The Spring Festival Gala program "New Year's Brocade" helped Hanfu break the circle again, "We have gone through this stage for 20 years".
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The Hanfu model of the New Year Gala is backstage at the Spring Festival Gala (some ** in the article are given by the respondent) (00:48).
May this thousands of miles of rivers and rivers clear the sea, Yan Fuxing and the east; May this season of cold and summer, flowers and all things wake up busy; May you live without worry, joy and sorrow, and eternal happiness and good health. On the stage of the 2024 CCTV Spring Festival Gala, the traditional Chinese pattern creation show "New Year's Brocade" amazed the four.
Four artists Liu Tao, Liu Shishi, Li Qin and Guan Xiaotong wore traditional Chinese costumes from various dynasties of the Han, Tang, Song and Ming dynasties and sang and performed to send blessings to the audience for the New Year. The "New Year's Chart" unveiled in the play was personally planned by Chang Shana, an expert in Dunhuang art and arts and crafts design and research, at the age of 93.
CCTV Spring Festival Gala column of the Year of the Dragon "New Year" and so on.
The antique and picturesque color is my favorite column in the Spring Festival Gala. This gorgeous and gorgeous national style fashion show not only won the praise of the audience in front of the TV, but also made thousands of Hanfu lovers excited: "Although it is now the 42nd year of the Spring Festival Gala, this marks the first large-scale display of Hanfu on this stage!" ”
On the day of the recording of the Spring Festival Gala, everyone wearing Hanfu could be seen everywhere in the background. It took us 20 years to walk from the street to the main station of CCTV. Hanfu enthusiast Xu Yueer said in an interview with The Paper. As an actor in the performance of "Nian Jin", she wore a Daming red python robe and a Zhai crown on her head, and performed traditional costumes on the same stage with more than a dozen Hanfu colleagues. This magazine invited her to share with you the story behind the Spring Festival Gala, and also talk about the road taken by an enthusiast from loving wearing Hanfu to devoting himself to spreading Hanfu culture.
Hanfu fills the sense of identity and belonging that I have always lacked in my heart."
Xu Yueer, a young woman born in the 90s, shared that this is her 15th year of love for Hanfu, and it is also the 13th year that she has worn Hanfu to go out. She was born in Xinjiang, but her parents were born and raised in Xinjiang, and since she was a child, she has been very envious of those ethnic minority friends who can dress up beautifully in a certain season, although we have to play together, but wearing fashionable plainclothes makes her feel that they look unsocial. Later, she moved from one city to another with her parents, and she often had a feeling of drifting in her heart. Whenever the people around her mention her hometown, that down-to-earth, full of pride and strong sense of belonging always makes her feel envious, and hopes that she can also have such a hometown in her heart.
Like many people, Xu Yueer watched TV when he was a child and liked to take scarves and bed sheets to entertain himself, "I have loved history and culture since I was a child, I love elegant and atmospheric clothes, and I have a retro dream in my heart." When she grew up, she happened to see the museum Hanfu ** issued by her friends, and found that this was what she longed for when she was a child, "Its color scheme is more natural and simple, more elegant and dignified, and the word 'Hanfu' also makes people feel very intimate." In addition to being fascinated by the beauty of Hanfu, I feel more about wearing clothes that include my own national culture. ”
The respondent Xu Yueer's first set of Hanfu.
Since then, she has officially "entered the pit". At first, according to the information found on the Internet and in the museum, I took the picture to find a tailor to make a homemade Hanfu, "My first Hanfu was based on a piece of Mawangdui Xinchai's tomb ** soil A curved skirt tried on the restored model, with the phoenix bird pattern fabric in the Han Dynasty." Gradually, she unlocked all kinds of daily wear of Hanfu and looked for people with the same hobbies, "When everyone celebrates according to customs, shows off their talents, and chats about traditional culture, the sense of identity and belonging that they have always lacked in their hearts is made up for in the kindness of their 'comrades' and strangers." ”
2022 Dragon TV's "Summer National Wind and Cool Conference".
It turned out that people didn't like Hanfu, but they didn't understand Hanfu. So she not only has to wear Hanfu to travel, but also wear Hanfu to participate in the recording of various programs, theatrical performances and cultural sharing, and at the same time wear Hanfu to live a real life.
Encounter Shanghai Fashion Week, Zhejiang University Pavilion Han and Tang Miracle Show, Silk Pavilion Hanfu Festival, the first Xitang Hanfu Culture Week and Ritual Music Conference, and more opportunities for colleagues to wear Hanfu.
This is part of the "Gangnam Festival Customs" series.
In recent years, Xu Yueer has focused on sharing traditional Chinese aesthetics and lifestyles on new platforms at home and abroad, showing the sense of traditional Chinese life rituals [Jiangnan Festival Customs], [1000 Things to Do in Hanfu] and [Cultural Relics Resurrection Project], which closely combine Hanfu with modern life, and have achieved quite good communication results. In addition, she also has a lot of experience in the restoration of Hanfu, drawing inspiration from ancient paintings, terracotta figurines and murals, and has tried 79 pure restoration shapes so far, spanning from the pre-Qin period to the late Ming Dynasty.
Hanfu cultural relics restoration, etc.
Based on these experiences, Xu Yueer met Mr. Chen Shiyu, the ancient costume consultant of the Spring Festival Gala of the Year of the Dragon, and was fortunate to participate in the "New Year" column.
The persistence of Hanfu enthusiasts weaves the "New Year's Brocade" on the stage of the Spring Festival Gala".
Mr. Chen Shiyu contacted me last year, and he said that there might be a chance to wear Hanfu into the Spring Festival Gala. Recalling the opportunity to participate in "Nianjin", Xu Yueer couldn't hide her excitement, "Most of the models in this episode of the show love traditional clothing and know it like me, so they can better show their beauty." People really want to promote this column to promote China's folk culture and clothing culture. ”
The Nian Jin presents a selection of 20 experts and scholars from hundreds of patterns from the past dynasties, most of which were restored and embroidered by special people, and finally presented to four artists and 16 Hanfu displayers. These patterns contain the expectations of Chinese children for a better life for thousands of years, and are also the crystallization of wisdom and aesthetics.
Sixteen Hanfu models who participated in the "Year of the Moon" (Weibo ID "Raising Eyebrows and Sword Dance" is the work of Chen Shiyu, an ancient costume consultant for the Spring Festival Gala in the Year of the Dragon).
The performers of "Year Brocade" are wearing 16 Hanfu styles of Han, Tang, Song and Ming that everyone has gradually discovered, tried and loved in the past 20 years. The main creator hopes that our Chinese's aesthetic of classical tradition will gradually rise again, and at the same time form the clothing culture that belongs to China today.
Among them, Liu Tao wore a deep dress from the Eastern Han Dynasty, with a dignified style. The clothes are designed with reference to the "Female Benevolence and Wisdom Map", and the pattern is a combination of dogwood pattern and moire, and a swallowtail gauze is worn outside. At that time, women pursued a solemn and delicate aesthetic, and the headdress worn by Liu Tao was also based on the restoration of cultural relics from the Eastern Han Dynasty, which was both noble and lively.
Liu Shishi wore a skirt in the late Tang Dynasty, with a rich style. This garment is mainly based on the image of the donor in the Dunhuang murals, the whole body pattern is more, with a pair of peacock ribbon patterns are more obvious, the skirt is decorated with wild goose flower patterns, waist and headdresses with flowing cloud unicorn patterns, shoulder draped wind patterns and silks, etc.
Li Qin's gown is a native of the Southern Song Dynasty, and its style is delicate and delicate, simple and square. The dark pattern on the surface of the gown is the peony laurel pattern, the collar is hand-embroidered with four seasons flower patterns, and the thin eyebrows and pearl makeup are also the aesthetic style of the Song Dynasty. The earrings she wore were imitations of the Song lotus leaf earrings in the Changzhou Museum.
Guan Xiaotong was dressed in Ming Dynasty costumes, with a stand-up collar and a placket, a horse-faced skirt, and a dignified and elegant style. The pattern of its jacket is mainly based on the Ming Dynasty gourd pattern satin collected by the Beijing Art Museum, and the "gourd view" pattern is the most typical on the occasion of the New Year. However, the bottom of the horse-faced skirt is decorated with the Ming Dynasty's "five gourds and four seas" ornamentation, with five gourds and four conches implying "five lakes and four seas" and harmony in all directions. The skirt is decorated with "Harvest of Grains" and the decoration of ladies appreciating lanterns, and it is also a pattern for the New Year.
After conducting a preliminary survey of the above-mentioned traditional patterns and intentions, Wang Ziyan, the lyricist of "Nian Jin", wrote all these words to express good wishes to the people of her home and country into the lyrics. Everyone participated in many rehearsals for the Spring Festival Gala, but until the afternoon of the Chinese New Year's Eve, it was still a mystery whether the 16 traditional costume models would be able to take the stage. We can only look forward to it together, adjust our mentality, and do our best. Fortunately, the show successfully passed the final review and received rave reviews when it was broadcast.
Interviewee Xu Yueer (first from right) wears a red python robe and a Zhai crown.
According to Kuyun Digital Entertainment, the peak real-time ratings of "New Year's Gift" on the day of the Spring Festival Gala were as high as 32%, and many viewers said that they wanted to vote for it as "favorite Spring Festival Gala column". These affirmations and praises made the creators and performers of "New Year's Brocade" very excited: "The "New Year's Brocade" on the stage of the Spring Festival Gala is woven by the persistence of every Hanfu lover and the hard work of all the staff involved in the show. ”
Focusing on Hanfu is to re-examine and return to traditional culture."
The New Year not only brings the beauty of traditional Chinese costumes and patterns to the extreme, but also triggers a boom in social networks. During the Spring Festival, there were more than 5 million traditional culture check-in and sharing activities, and traditional costumes such as Hanfu, horse-faced skirts, and new Chinese new clothes related topics frequently became popular.
CCTV Spring Festival Gala debuts traditional Hanfu. We have spent 20 years from the street to the stage at CCTV. For those who love traditional clothing culture, this show is not only the first time that Hanfu has appeared on the stage of the Spring Festival Gala, but also a great progress in the dissemination of traditional Chinese culture. Xu Yueer hopes that the Spring Festival Gala, a platform with extraordinary influence, can let more people know about Hanfu. In the future, comrades who wear Hanfu on the streets will no longer be called ancient costumes and costumes, nor will they be regarded as Koreans and Japanese, let alone misinterpreted as acting and cosplay.
The respondents brought their foreign friends dressed in Hanfu and wandered around the lantern festival.
Focusing on Hanfu is to re-examine and return to traditional culture."Some people may initially only design for beauty or maverick, but after truly understanding Hanfu, they will inevitably be fascinated by its culture, and its design is closely related to our national identity, which is easy to resonate with us. She chatted, in recent years, people are no longer strangers to Hanfu, and it is very convenient to buy Hanfu. However, subconsciously, many people still think that this is a clothing that is only worn on specific occasions or when taking photos, resulting in the illusion that Hanfu is "not everyday".
Hanfu can be integrated into daily commuting.
In fact, Hanfu has a very complete clothing system, in addition to formal clothes, including regular clothes, casual clothes, etc., with patterns and logic suitable for a variety of scenes. And what kind of clothing is worn in what situation is the most basic part of the culture of etiquette. "In fact, due to the differences in fabrics, layering, etc., Hanfu can adapt to a variety of climates. In the stereotyped Ming Dynasty, when the world style was more conservative, women were once popular only wearing the main waist, going out with armor and horse-faced skirts, dignified and cold. "There is a long way to go for the popularization and promotion of Hanfu's daily matching. ”
The respondent, Xu Yueer, dressed in Hanfu, gave an art tour.
The number of Hanfu merchants and the number of orders on various shopping platforms are quite large, and the development of China's Hanfu industry belt has become a research hotspot in the industry. Xu Yueer believes that the existing forms and systems of Hanfu are sufficient to meet multiple life scenarios, and further research and understanding are needed, and the fabrics and patterns are updated and designed, while maintaining the traditional shape, rather than using Western clothing to directly apply traditional imagery design concepts.
I hope that Hanfu can more truly enter our daily life, become a kind of clothes that can be selected, return to life, and tend to be ordinary. Xu Yueer said.