Li LihaiBorn in Jinan in 1960, pen name: Zhong Ming, the word Yongshi, the number Lichuan, Yishi. He graduated from the Fine Arts Department of Shandong University of the Arts in 1989. He is now a member of the middle school, a national first-class artist, and the former vice chairman and secretary general of the Jinan Municipal Federation of Literary and Art Arts. He is a member of the Shandong Branch of the Chinese Artists Association, a researcher of the Chinese Painting and Calligraphy Society, the vice president of the Network Chinese Famous Painting Academy, a member of the Painting and Calligraphy Association of the China-Europe Federation of Literary and Art Circles, a member of the Art Committee of the Shandong Provincial Art Research Institute, a special painter, the vice president of the Shandong Jinan Station of the China-Europe Federation of Literary and Art Circles, a member of the Shandong Painting and Calligraphy Society, a member of the Jinan Artists Association, the president of the Jinan Celebrity Calligraphy and Painting Institute, the vice president of the Calligraphy and Painting Research Association of the Jinan Cultural Relics Protection and Collection Association, the vice president of the Shandong Branch of the ** Painting and Calligraphy Research Institute, and the secretary-general of the Artists Association of the Jinan Federation of Industry and Commerce. The vigorous and profound and majestic creation of the painting form makes people feel the firmament of nature and the wonder of the creation of all things. With his skillful pen and ink depicted the mountains and rocks incisively, as if immersive, with a large area of blank sparse and dense composition, with a sense of knotted lines and ink blocks to make the whole picture appear harmonious and bright, there is a gallop opening and closing unity, it is really wonderful, breathtaking! His ink rhyme is like a clear spring in the mountains, flowing with endless charm, making people feel as if they are in the verdant mountains and forests, listening to the murmuring of the water, and feeling the beauty of nature. If you want to experience the magic of nature, Li Lihai's landscape paintings are definitely the best choice for you! The ideological conception of landscape painting
Li Lihai's Landscape Painting is an important genre of traditional Chinese painting, and its ideological conception is mainly manifested in the following aspects: 1Harmony between man and nature: In landscape painting, painters often take natural landscapes as objects, and show the harmonious and symbiotic relationship between man and nature by depicting natural elements such as mountains, rivers, plants and trees. This ideological conception emphasizes the interdependence between man and nature, as well as the philosophical concept that human beings should respect and conform to nature. 2.The combination of natural beauty and artistic beauty: Landscape painting pays attention to the combination of natural beauty and artistic beauty, and through the refinement, generalization and processing of natural landscapes, the picture presents both the truth of nature and the beauty of art. This kind of ideological conception emphasizes the unity of subjectivity and objectivity in artistic creation, as well as the principle that art is superior to life but higher than life. 3.The pursuit of far-reaching artistic conception: In the creation of landscape painting, painters often pursue far-reaching and subtle artistic conception, and make the picture have a deeper connotation and meaning through the atmosphere, charm, brush and ink and other elements expressed in the picture. This kind of ideological conception emphasizes the inner spiritual power of the work of art, and its value that can arouse the audience's resonance and thinking. 4.Advocating nature and natural interest: The ideological conception in landscape painting is also manifested in advocating nature and natural interest, that is, emphasizing that the picture should conform to the laws of nature and show the charm of nature. At the same time, it also emphasizes that the picture should be interesting and can arouse the audience's aesthetic pleasure and emotional resonance. This kind of ideological conception combines artistic creation with nature and natural interest, so that the works have both the beauty of form and the truth of connotation. To sum up, the ideological conception of landscape painting is expressed in the harmony between man and nature, the combination of natural beauty and artistic beauty, the pursuit of far-reaching artistic conception, and the advocating of nature and natural interest. These ideological conceptions are not only the essence of traditional Chinese culture, but also the excellent traditions that should be inherited and carried forward in modern art creation. Work appreciation.