Wenzizhuang.
Chinese painting tends to pursue the realm of blandness, innocence, and nature, and uses the mechanical changes of ink to create a kind of ethereal, clear, and interesting wonderland.
The use of minimalist lines to pursue simple brushstrokes, to convey the realm of painting and optimistic and open-minded attitude. Simplify the complex, and use a simple brush to depict objects.
Although the composition is simple and haphazard, the result is often unexpected and intriguing. The situation moves with the scenery, one picture and one realm, one realm and one meaning.
From time to time, I see the mountain village fence falling, and the cow is back to the sun; Sometimes the waterside farmhouse, the bamboo forest thatched cottage, the spring river returning to fishing, the sunset willow embankment, all with delicate and deep feelings.
Create an ordinary and fresh painting environment, showing the intoxicating pastoral style from different sides. The pen is soft and rigid inside, intertwined with dots and lines, and has a spiritual connotation.
The composition is strange but not strange, the layers are rich, and the painting of mountains, rocks and trees is changeable in appearance and the inside is the same. The penmanship can be chaotic and neat.
In terms of color, special attention is paid to the rich variation of hues and color levels. Plain scenes, very simple houses.
The trees that go straight in and out, and the cliff shore composed of three or five evacuation lines, are all casual and accidental works compared to the careful construction.
In fact, the best things are plain and naïve. The pursuit of a simple and lonely style, lonely is unique, clean is the dust-free of the moon.
The brushwork is pure and casual, and it appropriately grasps the essence of Chinese painting, which will make the work wonderful and intriguing.
Process Editor: Jin Tao.
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