The entertainment industry has set off another storm of actors' doubts, and this time the focus is on Yao Anna, the star of the TV series "Ice Hunting". With her appearance, a series of doubts poured in, including the financial problems of the crew, whether Huawei funded it, etc., making the whole incident confusing. On the stage of controversy, the role played by Yao Anna is in stark contrast to the character journey of actor Zhang Songwen, which has attracted the attention of the audience. Zhang Ziyi's previous remarks sparked heated discussions, and whether her position represents the majority of the audience has become the focus of controversy. Whether it is the voice of supporting Yao Anna or the voice questioning her, it has caused waves on the field. At the moment, everyone seems to have a different opinion on the acting skills of actors.
Some people believe that the audience pays more attention to the plot and the picture than the performance level of the actors. The emergence of this view seems to give the actors some breathing space, but it also triggers a rethinking of the level of respect for the actor's profession. I had a conversation with a friend who works in the film and television industry about this topic. He told me that some TV series or movies nowadays do focus more on production and special effects, and the actors' performances are put on the back burner. This may be due to the audience's desire for visuals and their eagerness to anticipate the storyline, he said. He believes that this phenomenon may make some actors feel lost and feel that their efforts are not recognized and valued enough. However, we can't ignore the importance of actors in film and television works. Just as a painting needs pictures and colors, a movie or TV series also needs the wonderful acting skills of the actors to support the storyline. After all, it's the actors who bring the characters to life and allow us to immerse ourselves in the story and empathize.
In China, the status of the actor's profession is indeed worth thinking about. Some people may think that becoming an actor is only based on resources and not real talent. Some of my friends who are actors tell me that they are working hard every day to learn and improve their acting skills, hoping to get more recognition and opportunities through their efforts. We can solve this problem by increasing the professional recognition of actors. This requires not only efforts within the industry, but also the support and understanding of the audience. If we can pay more attention to the performances of the actors and respect their career choices more, I believe that the actors will have more motivation to create more excellent works.
The status of the actor's profession is indeed worth pondering. By making more people aware of the importance of actors and giving them enough respect and development space, I believe that the professional status of actors will be further improved, injecting more vitality and creativity into China's film and television industry. Some proponents emphasize the expressiveness of the true actors, arguing that the acting skills of the true actors are not inferior to those of high-level actors, and even cite the cases of Wang Baoqiang and Duan Yihong as examples. The proposal of this point of view has injected new thinking into the entire actor industry, and also made the audience have more room to think about the selection and evaluation of actors. In this controversy, Yao Anna has undoubtedly been greatly evaluated and challenged. Her beauty and background in resources have led to countless opportunities, but they have also come with tremendous pressure and doubt. No matter what the outside world says, she is insisting on learning and working hard to improve her acting skills, and this attitude is worthy of recognition.
In this era of entertainment first, the current status of the actor's profession has been controversial. Some people believe that there are many phenomena in the entertainment industry that enter with resources rather than talent, which also leads to many excellent actors not being able to get the recognition and opportunities they deserve. How to make the actor's profession more respected and developed has become a difficult problem in front of us. In my opinion, the professional status of an actor is closely related to the needs of the audience. After all, the actors' performances are for the audience. If the audience is not the primary concern about the performance level of the actor, then it will be difficult for the actor's profession to get enough respect and development space. At the same time, we should not be overly demanding of the actors' professional acting skills. Because in a way, the audience pays more attention to the resonance with the characters. An ordinary actor may not have professional acting skills, but if he can perform the role vividly and make the audience empathize, then he also deserves to be respected and affirmed.
I once felt it deeply during a movie. It was a small-budget indie film, and the actors weren't big names, but I was touched by their performances. Although the acting skills may not be professional, they touched the audience with sincerity and emotion, so that people can find empathy in the film. This made me realize that an actor's career development depends not only on professional skills, but also on an emotional connection with the audience. Therefore, perhaps the real career development direction of an actor should be guided by the needs of the audience and pay attention to the emotional resonance between the actor and the audience. Only in this way can actors gain more respect and recognition, and the actor's career can be better developed. It is believed that with the passage of time and the continuous improvement of the audience's aesthetics, the status of the actor's profession will also be further improved, injecting more vitality and creativity into China's film and television industry. For the controversy of "Ice Hunting", we can't simply judge it in black and white, every actor grows up in continuous efforts and challenges, and the audience shapes their own preferences and standards in the process of continuous aesthetics. It is in this dialectical controversy that we can better understand and respect the diversity and complexity of the profession of actor.