the potential in this area.
The prerequisites for a dancer include good figure, good temperament, flexible muscles and bones, etc.
The prerequisites for a scientist include a talent for mathematics, a keen sense of insight, a high level of endurance, and so on.
A ** home, its own prerequisites include being able to blow. For example, the author of "Ming Blowing Those Things" was able to pull the demise of Daming to the Xiaoice River period, which is simply not too outrageous.
The Manchu Kanyu axiom (3) is also known as the sharp-eyed axioms: Kanyu, as an important field of practical application of the Book of Changes, must meet the objective requirements of the development of the Book of Changes. Those who can inherit the Kanyu must have a very high talent for yin and yang transformation comprehension. Just like Sun Monkey's fiery eyes, only those who have a very high comprehension talent for yin and yang transformation can have the insight to construct a mathematical model of the objective law of harmonious coexistence between man and nature.
*During the period, there are no more than five personal numbers, and the real name is unknown. It is rumored that only five are the descendants of Liu Bowen. He once mentioned an important word in the opening chapter of "Looking for the Dragon Point Cave Feng Shui Xiang Tomb" called: "eyesight". To put it bluntly, the compass is just an aid, and it's the same without it. Whether the selected plot is suitable or not, the only authoritative explanation is called "qi". This kind of qi can't really be measured with a compass.
However, Wuzeng particularly emphasized that the shape of feng shui mountains cannot be subjectively judged. If you don't understand the true meaning, don't speculate at will. Give the example of Ming Xiaoling. In "Counting the Ming Filial Piety Mausoleum of Nanjing Ming Taizu Zhu Yuanzhang "Big Dipper Seven Stars Theory" is wrong", it is said that in the nineties of the last century, Professor He Yunao, then director of the Institute of Cultural and Natural Heritage of Nanjing University, put forward a point of view: The plane layout of Nanjing Ming Filial Piety Mausoleum presents the "Big Dipper" schema. In the schema, the handle of the dipper points due north, which violates basic Feng Shui common sense. As stated in the "Green Capsule Sutra", "the king is in the four righteousness, and the south is governed". When the emperor sat in the court, he sat in the north and faced the south. Then it means that the bucket handle points from south to north, and it just points to the emperor at that time (Ming Taizu Zhu Yuanzhang). This design had a proper crime in ancient times: "great disrespect".